What is your middle name? Does it carry any special meaning/significance?
Here’s a shocker: my government name is not Jessa Joyce. I explained my choice of stage/pen name in a previous blog post, but I didn’t really go in-depth about the significance of the name Joyce, which is legally my middle name. Jessa was an older girl from my high school who was way cooler than me, so I ganked her first name. But who was Joyce?
Well, readers, this was Joyce.
My grandmother was born Joyce Sturgill in 1930 in the state of Kentucky. No middle name, as she was born at the tail end of the time before middle names were common. She was by all accounts a sweet person, and from what I remember of her, she was a bit sassy as well. She loved cats. She loved her family. She was an ordinary housewife and enjoyed simply taking care of her kids and grandkids. She never wanted for more than that.
I still remember her signature Appalachian accent yelling “Jaysee Joyce” from the other room when I was messing with something I shouldn’t have been messing with. Like the one time I hid her sweatpants under the bed and she caught them vacuuming. That was fun! But she was always quick to forgive my childhood pranks. I would cuddle up in her lap and watch Wheel of Fortune with her before falling asleep. Because she lived with us for the last few years of her life, we became pretty close.
She had a great sense of humor. One thing the women in my family are renowned for is our silly, off-the-wall, sometimes irreverent humor. When me, my mom, and my grandma were in the same room, there was never a dull moment. We’d have the entire family howling. And the food-catchers! The joke was that the female members of the family grew to be, uh, well-endowed in conjunction with our messy eating habits. In other words, my grandma’s shirts were never clean!
She unfortunately passed when I was still in high school. I remember walking into the hospital room to find her lying there dead. It appeared as if she’d been lying there alone for a while — no one had checked on her. I was the one who found her, actually. That was one of the darkest moments of my life. Things weren’t the same for my family after that. We grew apart. She was the glue that was holding us all together.
My grandma was not without her flaws. She had severe anxiety her entire life and would seldom leave the house over it. Her first attempt at driving a car, she crashed into a building, so she never tried again. Her cool Oldsmobile languished in the garage. I know people talk about how trauma can be passed down through generations, and it’s been established that anxiety is hereditary. My mother has severe anxiety as well, which has manifested as not really wanting to leave the house or drive. Sometimes I wonder if my grandmother’s and mother’s mental health issues poured into my own, as I’ve had almost crippling anxiety for most of my life. I don’t fault them for this, of course — we don’t pick our genes. In fact, it gives me perspective. I’m assuming these issues go back even further, perhaps multiple generations. The fact that the strong women in my family survived this long is remarkable.
Still, I don’t want to live in fear like the women in my family who came before me. I want to go outside. I want to live in the light. My grandmother was an amazing woman, but I’m sad she never got to adventure or see the world. That’s one of the reasons I embraced her name as part of my name. I want her legacy to live on through me. I want to travel and create and thrive, and I hope she can see me as I become everything I was meant to be. I hope I bring honor to her name.
Grandma Joyce never got to know me as Jessa Joyce. Sometimes I wonder what she’d think of me today, if she’d be proud of me. She wasn’t a performer or entertainer by any means. This life would be foreign to her. But I know she’d love me no matter what I went on to do or accomplish. She was more than just the matriarch of my family. She’s a part of me.
Your girl almost had a “crying in the club” moment, and on her own birthday, no less. Ever become like, overwhelmingly aware of your own mortality? Like, really aware?
I was at karaoke and scrolling through That Accursed Platform™ when I stumbled across this picture:
My hero, Ann Wilson, whose trademark long dark hair and straight bangs were the inspiration for my own hairdo. Her signature hair is missing. She looks beautiful, as always, but she no longer resembles me. She resembles another woman now.
My mother.
Ann is getting older.
My mom is getting older.
I’m getting older.
And if I’m honest, it terrifies me.
I don’t want to think about a world where Ann Wilson doesn’t exist. No one wants to think about their hero dying. Dying is such a vulnerable state, and your hero is supposed to be invincible, right? It’s the cracks in that invincibility that give you that unsettled feeling. Also, your hero is supposed to be someone you see yourself in. And seeing Ann get older is like seeing myself get older in real time. I’m seeing an older version of me.
I guess this is a Part Two to my first birthday post, since that last post also talked about my impending death. I won’t lie, I’m actually pretty content in my life right now, but there’s always that nagging feeling of “You are mortal. You will die. You will be forgotten.” It colors everything I do. I thought I was out of the OCD woods when most of my lifelong obsessions and compulsions went dormant a few years back, but now I’m realizing it just morphed into something else. There’s something called existential OCD, and it’s hell. Imagine grappling with the Meaning of Life every single fucking day.
Yeah, it’s not fun.
The good news is…well, I started typing that and didn’t really come up with anything great. I am going to watch all my heroes die. I’m going to watch my mom die. I’m going to watch my dad die. I’m going to probably watch a lot of friends die. And God forbid Crass or Livvy die before me.
But I’m not alone in any of that.
Death is part of the human experience. There’s a reason tarot experts tell people not to fear the death card. Everyone in human history has perished eventually. No man has truly achieved immortality. The closest anyone has ever gotten has been men like Jesus and Mohamed and Aristotle, whose ideas transcended millennia. But they’re rare exceptions. Most humans fade quietly into time. No one remembers who your great-great-grandmother was. In a way, the universal experience of dying and becoming forgotten unites us all.
