Rejection as Redirection: When You Have to Pivot to Your True Calling

It happened again. I was let go from the autism center.

It felt like a flashback to the fateful meeting with my music therapy internship supervisors back when I was in Fort Wayne. I went into the meeting expecting a completely different turn of events. I loved the job. I wanted to ask about how to advance. I wanted to see what kinds of degrees I could get to dive even deeper into the field. I had a whole plan to rework the field of autism therapy into something better for neurodivergent folks like me eventually. Even my boss wasn’t expecting her boss to tell her to let me go. But the writing was on the wall. I wasn’t advancing as quickly as they needed me to, and that was that.

But I wasn’t as devastated as I should have been, weirdly enough. And I think it’s because the universe has been trying to tell me something for years, and now maybe is the time to listen.

There’s a great quote that’s commonly (incorrectly) attributed to Albert Einstein that amounts to “if you judge a fish by its ability to climb a tree, it will spend its entire life thinking it’s stupid.” Even if Mr. Einstein himself never spoke these words, I feel there is a truth to them.

I have always wanted to be a healer of some sort, but I never really knew what that meant for me. I’ve spent my whole existence being told that because I’m compassionate and intelligent, I belong in a clinical setting. It made the most sense logically, especially if I wanted to actually make money with whatever I ended up doing for a living. I had every intention of getting into pre-med until my parents talked me into music therapy instead.

And…yeah, that didn’t exactly go well.

Don’t worry, this isn’t a sad post.

You see, the autism center wasn’t my only form of employment. I moonlight as a music bingo and karaoke host, and the gig has not only been the longest job I’ve ever stuck with, but also the best job I’ve ever had by far. It’s creative. It’s engaging. It involves music and extroverting. And for the first time in a long time, I’m doing something I’m good at. It’s funny, I remember the strange dichotomy between the ways my bosses in various fields would speak to me. When I worked in healthcare or similar clinical settings, it was always “Jess, why can’t you keep up with your coworkers?” But then my bosses from the entertainment company would call me and sing my praises. It was like that song I liked in high school, “According to You” by the very underrated guitarist Orianthi. According to the higher-ups at my day jobs, I was stupid and useless and couldn’t do anything right. But according to him (the cool dude who sends me my schedule for music bingo every week), I’m a good enough host to literally send across the country in a big stupid airplane to train up new folks.

Maybe the autism center didn’t work out because that wasn’t my calling.

I love entertaining. I love being a creative. I love being surrounded by music and life and people. Perhaps I’ve been flying in the face of my own favorite piece of advice: never break your own bones to fit into someone else’s box. I don’t belong in a cold, clinical setting. That is not me. I belong on a stage, or on a screen, or even just behind the scenes furiously typing up the script. I was meant to create things that inspire and challenge people. The world needs a voice like mine, and I need to stop being so afraid to use it. That’s my fatal flaw — I’m afraid of damn near everything.

Which is why I’m shocked I’m not more worried about my current less-employed status. I have faith that things will work out somehow. I want to do the research on how to get my writing published properly. I might get back into streaming video games again with my wife and roommate. I want to lean into my work as a KJ and music bingo host and bring music and fun into the everyday lives of everyday people. Most importantly, I want to figure out how to make a living doing what I love instead of desperately trying to shove myself into a niche that isn’t mine. I’m no longer interested in pretending to be something I’m not.

And if I have to carve my own path, that’s what I’ll do.

The Last Post I Will Ever Make About Music Therapy (Probably)

It’s not exactly a secret that for a majority of my adult life, music therapy was my life.

My initial plan was premed, as I felt a calling to heal folks in some form or another, but I had to be born to the only parents in the history of human civilization to convince their child to drop out in favor of music. They knew where my true passion lies, and it was not in slinging pills or performing open heart surgery. But my parents weren’t stupid — they also knew I needed college if I ever wanted to escape the dull working class existence I’d been born into. Higher education was very much still in the cards for me, and so they brought up an alternative, something I could study that involved both music and healing.

Music therapy.

And from then on, everything in my world revolved around this one thing. I immersed myself in the literature and journals. My fingertips seldom left the fretboard of my guitar as I practiced all the pop standards every client loves. (Wanna hear “Stand By Me”?) I became close with my professors and cohorts and did everything I could to learn from them. There were a lot of uncertainties in the world for me, but I knew in my heart of hearts that I would one day become Jess J. Salisbury, MT-BC.

(Yes, Jessa Joyce is not my government name.)

It was more than a major or a career path to me. Music therapy was my entire identity for upwards of twelve years. Even when I wasn’t in school actively pursuing it, I had designs on getting back into the program when whatever thing I was actively going through was over. It was my Plan A, B, and C. And I got so close to the finish line too. I remember the look of pride on my now-deceased father’s face at the graduation ceremony when I’d completed the necessary coursework. I’d never been more proud of myself. And I was fresh on the heels of winning one of the most prestigious awards at the university I was attending, so everyone was watching in anticipation of what I was going to do next.

I had no idea it was about to come to a crashing halt in the godforsaken city of Fort Wayne, Indiana, where dreams go to die.

