The Life of a Showgirl: Why the Arts Matter in a World on Fire

And I am announcing that I am *very gay for this woman.*

The world came to a crashing halt, all because the biggest pop star on the planet teased some new music. Fans, celebrities, corporations, and motherfucking Elmo paid homage to Swift in their own ways. Even one of my personal heroes, Nancy Wilson of Heart, got in on the Tay love, posting this picture with the caption “life of a showgirl.”

To be clear, Nancy is the woman in the mirror, not the tiny adorable pupper.

With the announcement of the new album casting an orange glow over the world, it’s easy to miss the fires that have been raging the entire time. Trump’s Big Bonkers Bill is gutting healthcare for millions of Americans who rely on it. Public radio and television, one of the last bastions of true journalism and free speech, is also being gutted. And you have that quadruple-divorced fucko who swears she knows so much about the “sanctity of marriage” trying to take away my right to have a wife and family, so I mean, it’s fucking personal now. Then you throw on everything happening in Ukraine and Palestine and it’s fucking exhausting. The world’s on fire. Innocent folks are dying, and everyone’s freaking out over a Taylor Swift album?!

But — and hear me out, here — that might not be a bad thing.

I’ve written on this site about the concept of “glimmers,” which are functionally the opposite of triggers. While a trigger is an event that causes you to feel uncomfortable or afraid, a glimmer is an event that brings intense joy. They’re the tiny moments that make life worth living. A lot of glimmers come through art. Think about the last time a song gave you chills or the plot of a film or book moved you. Those are glimmers in action.

It’s easy to write off the creative and performing arts as vapid and unimportant, but art is a rebellion against a world that tries to quash any anti-conformity and critical thinking. Art is an invitation to think deeper — something the oligarchs don’t want us to be doing. Even mainstream art like Taylor’s is punk as hell in times like these, as it unites folks together. Music gives people hope. It inspires. It galvanizes. I think that’s part of why the elites are keen on eliminating things like arts education and pushing AI to make things instead of training up human artists. Art is dangerous. Creativity is dangerous. Hope is dangerous.

I don’t think it’s a coincidence that this image popped up on my feed while I was doing research for this post:

This is a simple but true statement, and I’d apply it to both your own work and other people’s works. If an artist’s music helped you in any capacity to enjoy your time on this planet, if even one song paints the planet just a little brighter for a moment, it served its purpose. And that purpose is to be a sort of analgesic to the pain of everyday life. That’s what I believe Taylor understands so deeply, and that’s what I hope to embody in my own creative endeavors. The life of a showgirl is to serve glimmers and bring hope.

In a world that is intent on snuffing out anything whimsical, beautiful, or different, embrace that spark that makes life worth living.

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AI Killed the Radio Star: How Technology is Crushing the Culture of Music

I wasn’t sure how to answer this prompt—

What bothers you and why?

—until my girlfriend and I had a conversation on AI. Which is not unusual, since she’s a pretty staunch advocate against it. I’m fairly neutral on it, to be fair. I think it opens up lots of exciting possibilities, and it’s a tool like anything else, but at the same time, there are multitudinous problems with it that no one seems to want to address. Hell, I experimented with it against my better judgment and realized it was making my imposter syndrome so much worse. The unfortunate truth is we’re just going to have to learn to adapt to this somehow. There’s no putting this genie back in the bottle.

But it’s disheartening, because the advent of AI might be the final nail in the coffin of the music industry. And that is what has been bothering me lately.

And the sad truth is, the state of music has been in decline since the dawn of the internet. In fact, Suno is just finishing a job started by Napster all those years ago and continued by Spotify to this day.

Back in the 80s, everyone and their mother knew who Michael Jackson was. You only had a handful of radio stations in any given town to listen to, and if you wanted to hear a particular song any time you wanted, you had to go out and buy it. The albums would be prominently on display in your local Kmart. Even grandma was familiar with Bruce Springsteen’s ass.

Television isn’t as much of a special interest to me as music, so I don’t really care as much about its history, but you can see this kind of monoculture in TV throughout the years too. In the beginning, you had ABC, NBC, and CBS (and DuMont, the weird fourth one no one remembers). Everyone in your city was watching The Andy Griffith Show at the same time on the same channel and having this shared experience. Then cable came and divided everyone. If you were into sports, you went to ESPN. If you were into music, you went to MTV. If you’re into watching Amish people do mundane things, you went to TLC. Even the big cable networks splintered eventually — from MTV you get MTV 2, MTV Tres, VH1, VH1 Classic, CMT…

And none of them are playing music at any given moment.

With more technology, you get more options. But I’m starting to wonder if that’s a good thing.