I may be slowly catapulting toward death, but we’re all slowly catapulting together. I named this post “Don’t Fear the Reaper” for the Blue Öyster Cult song, but when I was writing it, I had the words from “Landslide” by Fleetwood Mac in my head. “Time makes you bolder, even children get older, and I’m getting older too.” There’s a good reason I chose it as my daddy-daughter dance (which was the only dance I was allowed to do at my own wedding — long story short, don’t marry a Baptist).
I wish there was an easy answer. I wish I was gullible enough to believe wholeheartedly in afterlife, but I don’t know anymore. I still consider myself a Christian, but a fairly agnostic one. I want to believe more than anything that there’s a special place for our souls after we die. More than that, I want to believe in that elusive Meaning of Life, some higher purpose for our existence, but I’m starting to lose faith in humanity for a lot of reasons.
I want to leave a mark on this world somehow, because I’m finding the only way to quell my fears of death is to life fully and with purpose.
I want to believe that should I die, there will have been some reason for me to have been here.
I’m starting to really appreciate the concept of community.
You see, I realized something recently — up until last year, my wife Crass and didn’t really have a community of our own. We had a few friends, even a few ride-or-dies, but no village, so to speak. And every night was the same — we’d get home from work, sit on the couch, and veg out until we inevitably got tired enough to sleep. It was a life, but it didn’t feel like living. It felt like we were just wasting time until the sweet release of death.
“I heard you were desperate for friends.”
I think things started to change for us when I met my girlfriend (we’re polyamorous, to clarify). We actually met at a Valentine’s Day event that I was hesitant to even go to because I wouldn’t know anyone there. But I met Olivia, and she had this contagious energy about her. As I found out, she loved going to things like art shows and open mics and festivals, and I found myself following her to those types of events. Suddenly, I was doing more than just working. I was living.
But karaoke was the catalyst that led to the life I know now. When we first went to Fort Wayne for my ill-fated internship, Crass suggested checking out the local gay bar the first week. Which was very uncharacteristic of her, an introvert, but I think she was feeling what I was feeling at the time. Restless.
It was at the gay bar that we met the first karaoke crew. There was Kyli, feisty and charismatic, and Theo, her calmer (albeit very silly) best friend, and their pal Zariel, a big lovable goofball who could sing “Poison” by Bell Biv DeVoe like no one’s business. They were so quick to welcome us into their world. We started going on all kinds of adventures around town, and despite the internship falling through, I don’t regret a thing because of the people I met there.
As I’ve started to say, the real music therapy degree was the friends we made along the way.
I’ll admit it sucked moving away from them (which was the only part that sucked about leaving Indiana, where no one should be). We’d finally found a tribe to call our own, only to lose them almost immediately. But we had to do what we had to do, and that involved moving to Kalamazoo, where the universe had been leading us for years. I started to worry if we’d find our people in this town. It was a college town after all, and we skewed a little older than college age. Were we doomed to be lonely again?
Then Crass threw out the same suggestion that seemed to work in Fort Wayne — let’s check out the local karaoke scene.
That first night, we met so many fantastic people (and one awful person), and we were hooked. From then on, every Friday, we’d gather at Old Dog Tavern downtown and sing our hearts out. There was Steve and Luke and David, the three most wholesome white cis dudes you’ll meet this side of Mister Rogers (but with a lot more marijuana). There was Mary Emma, a beautiful and confident slightly older queer woman who quickly became someone I could look up to. There was Clara, a kind statuesque blonde bartender who could quite possibly out-belt Aretha herself. There was Kim, who admittedly sucked, but they can’t all be winners I guess. The karaoke scene had so many colorful characters, and I loved getting to build relationships with all of them (except Kim, cause fuck Kim).
They say no man is an island, and it takes a village to raise a child. I’m sure those proverbs extend to women and nonbinary folk as well. I don’t often quote from the Bible on here anymore because I know spirituality can be a touchy subject, especially with our current political climate, and I don’t want to alienate any of my readers. Still, there’s a few verses from my favorite emo song — ahem, Biblical book — Ecclesiastes, that describes this phenomenon perfectly.
Two are better than one, because they have a good return for their labor: If either of them falls down, one can help the other up. But pity anyone who falls and has no one to help them up. Also, if two lie down together, they will keep warm. But how can one keep warm alone? Though one may be overpowered, two can defend themselves. A cord of three strands is not quickly broken.
-Ecclesiastes 4:9-12
I’ll leave y’all with this, and I promise it’ll all come together. When I married my ex-husband, it was a shotgun affair because of his faith, so I didn’t know a lot about him, like the fact that dancing is prohibited in his aforementioned faith. No one told me that until the reception. I was pissed. All I wanted since I was a kid was a fun session I could dance at with all my friends and family! I honestly should have been more of a bitch about it than I was.
I shoulda gave Bridezillas a run for their money.
Anyways, that marriage obviously failed, and when I remarried my current spouse, we had a small, intimate (also shotgun) ceremony that lasted all of ten minutes. So I never got my wedding dances.
As I mentioned in a different post, Olivia and I are engaged-ish. We can’t legally marry, but we can have one hell of a commitment ceremony to make up for it. And when one of my new friends found out about the disaster that was my first wedding, he offered to rally the karaoke crew together to raise funds for a ceremony for me and Olivia, one we could really dance at. It was enough to almost make me tear up. Not just the idea of finally getting to dance, but the idea of all my friends coming together to help us.