When it was time for me to select an internship, it came down between a hospice in the northern suburbs of Detroit (where I was living at the time) with a woman I’d worked with before and admired, or a small clinic in Fort Wayne that specialized in, among many other diagnoses, autism. The idea of leaving the safety of my home state (but, you know, staying in the relative familiarity of the Midwest) was very enticing, and I was giddy at the thought of finally getting to work with my preferred population after going years in the program without the opportunity. Besides, hospice sounded dreadfully depressing to be immersed in for six long months. So the decision was clear. My wife and I packed everything we could into my tiny ass Chevy, managed to stuff Krubby into a crate that was large enough to accommodate his heft, and headed down to Indiana for what was sure to be a better life.

Was I in for a rude fucking awakening.

The internship was not my dazzling launch into the music therapy world, but an exercise in how many ways I could fail spectacularly in only four months. It seemed like I couldn’t do a damn thing right no matter how much I dedicated myself to the job. Every day, there was a fresh new ugly critique, a new way I was fucking up. The criticism far outweighed the praise I received from my directors, who were some of the most caustic people I’ve ever had the misfortune of working for. I remember how they eventually got frustrated with my futile attempts to keep up with the increasing workload and implemented a truly awful spreadsheet system where I had to document every single activity I did all day down to the five minute increment. It was hell on earth. I remember bawling my goddamn eyes out in the car to my poor therapist nearly every day. I was starting to even experience chronic stress-related health issues, and get this — I got my first freaking gray hair from this ordeal.

The breaking point finally came one session when I was working with a preteen girl whose absolute favorite song in the world was “What Makes You Beautiful” by One Direction. It made her happier than anything when she got to sing it with me. One particularly rough session, we were about to wrap up with only a few minutes left on the clock. I had time to play one last song with her, and one goal I hadn’t touched on yet — her emotional goal. I was to play an angry song for her and get her to talk about it.

But she was already escalated.

And she asked me, word for word, with the little verbal language skills she had, to play her favorite song.

I couldn’t not do it.

After that client left, my directors sat me down and told me point blank that I was doing more harm than good with my music. And that fucking stung more than anything else I’d ever been told. Getting rejected from American Idol didn’t hurt that bad. Getting told I sucked as a guitarist by my awful old pastor and temporarily barred from their perfect little worship team wasn’t even that brutal (spoiler alert: it was nepotism the whole time). The implication that my music was hurting people broke me in a way that I’d never experienced before.

All I wanted was to heal the world through music. Now, I began to rue the day I first picked up a guitar.

Metaphorical tail between my legs, I put in my two weeks. It was the most painful decision I’ve ever had to make, essentially pulling the plug on a dream that was languishing on life support. We checked out of the mediocre converted garage of an AirBNB we were living out of and checked into a slightly homier one in Niles, Michigan to regroup. We had no direction anymore. Music therapy was to be my lifelong career path and passion. I was going to continue on and earn my masters and eventually a doctorate, and while it wouldn’t make me rich, it would let my wife and I live comfortably with our potential kids. Those dreams faded into oblivion, and I didn’t even know who I was anymore. Who was the future me if not a celebrated academic and practitioner in the music therapy world? Those days in Niles were spent moping along the river, silently mourning the “Dr.” I would never affix to my name.

On a whim, my wife and I decided to take a day trip up to Kalamazoo to see if any apartment complexes would take pity on us. We’d never been evicted, but we had spent nearly half a year living in AirBNBs, which is not a great look to potential landlords. But, to our utter shock, a relatively nice little neighborhood of townhouses took us in, and the rest is history. I left my music therapy dreams far behind me in Fort Wayne, the cursed city I’d once had such high hopes for. Here, in Kalamazoo, I was going to forge my own path forward.

Am I bitter about my years ~~wasted~~ spent in music therapy school? Maybe a little. I hold no ill will toward my sweet professors in the field, who did absolutely everything to bend over backwards to push me through the program. In fact, I feel a little guilty for the way I have dragged their lives’ profession through the mud after leaving the field myself. But the field itself is fundamentally flawed, and the abject cruelty of my internship forced me to remove the rose-tinted glasses I’d kept on the entire time. Like many fields, music therapy is gatekept behind an exorbitant amount of red tape, particularly in the way the schooling is almost prohibitively expensive for the working class student. My wife had to drain her life’s savings to keep us afloat during the internship, and I’m probably going to be making $600 monthly payments on the credit card bill I racked up for the rest of my life. That’s on top of the terrifying hole of student debt I’m in. As I mentioned earlier, I literally won that prestigious scholarship I mentioned earlier, and it barely even mattered. And I’m one of the lucky ones. I happened to marry someone who came from a fairly well-off background, so she was able to foot the bill for a while, under the assumption that I’d become the full-time breadwinner after earning that degree. But what if you’re not that fortunate? Unless you win a full ride somewhere, you are going to be swimming in debt for the rest of your life. And the internship? Have fun finding one that pays more than a pathetic one-time stipend. You better have a rich sugar daddy or a rich actual daddy to help you keep a roof over your head, because you are not going to want to balance work and the internship.