We’re seeing a shift in music especially. We no longer have a monoculture, and I blame this on how easily accessible the entire catalogue of music is nowadays. If you want to listen to nothing but obscure pirate metal for the rest of your life, you don’t have to go on a wild goose chase hunting down every obscure pirate metal album ever made by every band that’s ever done obscure pirate metal. It’s as easy as going to a specialized Spotify playlist. And let’s say you want to listen to nothing but obscure pirate metal about your cat for the rest of your life. With AI, that’s entirely possible.

Why on earth would anyone seek out new music if they can just beep-boop an entire playlist tailored to their specific taste with lyrics reflecting their own life?

I think that’s what bothers me most about the future of music and how it has been intertwining with AI. I’m not scared of it taking my job necessarily, at least not in the traditional sense. I know human-made stuff is still largely superior. I’m really not even so afraid of the environmental stuff, since the planet’s borked anyways (I’m an optimist). It’s the death of culture and interpersonal connection that scares me. A survey said 62 percent of people actually prefer chatbots to humans. There are people straight up dating AI bots. How much more isolated are we going to allow ourselves to get?

My prediction is that eventually, this AI bubble will burst — but not without seeing huge reforms to the music industry. I can’t see the current model lasting much longer. I can see a return to smaller, more intimate shows as people get sick of how overflooded music platforms are with AI slop, low-effort music, and whatever the executives are trying to feed us. At least the true music fans will pivot that way.

Humans have a thirst for something real. It’s why American Idol always pushed artists with sob stories. We love when the art we consume comes with a captivating backstory, and entering a prompt and pushing a button was a cool backstory — the first thousand times it happened. Like, if you told someone in 2018 that a robot wrote the music for this song, that would be some neat Futurama shit. But the fact that technology can beep-boop songs from scratch is old news now, and people don’t want manufactured backstories. There was already a recent backlash against a band that was revealed to be AI. People are quick to turn on an artist when they sense disingenuousness. Remember that author who penned an autobiography that got noticed by Oprah, only to have it all come crashing down when it was revealed the story was fabricated?

The hidden controversy is the sensory nightmare that is that book cover.

I think the music industry is going to change in a lot of ways in the upcoming years. My hope is that we musicians don’t become obsolete and that the human need for connection and genuineness is stronger than the fleeting coolness that is AI. And I think we do have a need for real, human-made music. You can’t replace the camaraderie of your local punk scene or the chills a live orchestra brings or the sheer joy of going out to karaoke. Music in our souls. It’s what humanity sounds like.

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America the Broken: A Fourth of July Rant

I am an American, and I’m fucking tired.

Of course our dick-tater-in-chief and the lovely folks who are SUPPOSED to represent the people had to pass the Big Bonkers Bill the day before Independence Day (and no, I’m not calling it “beautiful” — absolutely fuck that). Now, Medicaid is going to be gutted, affecting millions of people who rely on it for healthcare, including yours truly. Like, am I paranoid for thinking that they want us to die?

So yeah, America. I don’t think you deserve a birthday party this year. In fact, finding some way out of this godforsaken country is sounding more and more enticing as this presidency goes on. My wife has brought up moving to Germany, and the rest of our polycule is on board if we can swing it somehow.

But believe it or not, I’ll miss this fucked-up place. Because America is still my home, and as odd as it might seem, I still have a lot of love for her.

You might even call me…*gasp* a patriot.

Cue eagle screech (that’s actually a hawk).

In fact, when I was a teenager, I was the official national anthem singer for my high school’s sports teams. It was a great gig, and it was great performance experience, and I got to ogle the cute basketball players, but the coolest part was how it felt like what I was doing was important. I was serving my country with my voice, dammit!

As I got older, I remained loyal to my homeland, even as the cracks began to show. I realized how messed up it was that we don’t have universal healthcare while like, every other developed country does. But that didn’t make me hate it here as much as it made me want to change it here. And at the time, it felt like change was possible. Obama was in office and gay marriage got legalized and everything seemed to be progressing and going in the right direction.

Then of course, 2016 happened.

At the time I wasn’t out yet and was (unhappily) married to a man, so I wasn’t in full panic mode yet. But here, almost a decade later, I’m openly queer with a black nonbinary partner and a neurodivergent trans partner and honestly, I’m scared to death. Because I’ve seen what the people in charge want to happen to them for being those things, and it looks a little like this:

There is no writing a witty caption for this picture.

I don’t want to imagine my country ever stooping to the level of Nazi Germany, but things are getting scary. Even some Holocaust survivors are seeing unsettling resemblances to their experiences. I didn’t think anything like this could ever happen here. We have representatives. We have a Supreme Court. We have votes and the first amendment. And yet…

Yeah, I think we’re done with witty captions.