I have a community now.
Things aren’t great at the moment, and it has been weighing on me quite a bit if I’m honest. I don’t know what’s going to happen in the next few years. The Trump administration already removed the T from “LGBTQ,” which does not give me warm fuzzies about the future of us queer folks in this country. Will I be rounded up and imprisoned or worse for loving another woman? I don’t know yet, and it’s scary. But I’m not going into battle alone. I’ve got so many good people in my corner now, and I have no doubt in my mind every single one of them would fight for me if it came down to it.
Community is going to be what saves this country. More than ever, we need each other.
I had a realization a while back — one of the reasons I pursued music therapy was because it looked “good.” It seemed like a noble profession, using music to improve people’s lives in a meaningful, measurable way. I’d tell people I was studying music therapy and it was an instant “Ah yes, I can trust her, as she is clearly a good person.” All my boyfriends’ moms loved me for it, and strangers would tell me what I’m doing is so beautiful, so kind. It may just be playing guitar for some kid in a hospital, but to that kid, you’re a hero! And who doesn’t want to be a hero, you know?
I think I have a hero complex, and I think that’s what’s prevented me from jumping headfirst into performance instead. I always wanted to be a hero. I wanted to help people. And if I became a rock star, who would I be helping except my own selfish desires?
The typical perception of pretty much everybody is that performing and the arts are just little “extras.” They’re nothing but fun little distractions, right? No one needs a movie or a comic book or music to live.
QUICK! GET HIM THE LATEST TAYLOR SWIFT ALBUM!
What I’m slowly realizing is that, while we don’t need the arts to live, we absolutely need the arts to really live.
When I moved to Kalamazoo, I searched frantically for work. I would have taken damn near anything, but I wanted to try finding a job involving music. And lo and behold, a trivia company was looking for a music bingo host in my area. And I mean, getting to essentially be part-DJ, part-game show host every night?
What is “the ideal job for Jessa”?
I love what I do. It’s a great gig. But for a while, I was feeling like what I did didn’t really matter in the long run. People come into the bar, play music bingo, and leave, going on to live their own lives. I imagine there are probably nurses and firefighters in the audience, and what I do must seem so inconsequential compared to what they deal with every day. And I think those thoughts were starting to wear on me, because I got complaints from one of the bars I work at that I wasn’t “engaging enough.” At first I was angry, because what do you mean I’m not good enough?! But then I realized maybe I’m not giving it my all, and maybe that was because I felt like my job wasn’t important.
So I determined that this show would be my best show yet. I dressed just short of a full drag queen getup, picked some banger categories, and drank enough caffeine to kill a horse. I promised myself I’d socialize the whole time, even if I wanted to sit down. I even moved the chair so I wouldn’t be tempted to just sit down. I was going to give this show my all.
Then, something amazing happened. Sometimes, when you put good vibes out into the universe, the stars align and give you exactly what you need in that moment. What I needed was a glimmer.
No, not the She-Ra character.
Everyone knows what triggers are, but I recently saw that someone coined a term for the opposite phenomenon — glimmers. These are the tiny moments that make life worth living. I experience a glimmer every time I laugh with my wife, or hug my girlfriend, or hear my parents say they’re proud of me. They’re what being alive is all about. They’re little moments of pure joy, which was exactly what I needed.
No, not her either.
I walked into the bar to an array of balloons. It was an older couple’s 55th anniversary, and I was going to be hosting music bingo smack dab in the middle of it. Thankfully, the couple was cool about me coming to blast disco at them and even joined in the game, along with many of the other folks in attendance. The older woman who was celebrating her anniversary came up to me and told me that her and her husband’s song was “You’re Still the One” by Shania Twain. And anyone who knows me knows I never miss an opportunity to play Shania Twain.
Tangentially related fact: I was so obsessed with her as a small child, I’d draw pictures of her and not my mom. (Yes, my mom was a little jealous.)
When intermission came, the bar dimmed the lights, leaving only the hanging Christmas lights to illuminate the room. I cued up the song and introduced the couple to the entire bar. Then, everyone gathered around the couple with their phone flashlights. Seeing all of their friends and family surround them in a sea of twinkling lights actually made me tear up a little. The family would remember this moment for the rest of their lives.
A moment I helped make happen.
It’s easy to dismiss entertainment as an opium of the masses, even more so than religion, as Marx famously said. But I’d argue that entertainment is as important as the STEM fields, just in a completely different way. Sure, a particular song may be insignificant to you, but that song could have been the one thing that stopped someone from taking their own life. There’s a reason for this album’s existence. I know people who stay alive because they want to see what happens next in their favorite video game franchise. The arts and media provide those small glimmers that keep people going.
So maybe I will go all-in on being an entertainer and creator. Because someone somewhere needs my music. Someone somewhere needs a fun game night at the local bar. Someone somewhere is reading my writings about mental health and my own personal journey and feels less alone because of it. Artists, writers, musicians, video game developers, game show hosts — they’re all heroes in a unique but important way. Entertainment and art communicate ideas, and more than that, hope.