I’m lucky I got this far. I guess I should be thankful I got such a good shot at being a music therapist in the first place, even if it ultimately didn’t pan out. But honestly, that thought makes me feel even more guilty. I can’t shake the feeling that I squandered my one chance to enter the field proper, especially when I consider all the less-fortunate folks who maybe want to pursue music therapy professionally but simply don’t have the resources to. And that part infuriates me. How many potentially brilliant music therapists are trapped in poverty?

I appreciate music therapy as an art and a science, but I can’t get behind the ways the field itself is currently locked behind the paywall that is our elitist and exclusionary higher education system. There has to be a way to regulate the field and proliferate its key components without the use of an institution that essentially preys on vulnerable young people and their wallets. Don’t get me wrong — I think college is unbelievably valuable for the experience and knowledge it yields. But in this economy? It’s far more fiscally responsible to hit up the library and take out the “…For Dummies” book on your subject of interest.

It’s crazy to me that more folks from the music therapy world — a world that prides itself on inclusivity and progressive values — have not called out this socioeconomic disparity or tried to rectify it. The closest I’ve ever come to getting in a bar fight happened a few weeks back at my favorite karaoke spot in town, and it was not over politics. It just so happened that this region’s branch of the nationwide music therapy organization was having its annual convention in Kalamazoo of all places that same weekend. I met a friendly group of attendees accompanied by one not-so-friendly attendee. He was a little drunk, and to be fair, I probably did an awful job of hiding my bitterness when I relayed my sob story to him. He wasn’t having it and got offended at my suggestion that maybe requiring a four-year degree and an essentially unpaid internship is classist as hell. This man even agreed with me on many points, but ultimately, he fell into the camp of “If I had to deal with this broken system, so does everyone else.” And that mentality is not helpful at all. I saw the same mentality from other musicians when I called out the sad state of the music industry. We all know it’s seedy and shady and lined with red tape, but we are slaves to the status quo, and sadly, a lot of folks don’t even realize it and actively support the people pushing them (well, us) down. At the end of the day, I see Music Therapy the Field as a business, and it’s to the detriment of the art and science of the subject. Which is a damn shame, but like I said, nobody in the field currently seems to care.

So that leaves us here.

A lot of days, I am still unsure of what my direction in life is without music therapy at its forefront. But as I keep having to remind myself, the best things in life are still free. I remember how my initial goal as a future music therapist was to eventually cultivate a safe space for people of all ages and abilities to create music they can be proud of. And honestly, I’m doing the damn thing my own way now. In my day job, I work with autistic kids, and my bosses have been formulating a way to have me come in and perform for the students sometime. I also work as a music bingo host, bringing music and good clean fun to local bars and restaurants. I see the entire families set aside one night a week to come hang out with me and forget about the stresses of the world for a few hours. I’ve been producing music for some of my friends, many of whom have never tried their hands at songwriting before, and I’m blown away on the regular by all the untapped talent in this little town. And on Saturdays, I’ve been hosting karaoke, which gives everyday folks the chance to step into the shoes of their rock star idols. People truly come alive when they step up to the mic, and even as just the KJ standing in the background manning the equipment, I get a strange sense of fulfillment. This is the life I always dreamed of, and it was waiting for me the entire time — no stupid degree needed.

I’ll leave you with a story from the karaoke night I hosted last week. A little girl I’d never seen at the establishment before signed up to sing an Ed Sheeran song I hadn’t heard of called “Old Phone.” It was a somber tune all about the ephemeral nature of relationships and special moments, and in a strange, surreal way, I almost felt like my own inner child was singing to me through her somehow. I felt myself begin to tear up, and so I turned away from the girl for most of the performance. I certainly didn’t want to be rude, but I also didn’t want this poor child to know she’d just inadvertently made the karaoke host sob. She finished the song and went back to her seat.

But she noticed.

She came up to me a bit later and said she’d seen that I’d been crying, and she asked if I was okay. I smiled and told her that her song had just moved me to tears, and she should take it as a high compliment that her performance carried that kind of power.

After all, I said to her, that’s what music is all about.

Putting Away Childish Things: What I’ve Learned About Letting Go

I’ve chronicled my music therapy journey on this blog quite a bit in recent years. It was a huge part of my life’s story, having been the focus of my studies for more than a decade on and off. Even when I wasn’t actively pursuing music therapy at my university, I still had every intention of obtaining that sweet degree at some point and slapping a fun little “MT-BC” after my name. Heck, if I was feeling really feisty, I could even go back to school again and throw a Dr. in front of my name as well.

Obviously, as I’ve detailed in painstaking detail on this blog, that dream died a hilariously brutal death in the godforsaken city of Fort Wayne, Indiana.

But that wasn’t my first — or only — dream.

When I was a little girl, I wanted nothing more than to be a rock star.

After my tragic and abrupt exit from the music therapy world, I decided to refocus my energy on making it as a professional recording artist. LORE was intended to be my “Hello!” to the music world. I crafted the eight-song album to be a proper debut, with a smattering of songs from an array of genres demonstrating my abilities as a performer, songwriter, and producer. I redid my socials, pestered my besties with the demos, and even dragged my poor wife into a frozen-over forest for the promo shots. I had every intention of this album becoming a breakthrough of sorts.