I love my country. I love my state with its beautiful lakes and my little city with a silly name. I don’t want to leave this place behind. But if I’m honest, I’m afraid. I’m more afraid than I’ve ever been. I don’t know what’s going to happen, if my friends and family are going to lose their healthcare or get imprisoned or die. This is why I write. I write to draw attention to things that need attention. I write to humanize my experience and my loved ones’ experiences. I write because I do love my country and want the best for it. In a way, I’m still using my voice to serve my country.

I just want the nation I grew up loving to be back again. I realize the US was never truly free. Our past was built on the backs of slaves and the indigenous folks we steamrolled to get this place. But I’d like to build a better future for us, one where all people are free, equal, and happy.

I don’t think that’s too much to ask.

Stepping Into My Own “Barracuda” Moment

Let’s talk about Friday night.

I’ve been sitting on this blog post for a few days now as I process what happened at karaoke on Friday. Here’s the SparkNotes version of the events.

Basically, I was already riding high from a very successful music bingo night that I’d just hosted at a different bar. That part is important because had I not been in such a powerful mood already, I probably wouldn’t have been able to do what I did. I got to Old Dog Tavern (shout out to one of my two favorite bars in Kalamazoo!) around 10 I think and met up with one of my bandmates and best friends, Ellie. We were just outside on the deck probably sharing a joint with a few friends or something when we both headed inside for some reason. Not ten seconds after we stepped inside, some crusty short old white dude with a Colonel Sanders goatee in a green hat came up to us. He reached his shriveled hands within an inch of our titties and made a honking motion, remarking “Eh, isn’t this how you greet women?” and shyly begging “Can I?”

I saw red. It was enough that this fucko disrespected me, but also poor little Ellie, who is for all intents and purposes a little sister figure to me. I pushed back through the doors to where my wife, Crass, was sitting outside, and all I had to say was “creep,” “tried,” and “grope” and she was equally livid. We both bursted back inside, her to find the pervert and me to make a fucking statement.

I ran up to the stage and grabbed the microphone. Fuck whatever else was going on. This man had to be stopped. I screamed to stop the music, took the mic, and with all of the pent-up rage of 32 years worth of creeps thinking they can test me, I declared:

“Nobody is allowed to sexualize me and my friend without our consent.”

The bar bursted into a frenzy of confused looks and claps, save for one asshat heckler in the front who yelled “Too late!” like a goddamn Reddit troll in real life. This made me even more angry, and I lunged toward him, grabbed him by the collar to make him look me in the eye, and said “What the fuck did you say?” At that point, Crass had turned her attention to the heckler, and she literally chased the whole man out of the bar. The original pervert got tracked down and kicked out as well, and the whole time, I was shaking and crying and in shock at what I had just done.

I — the bullied little girl who had to eat lunch in the library to avoid being pelted with ranch dressing packets — finally stood up for myself.

Then, the most amazing moment happened. The whole bar rallied around me, encircling me physically with their bodies and figuratively with their love. I sunk into my friends’ arms and let out all of the emotions that had built up.

Because I was no longer scared. I felt like I had become something new. I stepped into who I was supposed to be this whole time. Like, there was something deeply spiritual about what happened that night. My good friend’s girlfriend said it’s a Leo moon thing. I keep drawing powerful feminine cards like The Empress and the Queen of Wands, the latter of which is a card that’s always resonated with me, though I couldn’t place why at first. I always thought I was more of a Cups girl — soft and emotional — not a fiery, passionate Queen of Wands.

I’ve mentioned my ridiculous admiration for Ann Wilson, frontwoman of the classic rock band Heart, on here many times, and it’s fitting that this particular night was the day after her 75th birthday. I wanted to be her so bad growing up, to the point where I’d study her singing and her performances and her fashion sense and even her personal life, as stan-ly as that sounds now (give me a break, I was an autistic child). One thing I learned when reading about her childhood was the fact that she was bullied extensively too, like me. She was overweight; I was underweight. She had a stutter; I had undiagnosed ADHD and autism. But I saw myself in her. Hell, I created a cringey wish-fulfillment OC based on her! She gave me hope that I could someday be the badass rocker chick I desperately wished to become.

That night at karaoke, that’s exactly what I did. I became that woman. The take-no-shit rock and roll queen who isn’t afraid to call a fucker out.

After the creeps were exiled from the bar and karaoke resumed as normal, the DJ (who may just be the best cishet white man this side of Steve Irwin) asked me if I was okay and if there was anything he could do. I had one request, because I knew exactly what my last song of the night would be.

Back in the 1970s, Ann and her own (actual) little sister, Nancy, were frequent victims of slimy men in music venues, especially since rock was very much considered a man’s world back then. The iconic “Barracuda” was written as a response to some guy backstage who made a creepy joke toward Ann at her sister’s expense, insinuating their relationship was incestuous. Absolutely filled with unbridled rage, she wrote the scathing lyrics that would eventually become the now-legendary song.