As of writing, we are halfway through December, which means the new year is lurking. As everyone prepares to sing “Auld Lang Syne” and kiss a stranger, now is the optimal time to look back at the previous year and reflect on how things went.
And damn, did they go awry this year.
My year in a photograph.
2024 was a trash-fire year for me, rivalling 2015 for the title of Worst Year of Jessa’s Life. 2015, of course, was the year I simultaneously got my heart broken by my crush of four years, graduated and realized I wasn’t going to find a job in my field and would probably never find success, and also dealt with some familial and health issues. But this year was honestly worse in every way. Like, this has literally been the worst one.
To think of how optimistic I was at the start of the year too. I was getting ready to begin the internship I’d been working toward for over a decade. I had just moved to Fort Wayne and was expecting an adventure. And what I got was a soul-crushing internship experience that I had to leave for the sake of my own mental health. I was going to drive my car into the fucking river if I cried one more time at that godforsaken clinic. I couldn’t handle the pressure. I failed.
Tail between our legs, we retreated to Niles, MI, where I could at least be close to my girlfriend. But we had trouble finding paid work in the area, our savings were dwindling, and we couldn’t afford to keep living out of AirBNBs. So my wife decided we should check out Kalamazoo instead, as we’d previously talked about it and decided it was a good central location between our family in Detroit, our new friends in Fort Wayne, and my girlfriend in South Bend.
Moving to Kalamazoo was the best decision we could have made, as the only good things to happen this year happened because of the move. My wife and I got involved in the local karaoke scene and made a lot of friends, which is new for us. We’d been shut-ins for most of our marriage. I decided that since music therapy was off the table, I’d pursue a different dream, one of becoming a producer and audio engineer. So I applied to the local university and actually made it into the competitive multimedia arts technology program. And I got back into doing what I love for a living — teaching music.
I realize I started this blog post very doom-and-gloom, but the more I write, the more I realize this year wasn’t so heck. Sure, we’re still broke and I still wasted so much time and money on a career that will never happen. Then there’s all the political unrest and the fact that the jabronis who won the election want to make my marriage illegal. But if there’s anything I’ve learned this year about myself, it’s that I’m resilient as fuck. When shit hits the fan, I’ll figure something else out. That’s what I do best.
Looking back at 2024, I don’t know how I could have survived without the people I’ve met this year in Fort Wayne and Kalamazoo. I never realized how empty my life was without my own little “tribe” of sorts. We’re social creatures by nature and we need each other. Maybe I’ll never be a music therapist. Maybe I’ll be broke for the rest of my life. But when I’m surrounded by the amazing folks I’ve met this year, well, you can’t buy that feeling. My Little Pony had it right — friendship is magic.
The real music therapy degree was the friends we made along the way.
I don’t know what awaits me in 2025, but I’m confident I can face anything now. This year absolutely took the wind out of my sails, but I’m going to keep persisting. I’m ready.
This post isn’t just an excuse to share a picture of me looking like an absolute baddie. You see, I made this very weird, very cool realization when I scrolled through recent pics to find this particular one.
That woman in the picture? I invented her.
When I was a kid, I had a lot of original characters. They were kind of my only friends when I didn’t have any to speak of. It’s easy to forget that I was ever uncool, but I very much was for most of my early life. I’ve talked about how I had to eat lunch in the library to avoid being pelted with ranch dressing packets, but that was really the tip of the iceberg. It got a lot worse than that at times. I scarcely remember a day in middle school where I didn’t come home from school crying. So I made up these imaginary people, usually rock stars, who’d be my friends, and on occasion, I’d make one whom I wanted to be.
That was Anne…I can’t remember her last name. It was Greek. She was Greek, as I had a brief Greek mythology phase (every teenage girl has one, I swear) and I’m pretty sure I made her to be the modern incarnation of Aphrodite. But I distinctly remember almost everything else about her. She had long dark hair, wore sort of gothy clothes, including fishnet stockings and gloves, and impossibly high black boots. She was the lead singer and guitarist of a rock band called Valentÿne (the umlaut is v important), and she had a teenaged little sister named Sophie of whom she’d become caregiver. She was an amalgamation of women I looked up to at the time — the Wilson sisters of Heart, other rocker chicks I admired, my own older sister, even. She was very much a wish-fulfillment OC, as I wanted nothing more to be a bad bitch with a soft side who wore cool-ass clothes and had confidence.
And I think I’m finally there. I’m not a rock star by any means, but I have people who follow my music career and love what I do, and that’s enough. I’ve got the looks now — dyeing my hair dark for my 30s was a good move. And in a way, I do feel like I’m the caregiver of a smaller, more innocent me. Sophie was always sort of my “inner child” in a way. I’ve become this character I invented as a little girl, and it’s so cool to see realized.
I keep drawing the Queen of Wands when I ask my tarot decks questions about myself, and I think that’s telling. I’m not superstitious, but I’m a little “-stitious,” so to speak, and I don’t think it’s a coincidence I keep getting this card.
She even has a cat!
The Queen of Wands represents a fiery, sexy, confident, vivacious woman who knows what she wants and knows how to get it. She is everything I created Anne to be, and I feel like I’m finally seeing those things in myself too.
It took me long enough, but I’m happy with who I am today. In fact, I think that might be a small reason why I’ve had trouble coming up with characters and stories as of late — I’m actually content with who I am and who’s in my life. That’s never happened to me before. It makes me want to hide inside my imagination less. Which is honestly not a good thing for a creative, so I should probably address that sooner rather than later. But in the meantime, I’ll enjoy this contentment.