Then, release day came. Friday the 13th. It felt poetic, but the moment came and went, and I found myself absolutely paralyzed at the thought of doing any self-promotion. I remembered the tragedy that was me trying to promote my ill-fated Chappell Roan cover, which was inundated with (at least charmingly creative) insults. Putting my original material out there, which I emptied my entire heart and soul into, felt even more vulnerable. Ultimately, I chickened out.

The album languished.

But here’s the weird part.

I actually wasn’t as disappointed as I should have been.

Because the older I get, the more I realize I don’t want to be the next Taylor Swift. In fact, the idea is becoming increasingly terrifying.

It’s not a secret that the music industry sucks. I literally just posted an entire piece about that yesterday. And truthfully, the more I learn about its seedy underbelly, I’m not entirely sure that’s the future I want for myself.

Maybe this is the dream I need to let die.

Last night, I had the most incredible opportunity. I got to meet my lifelong hero, Ann Wilson, the legendary frontwoman of the classic rock band Heart. And I had the chance to ask her exactly one question. Now when the time finally came, I definitely panicked. My initial thought was to ask her about her childhood and being bullied, and what kinds of things she told herself to stay strong throughout those struggles, but I didn’t want to get too dark, especially since I was one of the first in line. I ended up trying to ask her if any neat happy accidents had ever ended up in a Heart song, but I forgot how to articulate the phrase “happy accidents” and flubbed the question so bad that she had to ask me to reword it (not my proudest moment).

What I’m really glad I didn’t ask, however, was the question that was my other first instinct — what is your advice to up-and-coming musicians?

Her answer boiled down to “quit your day job and go all in.”

Which, sure, might have been decent, if a little reckless, advice back in the seventies when she was getting her start. But following that advice as a working class artist in the year of our Lord 2026 is a near definite death sentence. The chances are very slim that you will actually make it. The chances are much higher that you will wind up with this as your sick rock and roll castle:

Perhaps her disappointingly out-of-touch response was the final wake-up call that I needed to stop pursuing music on such a grandiose scale.

After all, being a rock star was the dream of a child, and at some point, you have to put away childish things.

There’s a verse (1 Corinthians 13:11, to be precise) about this very concept in the Good Book, and I always hated it whenever I heard it in church. I’m a kid at heart and never wanted to grow up (and when I did inevitably grow up, I wanted to skip to the part where I got to be a lazy grandma). I thought the whole idea of having to act serious and proper and “adult” was a silly and unnecessary social convention. Who cares if someone still loves cartoons and toys and goofy jokes after some arbitrary cut-off?

What I’m learning recently, however, is that the verse in question isn’t referring to watching SpongeBob as a grown-up at all.

My wife has been without a job for a good amount of time for a number of good reasons. Because of the circumstances, our roommate and I are not pestering them to be employed at the moment. Still, bills need to be paid, and so my wife has begun to sell off their prized possession — their beloved Pokemon cards.

For years, that was all my wife asked for. Forget chocolates and Hallmark cards, if I didn’t come home with Pokemon cards on Valentines, I was in the metaphorical doghouse. I seriously gave this woman (well, nonbinary woman-shaped cryptid) a bouquet with multiple booster packs taped to shish kabob skewers tucked within it. Pokemon cards were their one obsession.

A few days ago, I was talking with my wife about the sudden change of heart. As it turns out, like many things we cherish, capitalism has soiled the card collecting hobby as well, with scalping running rampant. And more than that, they admitted making sure my roommate and I, their two favorite people on the planet, were fed and cared for was more important than some dumb flimsy cardboard.

Now that is maturity. Now that is growing up.

Maybe the childish things in our lives aren’t crayons and kids’ books. Maybe they’re the things that keep us from what’s actually important in life. No, I don’t want to be a rock star anymore. I want to be a loyal partner to my favorite people. I want to be a good mother someday. I want to build a home and a career I can take pride in. And I want to change the world through music on my own terms.

The Entertainer: How I Found My Life’s Calling

I write this from the fancy-schmancy professional studio I’ve been holed up in for the entirety of spring break. It’s almost 2 in the morning, and going by track records here, my bandmate and I won’t be leaving until 6, if not even later. The only thing I have to eat is a jar of cashew butter I shoved into my guitar case. I’m running on Adderall, enough caffeine to kill a horse, and a brief power nap I took hours ago. But as much as I want to complain, I can’t.

This is the life I chose, you know?

When I was a kid, this is the kind of stuff I’d dream about doing someday. I don’t think I can overstate how influential music was to me growing up. I’d watch Behind the Music religiously and dream about the day I’d be in my heroes’ shoes. I’d even imagine my own episode someday, all of my wild ups and downs throughout my career. Music was a mystical thing and I had my own pantheon — Bon Jovi were gods and Ann and Nancy Wilson were my goddesses.

I’m not actually goth, I was just really influenced by the music video for Heart’s “Alone.”