And that night was my “Barracuda moment.”

I got on stage to a roar of applause. It’s funny because a while ago I wrote a song half-joking about wanting to be “Kalamazoo famous” instead of actual famous. In that moment, I really did feel like a small town celebrity. With what little was left of my voice after cussing out the pervs, I sang my musical heroine’s battle cry, dedicating it to her for helping me find my voice — and to every man who ever intentionally made a woman feel unsafe in a bar.

I left the best part out. After everything was said and done, a young woman came up to me and quietly thanked me for what I did. She’d been victimized by the creep too. It made me realize how much power we have as women to lift each other up and protect one another.

I want to carry this night with me whenever I feel like I’m not strong enough to stand up for myself. Because now I know I have what it takes. I’ve seen it. My friends have seen it. The entire city of Kalamazoo has seen it.

I have more power than I thought.

Grandkids and the GOP: How the Drive to Live Forever Fuels Conservativism

I think I cracked the code.

Like, I know why the other half of the population just doesn’t seem to get it.

It’s babies. It’s always been babies.

Of course, just look at that shit-eating grin.

Well, and death. Just follow me for a second.

I was recently reading about a fellow named Ernest Becker, who won a Pulitzer Prize for his 1974 book on death. In this book, he asserts that humans are driven by their primal fear of death and no longer existing in the mortal realm. Because of this, we unknowingly take on “immortality projects” meant to carve our name into history in some fashion. For some, including myself, this looks like creating art or music or stories that will last long after we’re gone. For others, this may look like accumulating lots of wealth, then dumping it into a cool institution or organization you believe in to get something named after you. And for many, many folks, their immortality projects are their progeny.

And that’s where things get sticky — because a lot of older folks are realizing their children and grandchildren don’t want kids of their own.

And if your kids don’t have kids, your bloodline is essentially over, you’ll be forgotten, and nothing you ever did amounted to anything.

Seriously, this fear explains so much about the psyche of older conservatives. It explains the anti-gay stance, as one could traditionally only reproduce with someone of the opposite birth sex. It explains the anti-trans stance, as HRT typically borks your reproductive system (and a lot of people don’t know about options like sperm banks for preserving fertility after transition). It explains the anti-abortion stance, since you don’t want your daughter to go off and abort your grandchild. I’d argue much of the conservative worldview stems from just three little words — “I want grandkids.”

And the wild thing here is that I actually get it.

I mean, I wanted to be a grandma someday. But mostly so I could nap and watch game shows all day.

That ever-present fear that I’ll just die and eventually be forgotten without accomplishing anything great is one of my biggest fears too. I’ve actually written about it extensively on this blog. I understand where these people are coming from, even if our ways of handling that fear lead us to vastly different belief systems.

A while back, I had this conversation with one of my coworkers at the caregiving gig I picked up recently. We got on the ill-advised topic of politics, and she told me she voted for our current administration “because of her family.” And I told her I had voted against it for my family. My wife is black. My girlfriend is trans. Our future children will likely be neurodivergent. This isn’t the world I want for them. I don’t want them to live in fear.

And so I keep finding myself going back to the same question — what makes my coworker’s family more important than mine? The fact that she’s straight and white and neurotypical? And yet, we’re really not all that different. She, like me, just wants to leave a legacy. Maybe her legacy will look different than mine, but that’s the beauty of the human experience. We each get to choose what our legacy will be.

That’s why these pushes to put as many babies as possible in as many wombs as possible will inevitably fall flat. People usually have a good idea of what they want out of life, and if that’s not children, that should be the end of the story. Family planning, birth control, and issues relating to fertility are personal and private. It’s no one’s place to tell anyone they should bring kids into this world. And that includes parents pestering their own children for grandkids.

But I do get it. I hate the thought that I might someday be forgotten. That’s part of the reason I write this blog — so there’s some record I actually existed one day after I’ve left this mortal realm. I always think back to that scene in Coco, a film I absolutely adore but can only watch very seldom due to the heavy themes. Like, a whole man evaporates as the last person alive who remembers him dies. And that fucked me up.

I write this because I feel in order to defeat the rise of fascism in this country, we need to understand why people voted the way they did. We need to know how we got in this position. Burying our heads in the sand and pretending the opposition are all irredeemable monsters is not how we win people to our side. Seeing people as fully human and acknowledging their dreams and fears is.

Because at the end of the day, when you set aside all of our differences, every person just wants to carve out a permanent place in the story of humanity.