It’s hard to believe I manifested this version of myself as a lonely 13-year-old girl with a sketchpad and big dreams, but stranger things have happened, ya know? I remember a time when I hated being me, so I feel like I’ve earned this feeling. I hope I continue to evolve into even greater versions of myself as I continue through life, and I’m excited to share that journey with you here.
As you could probably infer by the fact that I am a queer woman, I am not thrilled with the results. I feel betrayed by everyone who voted for the Orange Menace, and even more betrayed by the leftists who “protest voted” against Kamala for her stance on Israel. As if Trump isn’t going to level Palestine the first chance he gets. Now, we’re stuck with the consequences. The Supreme Court will be stacked with conservative judges for decades to come, and if Roe v. Wade being overturned is any indication, they’re coming for gay marriage next. It was cool having a wife while it lasted, I guess. Not to mention the fact that I’m probably only going to be able to conceive with my girlfriend, who is trans and saved some of her baby-making material, via IVF. If these clowns come for reproductive rights, I’ll probably never get to be a mom. Which is fucking heartbreaking and I might never get over it.
Those are not the things that scare me most about this election cycle. I think there’s something far more sinister going on.
We have an empathy problem.
I wrote a while back about how humanity is dead, and empathy is close behind. I’ve lost so much faith in humanity beings these past few days. People really don’t care about others. I see so much pain and heartache amongst those who will be most affected by the new regime, and these fucking insensitive maggots are gloating in their faces over it. It’s sick. Literally, I posted about my frustration with the results and the overwhelming response I received on social media was “suck it up, homo.”
And charming replies like this one from the aptly named johnpoophead.
I don’t think we’ll ever be okay again. I’ve lost so much hope. And people left and right are trying to gaslight me into thinking things will be fine, that Trump is the “most pro-LGBTQ president ever” and none of the terrible things I fear happening will come to fruition. I hope they’re right, for my sake. I’d rather hear “I told you so” than “get in the gas chambers.”
The results of this election have proven to society that bullying pays, that people who do things like, well, everything listed here, are acceptable leaders. And if Trump were to drop dead of natural causes tomorrow, none of this would disappear. The hate and ignorance are too strong now. I’ve even heard reports from folks in other countries saying their politics are turning far-right as well. Even if I could flee the country, where could I go? Nowhere is safe anymore.
My heart hurts. I didn’t want to believe people could be this terrible, but here we are. I’ll never trust anyone again, not when there’s a chance they could have voted against my right to have a family of my own. I want to believe humanity is good and that most folks are decent, but then…
I was on That God-Forsaken Platform That Shall Not Be Named when I saw someone share this status:
Everyone is cringy at 14, but I was a special kind of cringe. You see, at age 14, I was a very different Jessa (or shall I say, Jessie, as I was going by back then). I was in a sort of state of transition, as most people are at that age. For me personally, that transition was between shy, awkward me and cool, confident me.
I remember the catalyst for that transition being my seventh grade obsession with this cool guy named Kyle Kelley, who I was definitely going to marry someday. Suddenly, I wasn’t content to stay in the corner doodling pictures of Richie Sambora and imagining what Pokémon I wanted to add to my team when I got home. I desperately wanted to be one of the popular girls, like Kyle Kelley’s cheerleader girlfriend.
But that would involve me — gasp — talking to other kids!
Nightmare fuel.
I’ve touched on my autism before. I will admit I’m not officially diagnosed yet — it’s damn near impossible to get a proper diagnosis as an adult AFAB person. Because of the sheer amount of gatekeeping when it comes to diagnosis, most autistic folks accept self-diagnosis as valid. And believe me, the signs were all there. I was sensitive to loud sounds, hiding whenever I heard the neighbor girl’s loud bass from her car or the sound of the vacuum cleaner. I’d hyperfocus on things like Bon Jovi and parakeets, learning everything I possibly could about them and talking incessantly about them to anyone who’d humor me. I’d stim by making bird sounds and running around randomly. I would finish my homework quickly so I could spin around in the back of the classroom (okay, that one might be on you, ADHD). And I was garbage at socializing. Talk to people? You might as well have asked me to build a rocket to the moon, because that was not happening.
Then, of course, I met Kyle Kelley and suddenly, I had this burning passion to become “cool,” whatever that even meant. I studied meticulously the mannerisms and interests and the clothing of the girls I thought were cooler than me. It was almost like a science project, observing the “cool girls” in their natural habitats and trying to emulate them. Looking back, it was just baby-me learning how to mask, and I was absolutely terrible at it at first.
Somebody stop me, indeed.
Which led to me being labeled something of a bimbo, despite me being one of the smartest kids in my class.
I didn’t know how to speak to people properly, and I’d often clam up when confronted with an actual conversation. And so I’d say the first dumb thing that came to my head in my desperate attempt to say anything. I honestly didn’t know how to interact with other folks my age. I figured it was better to be considered dumb than be an outcast, and the kids in my grade thought I was funny and silly because of it. So I went along with the “dumb blonde” label, because at least it wasn’t “weird kid.” It was such a pervasive label, I even got typecast in the school play as the stereotypical bimbo. Like, this character was soap-eating levels of dumb. At least I didn’t have to actually eat soap for the bit (it was white chocolate).