This past week, I’ve spent five nights and one long day doing what I’ve been wanting to do for years — work as a professional musician. I feel like I’m so close to phasing out any form of “real work” and just doing what I love, and it feels great to be honest. I’m sick of menial unimportant work. I want to do something with meaning.

For a long time, I assumed my role on this planet was to help people in a really real and tangible way. In high school, I was insistent on becoming a doctor so I could do just that (and for the clout of being able to call myself a doctor, obvs). Of course my parents talked me out of that career path, and probably for the best, because knowing how flaky I can be, I’d probably be the person who leaves a scalpel in a patient or something.

But even after I left my shallow dreams of doctorness behind, I was convinced I’d someday be a music therapist, and that was going to be my method of helping people. My first love has always been music, so I knew that had to be involved somehow. It was the perfect arrangement — I’d get to do what I love and also help people. Alas, those dreams didn’t pan out either, no thanks to my nightmarish internship that soured me to the entire profession I’d been pursuing for a decade.

Which leads me to where I am now. I host music bingo for a living. I put on trivia shows for local bars. I’m studying audio engineering and on special occasions, I get to be a studio musician and help out with recording guitar or bass. Nothing I’m doing is groundbreaking or livesaving. No one needs a game of music bingo. But I’m content, because the things I am doing are still important in their own way. I talked a little about serving glimmers as an entertainer on here, but it stands repeating. Entertainment and the arts are crucial to every day life because they’re an intrinsic part of being human. It’s why I’ve got mixed thoughts on AI. Art and humanity have been linked since the dawn of civilization. It’s what makes us different from other creatures, even relatively intelligent ones like dolphins.

Try making art with flippers, you untalented swine.

We need arts and entertainment. It’s the thing that keeps us sane in this hectic society. And honestly, it’s a huge honor work as an entertainer. I love what I do. I love putting smiles on people’s faces. I used to think working in entertainment was selfish. After all, I only want to do it because I love attention, right? And I mean, I do enjoy being the center of attention, but there’s an altruistic element to it as well. Making people happy — just giving people something to look forward to in this dark world — is what keeps me going.

I’ll end this sort of rambly blog post with an anecdote from my freshman year of college. I was very casually dating the sweetest, gentlest guy. He was smallish in stature and cute in a nice Jewish boy way and really, really loved sloths. My point is you’d never expect this young man to play guitar like a fucking rock god, but he did. He could shred. And he had such a way with crafting beautiful songs. We didn’t work out for reasons I’ll never know, but I was madly in love with him. That’s not why he holds a place in my heart to this day, though.

One night, we were sitting in the car. He was showing me Buckethead, one of his biggest influences, alongside John Frusciante, whom I also came to love. And my sweet kinda-boyfriend revealed to me the meaning behind his band’s name, Smiles and Anchors. He wanted to honor his passion for making people happy through music. That’s all he wanted to do. It wasn’t about becoming famous or rich. He just wanted to bring a little light to people in his little world.

And that shook me.

Music has always been my way of connecting with others, but I’d never heard anyone put it that way before. Until then, music was more about what it did for me. It made me happy. It made me connections with others. But what about the folks listening? To them, we’re the ones making life a little more bearable. We’re the ones providing the soundtracks to memories. And it’s kind of humbling in a weird way, and I like that. I never want to lose sight of why I play music. I never want to let my ego soil the joy I get from making my listeners happy with my songs, because it’s not about me. It’s about them. That conversation was part of the reason I ended up getting an anchor on my foot for my first tattoo. I wanted a physical reminder to stay humble, no matter where music takes me.

I intentionally censored my horrendously long and upsetting toes. You’re welcome.

And that’s what being an entertainer is all about to me. It’s hard work. It’s scary. You have to put yourself out there. You have to practice a lot. Sometimes you’re in the studio for so long your contacts practically melt into your eyes and you get a gnarly case of conjunctivitis (true story). But for all the sacrifices this lifestyle takes, it’s worth it. Being a performer has been some of the most rewarding work I’ve ever done, and I’m happy I get to share it all with you.

Reflecting on the Year That Almost Broke Me

As of writing, we are halfway through December, which means the new year is lurking. As everyone prepares to sing “Auld Lang Syne” and kiss a stranger, now is the optimal time to look back at the previous year and reflect on how things went.

And damn, did they go awry this year.

2024 was a trash-fire year for me, rivalling 2015 for the title of Worst Year of Jessa’s Life. 2015, of course, was the year I simultaneously got my heart broken by my crush of four years, graduated and realized I wasn’t going to find a job in my field and would probably never find success, and also dealt with some familial and health issues. But this year was honestly worse in every way. Like, this has literally been the worst one.

To think of how optimistic I was at the start of the year too. I was getting ready to begin the internship I’d been working toward for over a decade. I had just moved to Fort Wayne and was expecting an adventure. And what I got was a soul-crushing internship experience that I had to leave for the sake of my own mental health. I was going to drive my car into the fucking river if I cried one more time at that godforsaken clinic. I couldn’t handle the pressure. I failed.