Following Your Heart: Lessons From My Lifelong Muse

Last week, my best friends from the Kalamazoo karaoke crew stole me away to Detroit for the night to see my childhood heroes, Heart. And let me tell you, it was magnificent.

And bittersweet.

And oddly galvanizing, in a strange way.

To think my lifelong obsession began with this American Idol performance I watched in my parents’ living room one evening as a wee 10-year-old. I remember thinking out loud that it was a really pretty song, and so my mother beckoned me to her cassette collection as if to show me a clandestine secret.

And there it was. The Rosetta Stone that would decode my entire direction in life.

I’m also fairly sure Heart invented Pokémon with this album cover.

I’d never heard anything like it before. That voice, it was almost unreal. I was already captivated by the audio, but then I managed to catch the music video for “Alone” on VH1 (and recorded it onto a VHS tape, natch) and by God I was mesmerized.

I mean, Nancy Wilson, the guitarist and the younger of the two sisters, was beautiful. As a young blonde girl who’d just picked up guitar herself, it was expected for me to gravitate towards Nancy. Everyone in my life asserted I was a little Nancy. But the sister who really stole my heart was the raven-haired, soulful-voiced siren, clad in all black, with a longing gaze that burned into the CRT screen of my childhood TV.

That would be Ann fucking Wilson, and suddenly, I didn’t want to be a veterinarian or a racecar driver when I grew up. I wanted to be her.

I’m not actually goth — I just watched this music video too many times as a kid.

In fact, I think this particular album cover made me realize I was into girls:

Better than the album cover that made me realize I was *also* into guys.

Ann had become my biggest musical inspiration, my baby lesbian crush, and perhaps most importantly, somebody I could see myself in. I remember my favorite cringy OC from my middle school stories and how it was essentially just Ann Wilson but like, with a cool outfit and a hot boyfriend too. At the time, I was a far cry from the effortlessly cool rocker chick I desperately wanted to be, but I still had hope.

Because Ann wasn’t always the effortlessly cool rocker chick either.

In fact, when she was a kid, she was just like me. She was bullied relentlessly, same as I was. For her, it was a stutter; for me, autism. For her, it was being overweight; me, I was scarily underweight. I remembered finding out about her struggles and felt an odd kinship with her. In a way, she felt like my big sister, the one who went through hell first so she could show me the way through.

That’s why the show felt so bittersweet. In a way, I felt like I was saying goodbye to an old friend. Because — and it hurts my heart to admit it — I don’t know how much longer I’ll have her. She did recently beat cancer, which makes her even more badass, but I’m not naive. Even if she is in otherwise perfect health, she’s not getting any younger, and who knows how many more years she’ll be able to tour. Same with most of my musical heroes. The remaining members of Queen will eventually die. There will someday be a world with no Bon Jovi. And after my pantheon of boomer musicians have passed on, I still have to watch all the gen X musicians I looked up to perish. And after them, it’ll be my generation.

But despite sobbing on three separate occasions at the show, I left that night feeling strangely empowered. Because one day, Ann may be gone, but she’ll live on in my heart (pun only slightly intended). And I’ll carry on her legacy as best as I can by creating beautiful music and giving it my all at every performance I do. I owe so much to her, because she’s the one who made me realize I could be whoever I wanted to be. I didn’t have to be a scared bullied kid anymore. I could be a rock and roll baddie. It’s kind of funny — a few days ago, a woman at my music bingo show said, and I quote:

“You know who you remind me of? The singer of that one band. You know, Heart?”

Music, Failure, and the Weight of the World: A Small Rant

So I was let go at Guitar Center.

It was the professional equivalent of a relatively amicable breakup — my boss saw me struggling to even make it in on time due to my insane work schedule, and so she mercifully allowed me to quit with no hard feelings. I’ve never been fired, and this doesn’t even really count as a firing since I left on my own terms, but it still stings.

I’m not a stranger to failure, despite it rivaling death and abandonment as one of my biggest fears. Leaving the internship in Fort Wayne felt like a huge failure after everything I’d put myself and my wife through in order to finish my music therapy degree. I wasted so many years in school and have absolutely nothing to show for it. That was a rough moment in my history, but I managed to claw my way out of the dark depression it sent me into.

I don’t know how much clawing I have left in me, though. My fingertips are bloodied and raw. I’ve struggled enough.

This is all on top of the weight of the world, which has been crushing me with every disheartening story that passes through the news cycle. We live in a truly evil world where people get their kicks by literally kicking others down. Some bitch got hundreds of thousands of dollars for calling a child the n-word. How is it that terrible people get rewarded, but actual good people get fucked over? There’s still a whole bunch of bullshit happening in Israel and Palestine to folks whose only sin was being born in the wrong place at the wrong time, and don’t even get me started on the mess that is my own country at the moment. I wish I could just leave, but it’s not that simple. I can’t leave my family and friends and partners behind, so my only choice is to stay and fight the good fight, wherever that leads me.