And thankfully their chocolate tastes much better than their soap.
At some point between high school and university, socializing became more natural to me and I was able to shed the “dumb blonde” label. I certainly shed the “blonde” label when I dyed my hair dark (bleaching was starting to take a toll on my hair, and I wanted to emulate my hero, Ann Wilson). But I still have some empathy for the little girl who thought popularity was more important than being viewed as smart or deep. It wasn’t her fault people didn’t take the time to get to know her as anything else.
When I was a kid, I kept magazines by the family dinner table. I couldn’t eat unless I was reading something — anything! Usually I’d read about video games I was into, but sometimes I’d read about music. One of the features I always enjoyed in the music magazines was a featured artist’s list of their favorite albums of all time. Maybe it’s because I enjoy lists, I don’t know. Is that an autism thing? It might be an autism thing.
Anyways, I liked to imagine I was a famous musician being interviewed by one of those magazines, and I liked to consider what my answers would be. Now that I’m much older and have a platform of my own, I can just, you know, make my own list. I mean, what’s stopping me? So here’s my official top ten albums of all time. It’s not going to look like a lot of music critics’ top ten albums, as my taste in music is notoriously bad. I mean, Bon Jovi of all bands was my obsession for much of my life. But taste is subjective, am I right? And for better or worse, these are the albums that shaped me as a musician.
1. Bon Jovi – Slippery When Wet
I already mentioned Bon Jovi, so why don’t we start with there?
I remember the first time I heard this album. It was shortly after I discovered Bon Jovi due to the everywhere-ness of “It’s My Life” in 2000. I was very little at the time, but I loved that song. My much-older sister was a teenager in the ‘80s, so she remembered Bon Jovi’s initial run, and she still had her favorite cassette tape from back then. Starting up the tape and hearing synth intro of “Let It Rock” for the first time was nothing short of euphoric. I’d never heard anything like it. And then the bombastic vocals and heavy guitar came in, and I was absolutely in love.
Slippery When Wet also contained “Livin’ on a Prayer,” which was an immediate favorite of mine. I wasn’t sure what the hell a talk box was, but I knew I liked it. And how singable the chorus was! It would become my blueprint for creating earworms as a songwriter. There’s magic in that “woah-oh,” I’m telling you.
2. Def Leppard – Hysteria
After my mom confirmed her daughter’s bizarre interest in hair metal by giving her a Bon Jovi tape, she passed down even more of her and my sister’s music. Among the albums I received was Hysteria by Def Leppard. I was never as obsessed with Def Leppard as I was with Bon Jovi (and no one was as obsessed with Bon Jovi as me), but they still ranked high on my list of bands for that era. I loved the melodic nature of their music. You’d have this big, in-your-face chorus followed by some of the most captivating melodies. “Animal” is a great example of that.
My favorite from this album is “Run Riot,” which has the singability that I enjoy in a song. And the harmonies are glorious, owing in part to the amazing production of Robert John “Mutt” Lange, one of my favorite producers of all time. He knew just how to layer vocals and really create a lush soundscape with them. And speaking of Mr. Lange, he had a pretty big hand in the third album on my list as well.
3. Shania Twain – Come On Over
Before there was Bon Jovi, there was Shania.
Shania Twain was my idol. I loved her so much as a toddler. My own mother would get jealous because I’d draw pictures of Shania and not her (sorry Mom). I wanted a horse because I saw a picture of Shania with a horse. And of course, I listened to this album on repeat. I’m shocked I didn’t wear out the tape!
It would be easier to name the songs that weren’t bops on this album, because nearly all of them slap. (Wasn’t a huge fan of the title track, but everything else is a gem.) My burgeoning sense of humor really appreciated “That Don’t And Impress Me Much,” and I’d often quote it. “So what, you think you’re Elvis or something?” “Black Eyes, Blue Tears” was another favorite, albeit a pretty dark song for a three-year-old to truly grasp (it’s about domestic abuse). I loved the use of the talk box (again!) on it. And of course, Mutt’s penchant for strong harmonies is all over this album — he was the producer (and Shania’s husband), after all.
4. Taylor Swift – evermore
I’m skipping ahead quite a bit chronologically, but Taylor felt natural to bring up next. After all, Shania walked so Taylor could run. evermore came during the pandemic, when everyone was in a weird place already. Its sister album, folklore, was released less than five months prior, but aside from “this is me trying” (my neurodivergent millennial burnout anthem), none of the songs on that release resonated with me as much as the songs on evermore. Something about evermore just hit me hard.
Nothing comes close to the heartbreak of “tolerate it” or “happiness,” and the sweet tribute to Swift’s late grandmother, “marjorie,” is sure to leave you weeping, especially when the long-deceased woman’s ethereal voice echoes throughout the end of the song. One of my favorite bands, HAIM, features on “no body, no crime,” the catchiest murder ballad since The Chicks’ infamous “Goodbye Earl.” I’m also rather fond of “ivy,” with lyrics telling the story of a married woman’s tryst with another person who I am convinced is another woman. (She never said the song was autobiographical. I’m not a Gaylor, I swear.)