Tail between our legs, we retreated to Niles, MI, where I could at least be close to my girlfriend. But we had trouble finding paid work in the area, our savings were dwindling, and we couldn’t afford to keep living out of AirBNBs. So my wife decided we should check out Kalamazoo instead, as we’d previously talked about it and decided it was a good central location between our family in Detroit, our new friends in Fort Wayne, and my girlfriend in South Bend.

Moving to Kalamazoo was the best decision we could have made, as the only good things to happen this year happened because of the move. My wife and I got involved in the local karaoke scene and made a lot of friends, which is new for us. We’d been shut-ins for most of our marriage. I decided that since music therapy was off the table, I’d pursue a different dream, one of becoming a producer and audio engineer. So I applied to the local university and actually made it into the competitive multimedia arts technology program. And I got back into doing what I love for a living — teaching music.

I realize I started this blog post very doom-and-gloom, but the more I write, the more I realize this year wasn’t so heck. Sure, we’re still broke and I still wasted so much time and money on a career that will never happen. Then there’s all the political unrest and the fact that the jabronis who won the election want to make my marriage illegal. But if there’s anything I’ve learned this year about myself, it’s that I’m resilient as fuck. When shit hits the fan, I’ll figure something else out. That’s what I do best.

Looking back at 2024, I don’t know how I could have survived without the people I’ve met this year in Fort Wayne and Kalamazoo. I never realized how empty my life was without my own little “tribe” of sorts. We’re social creatures by nature and we need each other. Maybe I’ll never be a music therapist. Maybe I’ll be broke for the rest of my life. But when I’m surrounded by the amazing folks I’ve met this year, well, you can’t buy that feeling. My Little Pony had it right — friendship is magic.

The real music therapy degree was the friends we made along the way.

I don’t know what awaits me in 2025, but I’m confident I can face anything now. This year absolutely took the wind out of my sails, but I’m going to keep persisting. I’m ready.

Finding a New Dream (When Your Old Dreams Were Crushed)

Oh hey, another blog post whining about my failed music therapy career. But bear with me!

Although I must confess I don’t have a bear.

This is a happy blog post, okay? Sure, I wasted more than a decade of my life pursuing a dream that ultimately fell through. I won’t lie and say it doesn’t sting. I do get a little weepy when I think about all the beautiful musical moments I’ve had with my past clients. I still remember playing piano for a dying man and his wife and how sweet it was to perform “their song” one last time for them. That’s something I’ll miss about music therapy. What I won’t miss? All the paperwork and clinical BS that comes with. Simply put, I’m not a clinical person. I’m a creator and a performer, first and foremost. Even if I had pursued cardiology as a career, which was my original plan, I probably would have noped out of that life eventually too. It’s for the best that my parents talked me out of pre-med in favor of music.

Becoming the first parents in the history of human civilization to talk their child *out of* being a doctor.

But for the first time in a long time, I feel some degree of hope. Tonight, I submitted my application to the multimedia arts technology degree program at Western Michigan University. It’s been a long time coming. I’ve been toying with getting serious about music production for a while and researching programs to teach me how to be a better mixer and producer. I managed to make a few friends out here who are already in the program and they all highly recommend it. One friend had a buddy who went through the program and became the touring sound guy for Avenged Sevenfold!

Who I admittedly know nothing about, but they’re famous, so that’s something!

So what to do with this degree? Well, my plan before leaving music therapy behind was to create a space for people of all ages and abilities to make music. I think music should be available to everyone regardless of their circumstances or disabilities. I wanted to build a recording studio not for famous artists, but for everyday folks who want to join in the act of creating music. I’m no longer pursuing music therapy, but those dreams never changed. I don’t need a music therapy degree to apply what I’ve learned about working with people of varying abilities in a musical context. I don’t need a music therapy degree to build a neurodivergence-friendly studio. And I don’t need a music therapy degree to help people make music.

My new dream is to start my own recording studio/music school. I want to provide lessons to the community at an affordable price, and I want a space for my students to record and produce their own music with my help. I want to make my studio a sort of “third space” for the community to be able to meet like-minded people and practice their instruments, and maybe even rent out instruments so folks can try things they might not have ordinarily tried. And if my studio catches on, I want to open multiple locations. I want to start a movement of sorts. Lofty, I know, but what’s the point of dreaming if you don’t dream big?

Quitting music therapy was a difficult decision that made me question my entire place in the world. Still, I’m convinced I can still change people’s lives through music, even without a fancy schmancy music therapy degree. Honing the craft of music production will take me one step closer to doing just that. I refuse to die before I’ve made a difference in the world.

And before I’ve built a studio cooler than *this.*

So, here’s to a new dream!

A Fork in the Road: The Three Potential New Careers I Might Pursue

Oh hey, another writing prompt!

List three jobs you’d consider pursuing if money didn’t matter.

It’s funny that this prompt came up right now, because I’ve been doing a lot of soul-searching regarding my career. After all, music therapy didn’t exactly pan out for me, and the more I learn about the field, the more I’m kinda glad it didn’t work out. Apparently burnout is rampant and no other professionals take it seriously, from what I’ve gleaned from r/musictherapy on Reddit. But for most of my life, if you asked me what I wanted to be, the answer would have been a resounding “music therapist.” It was my entire personality. It was my destiny, or so I believed.