But like I said, I’m don’t know how much fight I’ve got left. I’m fucking exhausted. The one thing that’s kept my spirits up at all is music and the prospect of someday becoming a successful musician in some form, but I’m afraid of becoming obsolete. I’ve already mentioned on my blog how dabbling with AI software started to bork my creativity, but like, what’s the point of writing songs when I can push a button and make the robots write one for me? And that’s the future we have to contend with. I’m not a vehemently anti-AI Neanderthal — I think there are legitimate uses, even in the art and music fields, and I’d be a hypocrite if I said I’ve never used it. Like, sometimes I’ll use AI to test out acoustic demos with a full band so I know whether or not the song is even strong enough to work with. But I’d never, ever release something to the public that I didn’t create myself. And I’m realizing most people don’t operate with those kinds of creative ethics. So as AI music becomes more prominent, I’m going to have to compete with a torrential onslaught of “creators” cranking out slop. Like, how long until we have an AI popstar?

But even if I didn’t have robots to compete with, I’m still racing against time. I’m 32. No one wants to listen to grandma sing her little songs, and I’m practically a grandma already to the suits who run the music industry. I remember when I was a freshman in college, it was a big fucking deal that Carly Rae Jepsen, who was at the height of her “Call Me Maybe” era, was 26. I’m six years older than that, and I have yet to make any significant waves in the industry. The music video for “Sweet Honey” sits just below 100 views, which is next to nothing. I can’t help but wonder what would have happened had I moved to Nashville or LA in my youth, but it’s too late now.

And even if I was still a hot twentysomething ready to take on the music industry, you have to remember, the music industry has changed. A lot. It’s damn near impossible to make money with streaming. And there’s no such thing as rock stardom anymore. Unless you’re Taylor Swift, Chappell Roan, Sabrina Carpenter, or Beyoncé, no one knows who you are, and no one cares. Monoculture is dead. Back when you had to listen to music on the radio, people could bond over hearing their favorite songs together. Now, everything is so fragmented. If you want to listen to nothing but progressive zydeco pirate metal, you can just search for bands that fit that perfectly in that very niche and never bother putting on anything else again. Vinyl sales are up, but that’s not gonna help your up-and-coming local band that’s still getting off the ground and doesn’t have thousands of dollars to drop on printing physical records. Which leads me to the biggest problem.

It costs too damn much to “make it” in the creative fields.

I could have moved to Nashville had it not been prohibitively expensive. I could sink all of my time and energy into recording quality music if I didn’t have to work three jobs for the privilege of breathing air. The famous folks you know and love are largely only there because they were born into money and had multiple safety nets to catch them in case of failure. Taylor Swift’s wealthy upbringing has been the subject of much scrutiny, but even one of my personal favorites, the aforementioned Chappell Roan, had a charmed life, growing up in a sprawling gated home that looked like this. I’m livid that the music industry and this entire country as a whole demands you be born with a silver spoon in your mouth, or else what you have to say or contribute isn’t important and you should just fuck off and die. It makes me viscerally angry, the amount of talent we’ve lost to poverty. The next Jimi Hendrix could be just around the bend, but if that kid’s parents can’t afford to get him a guitar and lessons, too fucking bad.

It’s a cultural crisis. And I’m scared I’m becoming one of its casualties.

I want to make it in music more than anything, but I’m so disillusioned at this point. I’ll never be a rock star. I’ll never be John Frusciante. I’ll never be Ann Wilson. The best I can hope for is some steady gig where I can make the music I want to make and earn a decent living, but there’s not a lot of jobs like that out there, especially not here in Kalamazoo.

I don’t want to end this post on a negative note, as many things in my life are going well. My dad was recently hospitalized, but he’s made a speedy recovery. My two primary partners have been incredibly loving and immensely supportive of me, and I might have a third partner who is also very sweet if I play my cards right. My dream pedalboard is finally finished, and since moving to Kalamazoo, I’ve got more friends than I can keep track of. I do have a lot going for me, but there’s always that part of me wondering when the other shoe is gonna drop. And a big black cloud hanging over me as of late is my frustration with, well, everything.

But I’m going to keep pressing on. With Guitar Center out of the way, perhaps I’ll have more time to work on the songs I want to get recorded and produced. Maybe I can sink more energy in the podcast I started with my best friend. Maybe I can even sleep a full eight hours like a normal person.

I’m trying to be cautiously optimistic, but optimistic nonetheless. That’s all I can really do.

Putting on the Straight Jacket: Choosing Between Safety and Your Own Identity

Alright everyone, today we’re talkin’ trauma. But first, the daily prompt WordPress gave me tonight:

What sacrifices have you made in life?