5. Jimmy Eat World – Futures
Confession: prior to about 2009, I didn’t listen to modern music. Anything made before 2000 didn’t really appeal to me, which meant I missed out on all the good emo bands. But a good friend’s then-husband was cleaning out his house and had a stack of CDs to give me, and Futures was among them. I remember the first time I listened to it en route to Chicago for a marching band field trip. I was absolutely blown away. The music, the lyrics, the entire vibe of the album — it completely flipped my perspective on 21st century music. Suddenly, I had a thirst for discovering other alternative and emo bands, which lead me to artists like Brand New, Weezer, and the neon pop-punk bands of the late 2000s.
The album itself is almost a concept album of sorts, dealing with addiction and longing. I couldn’t yet relate to the addiction part, although that would come later on in my personal story. But the longing was something I related to as an angsty teenager. I could listen to songs like “Kill” and “The World You Love” and cry about the fact that Dylan Martin from my church’s youth group would never love me back. I still love this album though, and Dylan and I are good friends now, so it all worked out in the end.
6. Weezer – Pinkerton
In making this list, I nearly forgot about Pinkerton. I’m sure Rivers Cuomo would rather me forget about it, as he was famously embarrassed of it. But it was a crucial part of my lovesick, sexually frustrated teen years. Looking back, the album is essentially Incel: The Musical, but I related to the lyrics quite a bit at the time, as someone who often found myself falling for guys who were less than interested in me. The songwriting on this album made me feel less alone.
“Why Bother” could have been the theme song to my failed teenage crushes. “Why bother, it’s gonna hurt me; it’s gonna kill when you desert me.” And the simple acoustic track “Butterfly” is possibly one of the most beautiful songs ever written. It evokes the image of catching a butterfly only to watch it wither in captivity. It’s a poignant metaphor for holding onto a love that is ultimately bad for the other person. Sometimes it’s better to let go, which was a painful lesson for me to learn. Rivers was there too, and that’s why I love Pinkerton. It’s so real and raw in the way it handles interpersonal relationships.
7. Heart – Bad Animals
This was another cassette tape given to me by my mom, who I credit for my taste in music. I remembered hearing Carrie Underwood cover “Alone” as part of an American Idol performance, and my dear mother was like “You’ve got to hear the original.” She pulled out this tape and my mind was instantaneously blown. I’d never heard a voice like Ann Wilson’s in my life. The sheer power behind her vocals gave me shivers. And to learn that the rhythm guitarist of the band was also a woman — that changed everything for me. It was the first time I’d seen another female guitarist. Suddenly, I had someone to look up to in music who looked like me! Representation frickin’ matters.
“Alone” is obviously the standout track from this album, the power ballad that made me fall in love with power ballads. I recorded the music video onto a tape, which my autistic ass watched every single morning before school. I wanted to be like the Ann and Nancy Wilson. They were so beautiful and talented and effortlessly cool, unlike me at the time. I’m not as famous as the Wilson sisters, and I probably never will be, but I’d like to think I made that little girl proud. I’m certain the sheer amount of comparisons I get to Ann Wilson whenever I sing Heart at karaoke would make younger me beyond happy, and that’s what matters.
8. John Frusciante – Shadows Collide With People
I’ll admit I was a little torn between including this album versus one of the Red Hot Chili Peppers albums that has influenced me. I discovered John Frusciante through his work with RHCP — I still remember hearing “Dosed” from their album By The Way for the first time and being mesmerized by the beautiful guitar work. It made me want to further explore Frusciante’s work, which lead me to this particular solo album, which I found in a record store or a Goodwill or somewhere. I don’t remember exactly how I happened upon it, but it was quite serendipitous that I did. It ended up becoming my favorite album of all time, carrying me through one of the hardest years of my life.
“Carvel” is an absolute gem of an opener and the reason I pestered my old band to buy me a Carvel cake while we were on tour. The “Carvel cake” in the song is meant to represent drugs, and as someone who very nearly averted an addiction to alcohol, I found myself relating to a lot of the lyrics. The instrumental tracks on the album are eerie and unsettling in the best way, and the ending track, “The Slaughter,” is one of my favorite songs of all time, closing the album on an optimistic note. “I know my pain’s a life away,” Frusciante croons, and I feel it. The worst is over.
9. Chappell Roan – The Rise and Fall of a Midwest Princess
This is easily the most recent album on this list, as Chappell Roan’s meteoric rise to fame was only within the past few months. But this album gives me so much hope for the future of pop music. I was in a musical rut for a long time, and I was starting to become worried that, like many thirtysomethings, my taste in music had solidified. I wasn’t sure if it was my getting older or new music getting more boring that made me give up on discovering new artists. After all, I remember going to karaoke at a bar full of Gen Z college students, and their song choices were decidedly overwhelmingly subdued. The younger generation grew up on the likes of Lorde and Billie Eilish, who, while very talented, mostly make bummers, not bangers. What we needed was someone to inject pop music with a bit of fun. What we needed was a femininomenon.
I have a hard time picking one or two favorites from this album chiefly because they’re all incredible. “Casual” is ethereal and heartbreaking, culminating in Chappell screaming at her would-be lover “You can go to hell!” in the final line. The sheer passion in that delivery gave me goosebumps the first time I heard it. And the horny lesbian anthem “Red Wine Supernova” is an obvious standout, with candid lyrics and witty references to “wands” and “rabbits” (if you know, you know). It’s such a bop, even Melissa Etheridge referenced it at one of her recent shows. Melissa walked so Chappell could run.