Now, I’m scrambling trying to figure out a Plan B. I didn’t have a backup plan. In my desperate attempt to grasp for alternative career paths, I tried to think of what drew me to music therapy in the first place. Was it helping people? I mean, I’ve worked pretty extensively as a caregiver, and while it feels good to do good, I still didn’t feel completely fulfilled in those jobs. Maybe it was the respect. I could see myself as a celebrated professor or researcher in the field. But in all honesty, music therapists don’t really get a lot of respect at any level (also according to r/musictherapy). That left just one potential reason — I need to make music.

Music is my entire life. I don’t know who I’d be without it. It was my first language. And all I truly want out of a career (and life in general) is to create it. And so I began to brainstorm other careers I could pursue that would allow me to play music, or at least be in close proximity to it. These are the ideas I’m currently batting around.

1. Luthier

l’ll admit this one’s farfetched. I’m not a crafty person or a handy person, so making a thing from scratch is a very intimidating prospect. Still, the idea of building and fixing guitars is attractive to me. It’s a very male-dominated field, so being a female (well, femme-by) luthier would make me cool and unique, right? There’s a luthier school an hour and a half away from where I live now, but that would be a ridiculous commute, so I’d have to either live in the dorms or get an apartment out there. My poor wife has been through enough with the Fort Wayne saga, though, and the tuition makes it prohibitively expensive.

2. Music Producer

This is probably the thing I want to do most, if I’m honest with myself. This is a purely creative job. I’d simply be tasked with making music and helping other people make music. I’ve already been doing some producing, although I’m by no means an expert. The local university has a multimedia arts technology degree that seems promising, should I want to hone the craft. One of my friends has a buddy who went that route and ended up touring with Avenged Sevenfold as their sound guy. That being said, that program also costs money I don’t have, not to mention getting the space and equipment I’d need to open my own recording studio. And then I’d need clients, which means I’d have to advertise, which means I need more money. And if I don’t get clients at all, I’m screwed.

3. Professor

When I was pursuing music therapy, my ultimate goal was to become a professor and researcher. After all, I thrive in academia, and I’ve always enjoyed teaching. If I go this route, I’d likely enter the graduate composition program at the local university, and eventually earn a doctorate. I love the idea of being Dr. Salisbury. I want the respect, the stability of being tenured, the freedom to study cool shit and make money doing it. But alas, this program also requires money.

I guess if money didn’t matter, I’d pursue all three of these at different points in my life, maybe go the producer route first and subsequently start my academic career, then learn the craft of building guitars as a retiree. I still (hopefully) have many years ahead of me. But realistically, I’m going to choose one to focus on, due to financial constraints. Unfortunately money does matter.

Maybe I’ll start a GoFundMe.

What do you think I should be? Leave your ideas in the comments!

Confessions of a Failed Music Therapist

Some nights are harder than others.

I feel like everyone has their “one that got away,” be it a love interest or a lost friend or missed opportunity. For me, it’s music therapy.

I’ve written extensively on here about my journey through the music therapy program at Eastern Michigan University and the subsequent disaster that was my internship in Fort Wayne. The internship was traumatic in a lot of ways and really disillusioned me to the world of music therapy. It’s still a raw wound, if I’m honest.

Tonight, I broke down. I don’t know what my direction in life is anymore. I found myself excited at the prospect of working in a factory. Just like my dad before me. I know he wanted better for me. He wanted me to get that master’s, get that doctorate, and never have to set foot in a factory. He envisioned an easier life for me. He wanted me to break out of the blue-collar trap my family has been stuck in for generations. He believed in me so hard, he stayed alive to see me graduate.

Now, it’s hard to believe I’ll ever be cut out for anything aside from menial physical labor. I feel like this is my destiny. I’ve perished any dreams of becoming a music therapist, or a professor, or anything else to be honest. I’ll be lucky if I make enough money to have a family of my own someday.

I feel like the title of “failed music therapist” will haunt me forever, like a scarlet letter. I have this vision of me on my death bed, awaiting the end, and some well-intentioned nurse who knows I was a musician in a past life sends in a music therapist to comfort me. But I won’t be comforted. Instead, it’ll rip open the same wound that pains me now. I hate this for me. I don’t want to live with regrets, but I feel like I have no other choice. Music therapy has been ruined forever for me.

I’m tearing up at the gym writing this. That’s where I work now, and while it’s not a glamorous or esteemed position (and the pay is abysmal), there are perks. Just now, one of my regulars snuck up on me to startle me, and we had a good chat. I think talking to me makes her day — she takes care of her dad all day and seems lonely. Maybe that’s the best I can do, just try to bring a little light to wherever I end up working. Maybe someday I’ll bring in my guitar and serenade people as they come in, I don’t know. Maybe music therapy didn’t work out because something else will, and this entire thing will no longer eat at me. Maybe my cover of Chappell Roan’s “Good Luck, Babe!” will take off and catapult me to rock stardom, or at least allow me to make enough money from my music to have a decent enough life.

I have nothing left but this reckless optimism that won’t fucking die. And that’s gotta count for something.