It’s serendipitous that this was today’s prompt, because while this wasn’t necessarily the direction I was planning to go in with this topic, I feel there is another important angle to consider.

Living and being in the world authentically requires sacrifice. And it absolutely can cause trauma.

Up until a certain age, the trauma I experienced never really left the school hallways, so once I was done for the day, I could compartmentalize all that BS and, I don’t know, play Sims all day. My bullies didn’t really live rent-free in my mind since I was too busy thinking about all the stories I wanted to write, and to be entirely honest, I didn’t have much else to worry about as a child. You know, aside from my terrifying OCD-driven intrusive thoughts.

No brain, I *don’t* actually want to stab my mother, I literally just want to play dolls.

Here’s something I came to realize: things were so easy because I actually had a pretty privileged life growing up. I was white, relatively well-off (well, blue collar, but my family never hurt for food), and straight…right?

Oh.

In the immortal words of NSYNC, bi bi bi.

I think I always knew in my heart of hearts that I was bisexual. You see, speaking of Heart, I came to realize I was staring just as longingly at old photos of Ann Wilson as I was at Peter Frampton. Yes, I am a millennial. My mom gave me some of her vinyl collection when I was around 12, and the cover of Dreamboat Annie just like, awakened something in me.

Then, I went to the church I grew up in and that got beat out of me pretty quick. I learned what it was called when a girl thinks another girl is hot. It was called being a homosexual and it was bad because…they never really said aside from a couple of Bible verses that I’ve since discovered meant something else entirely. But the message was clear. If being gay was bad, then I was not gay, simply because I did not want to be bad.

And then I met my best friend in college. She was a lesbian. The closer we got, the more I realized I preferred being around her to any of the guys I dated. I even realized I preferred her company to that of the man I eventually married. No one made me laugh like her. No one understood me like her. And like, she was way cuter than most of the dudes too.

If you haven’t caught on yet, she’s my wife now.

But something changed when I just said “fuck it” and started living openly queer. Suddenly, religious and political discussions were a minefield and I’d be taken aback by how freely people would say the most dehumanizing bullshit about folks like me — especially if the person I was talking to didn’t immediately register that I wasn’t straight like them. I had to watch how I word things around strangers, as dropping a phrase containing the words “my wife” could potentially put me in danger. Driving through smaller towns felt especially unsettling now. I wasn’t sure if I was surrounded by people who’d want me dead if they knew the truth. I’m originally from a small town; I know how it is. These folks don’t often meet people who aren’t like them, and when you’re that insulated from the full range of human diversity, exposure to that diversity can feel threatening. And when people are threatened, all sense of reason falls to the wayside and it’s fight mode.

I don’t want to fight with these people. But they want to attack me. All for something I never chose for myself. All because I thought girls were pretty.

In the last few months since the current administration took over, I’ve been considering what I’d even do in the case that homosexuality is outlawed. I am bisexual, and I could put on the straight jacket if I really needed to. I had for all those years I exclusively dated men. But I realized I wasn’t truly happy in that arrangement. I wasn’t fully, openly myself.

That’s why the topic of sacrifice kind of hit me. I’m sacrificing a lot of comfort and privilege just by being who I really am for the first time. There’s a term for that constant sense of looking over your shoulder that comes with being a marginalized person. It’s called minority stress, and refers to the chronic stress that we experience from constant discrimination and not knowing if the next person we run into will be a crazed bigot who wants to murder us. The thing is, I never had to experience that as a kid. My wife may have, since she’s black and race is a lot harder to conceal than sexuality. But remember, I was a white kid in a white family in a 99 percent white town. The only source of trauma for me, like I mentioned at the start, was being bullied.

All of that being said, would I go back in the closet if it meant freeing myself from the stress and potential threats? Would I willingly live out the rest of my years playing the role of the traditional wife in a heterosexual marriage? Would I sacrifice my own identity for my safety? Honestly, I don’t think I would. It is hard adjusting to being a marginalized person when it’s not something I grew up experiencing, but after spending years running from myself, I’m not about to backtrack on work I’ve done to be who I really am. Because who I really am is finally here, and she’s ready to take on the world.

Those Four Words: What NOT to Say to Someone Who’s “Seen the Light”

A few nights ago, I saw this post on That Accursed Platform:

There was more to the post, but the gist was “I voted for the Leopards Eating Faces Party and was shocked that the leopards ate my face.” Which has been a pretty common occurrence, judging by the sheer size of the community that monitors such things on Reddit. And I have to admit, my first inclination is to gloat when someone who voted against my right to life, love, and the pursuit of happiness gets their shit wrecked by the policies they voted for. It feels like karma. And nothing — I mean, nothing — feels as good as saying “I told you so.” Apparently, this woman has been hearing a whole parade of “I told you so” from people on my side.