10. Jessa Joyce – The Oceanography EP
And finally…me! It’s probably an unusual choice to put your own album on a list of albums that changed your life, but I can’t think of an album that changed my life more. Sure, it didn’t take off or become as successful as I would have liked, but it proved to me that I could do it. I could record an album! My 2013 spring break was spent locked in my office at the newspaper I worked for at the time, utilizing the Mac desktops there for the GarageBand feature. I had a shitty Blue Snowball mic and a whole lot of caffeine and nicotine in my system (as I hadn’t yet been diagnosed with ADHD and that was my form of self-medication). It was released to Bandcamp with little fanfare, but I felt accomplished. Ten years later, using the knowledge I’d built up about music production and improved equipment (and Adderall), I re-recorded the entire project and released it to Spotify and, well, everywhere else.
“Oceanography” was a song about my longing for a particular guitar-playing guy to like me. It’s about that feeling of wanting to know everything about someone because you’re just that fascinated by them. The folksy “Smiles & Anchors” was dedicated to another guitarist, the title of the song taking its name from his band. The angsty alt-rock “Off the Deep End” was about a completely different guitarist and how I shouldn’t like him, and “Song of the Sea” was about a breakup with a fourth guitarist whom I dated in college. The album could have been called Songs About Guys Who Play Guitar Better Than Me. But they’re all part of my story, and I still love the songs to death, even if those guys aren’t in my life anymore. That’s the beauty of music I think. It’s a snapshot of a time in your life, and Oceanography represents so much of my history. That’s why it’s on this list. I am who I am today because of my lived experiences, and songwriting is my humble way of documenting those experiences. It’s my way of screaming into the void — I was here. Isn’t that what music is all about?
Here’s the short answer: so I don’t lose my freakin’ mind.
The long answer is a bit more complicated.
I started this blog back in 2018 (I think). At the time, I was married to someone I wasn’t truly in love with and stuck in a conservative church that increasingly came to represent everything I didn’t want to stand for. I was still fresh out of college with a journalism degree I knew I was never going to use, but I still had the itch to write something. Anything. So my blog, which at the time was titled “I’m sorry I mean it,” simply became me screaming my displeasure with my current life into the void. “I’m sorry I mean it” was a double meaning — “I’m sorry and I mean it,” and “I’m sorry, but I mean what I’m saying.”
Writing has always been a catharsis for me, though, dating back to elementary school. When I was teased mercilessly and ostracized by nearly everyone, I made up characters to serve as “friends” for me. I didn’t have imaginary friends in the traditional sense of the word — I knew these characters were make-believe — but they were real enough to me to fill a void. My long school days were spent daydreaming about these fictional characters, and eventually, their stories spilled onto paper. I’d hurry up and finish my work for the day, then spend the rest of my time fleshing out these characters in stories I dreamed up, usually inspired by whatever I was into at the time. I had a whole series based around three pets trying to get home and the grand adventures they would go on.
My writing is nothing if not derivative, but it’s cool.
That’s part of why I find it harder to write these days. For the first time, I’m genuinely pretty happy. I don’t have to rely on my inner world to satiate my desire for human interaction. I have two amazing partners, a wildly supportive family, and more friends than I know what to do with. But I still love writing to clear my mind on the bad days. It’s how I handle negative emotions, as evidenced by the everything on this blog. If I couldn’t write about my music therapy journey on here, for example, I probably would have lost my mind. The entire experience was so traumatic, I needed to vent about it somehow. Just the act of hitting “publish” on a blog post gives me a sense of relief. As painful as it is to put these emotions down into words, once it’s over, it’s no longer stuck inside me. In a way, it’s emotional bloodletting.
There are other reasons I write too. I realize I have a unique lived experience as a queer polyamorous Christian woman, and I have a platform where I can tell my side of the story. In a world that’s become increasingly hostile to folks breaking the norm, I feel like my words give a voice to a lot of people who aren’t represented in media. I know this from private messages I’ve received. My blog makes people feel seen, and I love it for that reason. My mom always encouraged me to write about socio-political issues — the pen is mightier than the sword, as she would say.
I know I’ve made this joke before, but it bears repeating. It’s what Mom would’ve wanted.
Writing, to me, is my biggest catharsis aside from music, and the two often go hand-in-hand. I’ve written some of my best lyrics as a result of emotional turmoil. “Ladies Don’t Start Fights (But They Can Finish Them)” was written about a feud with a former best friend who betrayed my trust. “Queen” was written during a time when my bipolar swung into a deep depression as a way to lift my own spirits. My newest song, “Fake Nice,” is my way of coping with criticism from my partner’s mother, someone whose opinion of me I valued. If I couldn’t write about the things that bother me, I don’t think I would have made it this far in life.
If you’ve been following my blog for any amount of time, I want to personally thank you for being with me through the highs and lows. It hasn’t been an easy few years, and this blog has seen me through some of my worst days. I appreciate the time you’ve taken to read my words and take them to heart. I do this not just for me, but for you, too! This is my way of screaming to the world, “Hey! You’re not alone!” I just want to be a light on someone else’s darkest times. I want people to read this blog and know that they’re in good company, that things will eventually turn out okay with time.
JESSA JOYCE 