New Dreams, New Plans

I swear whoever makes the prompts for WordPress is stalking me.

What is your career plan?

…is a question that has been on my mind constantly since deciding to step back from music therapy, aka the only career path I saw myself on for literally my entire adult life. Funny how things change so quickly.

So basically, I’m back to the drawing board as far as my career plan goes. I’ve been busy regrouping and trying to figure out my next steps, and I feel like I’m finally getting to a place where I can accept myself as someone other than Jess J. Salisbury, MT-BC. She was someone I’m not, and that’s okay. Adulthood is about constantly rediscovering who you are.

But while I don’t have a solid plan for moving forward yet, I do have a few ideas for how I’d like things to fall together in the future.

Step One: Teach Music

Straightforward enough. I need a job to survive, and I’m not a bad music teacher. I actually enjoy it quite a bit! I’ll need a stable job to fund the next step.

Step Two: Start a Recording Studio

My dream for my music therapy degree was to start a studio akin to this one. I wanted to help people of all ages and abilities to create music they can be proud of. And the good news is, I don’t need a music therapy degree to do this! I can just, you know, start one. Of course, a music therapy degree would add some legitimacy for marketing purposes, but so would…

Step Three: Get a Master’s in Music Production

Okay, maybe I’m just inspired by my girlfriend getting her master’s degree recently (CONGRATS LIVVY!), but I’ve always wanted to get a higher education in…something. I always used to joke that I refused to die before I had “Dr.” in front of my name. I still would like a doctoral degree in something, but first things first. Berklee has a completely online master’s program in music production that looks awfully tasty.

Step Four: Record My Friends’ Bands

When I asked a music producer friend in Nashville what her advice was for getting involved in the industry, she said word-of-mouth was the key to success. So to get my name out there, I want to record music for my friends for free. From there, I can build a following and a client base.

Step Five: Start an Art and Music Collective

This is a bit of a pipe dream, but I want to open a facility for people to safely create in their preferred medium. This could take the shape of a coffeeshop or music venue that puts on shows and has space for artists to work. I want to promote creativity and expression in the community and give back any way I can.

I’m realizing one of the biggest motivating factors behind everything I do is my fear of being forgotten. It’s part of the reason I want kids. It’s part of the reason I want to make recordings of my songs. It’s part of the reason I want to donate a shitton of money someday to get a bench with my name on it. One day, when I die, I want people to remember my name. And I hope my career plan leads me to that sort of immortality. I want to have been a pillar of the community. I want to leave a legacy.

The Chapter is Over, But the Story is Not

Imagine my surprise when I got this writing prompt today:

Describe a risk you took that you do not regret.

I’m writing this literally fifteen minutes after finishing my final music therapy session ever. As in, I will never lead another music therapy session again. I didn’t think I’d ever write those words. I thought I’d become a music therapist and do that forever until I inevitably die (probably while doing music therapy). I sunk my entire adult life into this career. I never pictured myself doing anything else.

I remember how giddy I was to move to Fort Wayne and start my internship. I have several past blog posts about my journey getting here and how excited I was to enter the professional world and make something of myself. The future seemed so bright. I’d won a scholarship for music therapy. I had all my professors watching me in anticipation of great things. Moving here was a huge risk — I had no money except my wife’s Christmas check from her parents and the stipend I’d been awarded, and I knew nobody in the area. But I was willing to take a chance and leap.

There’s an old quote that was plastered on the wall of my elementary school’s library, where I spent most of my lunches to avoid being pelted with ranch dressing packets (which is another story entirely). I still remember the little astronaut on the poster that read:

Shoot for the moon. Even if you miss, you’ll land among the stars.
Norman Vincent Peele

In a way, I feel like moving to Fort Wayne and starting this internship was my way of shooting for the moon. My biggest fear was missing it, but as I approached the moon, I realized the moon wasn’t really where I wanted to be. Maybe my place was among the stars, and maybe me taking that shot was the first step in getting there.

Music therapy is a beautiful thing, but it’s not where my heart is. Music therapy is very cold and clinical compared to how I approach music and people. I realized I’d rather make music that makes people happy and help other people make music that makes them happy. That’s what music is about for me.

I’m glad I got the experience in music therapy that I did, because now I feel better prepared for working with people of all ages and abilities. That’s what I want my studio to be — a safe space for people to make music that makes them happy regardless of how old they may be or what their diagnosis is. I’m also glad I moved to Fort Wayne because of the incredible people I’ve gotten to know. And had I not moved away from the Detroit area, I might have never left and gotten to see what else is out there.

Well, it’s still the Midwest, but baby steps, ya know?

This chapter of my life has been my “shoot for the moon” phase, and I’m about to enter the phase where I dance amongst the stars, where I truly belong. I don’t regret the blood, sweat, and tears that got me here. (Okay, maybe I do regret spending thousands of dollars on a degree I’m not going to finish, but whatever.) In a few short weeks, I’ll be moving to the South Bend area, where I plan to start my recording studio and eventually start the biggest project of my life — a family. I might not have ever done that if I never left my hometown.

So no, I don’t regret this chapter at all. I’ll see you in the stars.