But “I told you so” isn’t going to win people over to our side. It’s not going to soften hearts.

And it’s certainly not going to save folks lost to the MAGA cult.

I’m the kind of person who learns best by fucking up. It’s just what I do. I need to make a few mistakes before I realize what I’m doing isn’t working. My mistakes are pretty well-documented in this blog, actually. Co-writing an album with AI before noticing my own songwriting abilities atrophying? Dragging my wife to another state to attempt an ill-fated music therapy internship? Those were pretty noteworthy mistakes of mine, and I’ll tell you what I didn’t want to hear upon realization of my fucking up:

I told you so.

Those are the four words people will bend over backwards to not hear. And there’s a reason for that. Let’s get philosophical.

Here is a photo of Socrates, so you know just how philosophical we’re getting.

The sunk cost fallacy is basically what happens when you go “all-in” on a bad decision. Your brain kind of thinks “Well, I’ve already committed — it would be silly to back down now.” And that’s why people double-down on choices that are obviously causing more harm than anything else. It’s one reason why we stay in relationships that suck, or invest in a job that sucks, or finish watching a particularly sucky movie, even though we already know it sucks. It might as well be called “the suck cost fallacy,” because it sucks. But we know if we leave the situation, everything will have been for naught and even worse, you look wrong. And no one likes being wrong.

So when people inevitably realize they chose the wrong candidate and things inevitably start going south for them because of it, they’re not going to be happy. And when they hear a cacophony of those dreaded four words upon that realization, they’re not going to go “Oh shit, you’re right,” and join our side. NO. They’re going to double-down on their original opinions, even though they see the cracks.

What do we do instead?

Love. The answer is always love.

Welcome them in. After all, it’s not their fault they were lied to and deceived by shady campaign promises. Make sure they know that. Make sure they don’t feel any of your ire — it’s okay to be mad that they voted against your best interests, but you’re on the same side now. Make sure they know they have a place in the movement. And for the love of God and all things good in the world, don’t say “I told you so.”

I’m sure you’ve heard the poem that begins “First they came for…” by now. What you might not know is that the author, German pastor and theologian Martin Niemöller, was originally a staunch Hitler supporter. But he, like the woman whose story I shared above, felt the sting of his vote after he was imprisoned. Eventually, his heart softened and he felt deep remorse for what he’d done, and he began fighting for good. We could have a whole nation Martin Niemöllers who are fighting alongside us, but we can’t push them away before they’ve even been given a chance. We want to win people to our side. Don’t punish the behavior you want to see.

As the Carrot King continues to make this great nation his plaything, we’ll continue to see more and more people realizing he’s not everything he seems. That’s where we come in — not to say “I told you so,” but to be a soft place to land. When we realize we’re on the same side, there’s nothing we can’t do.

All of us. Together.

More Than Words: Five Quotes I Live By

Do you have a quote you live your life by or think of often?

If there’s one thing I can take away from being a writer my whole life, it’s the fact that words are powerful tools. We can use them to build people up, tear each other down, spread information, spread misinformation, and evoke strong emotions. Something I’ve always been fascinated by is the use of mantras or affirmations for self-improvement. Just repeating a certain phrase to yourself can make an impact on your mental health. And here’s the thing — your affirmations don’t have to be anything in particular, so long as they resonate with you.

Like a favorite quote!

As I began writing this post, I realized I have a handful of quotes I constantly repeat in my head like mantras. They’re the words that shape my personal philosophy and the way I approach life. I never really stopped to actively consider and appreciate how these words have shaped my experience as a human being. But I wanted to share a few of these quotes I carry with me.

She refused to be bored chiefly because she wasn’t boring.

–Zelda Fitzgerald

This first quote comes from the iconic flapper wife of F. Scott Fitzgerald, who absolutely should have been absolutely as famous as him in her own right. She was a Renaissance woman — a writer, painter, and dancer, who went on to die tragically in a mental hospital fire. I see a lot of myself in her story. She was diagnosed with schizophrenia, but had she lived today, she would have received a bipolar diagnosis like me.

Zelda was a wild child with many diverse interests, so I can’t imagine a woman like her would ever be bored. That’s kind of how I want to be. I don’t enjoy being idle, and I don’t ever want to be boring. I always want to be involved in exciting new projects and opportunities. Life’s too short to sit around and be bored. You gotta actively make a life worth living. That’s kind of what the quote means to me.

Show love with no remorse.

-Red Hot Chili Peppers (“Dosed”)

I remember the first time I heard this song and being entirely floored by how beautiful it was. It was in the car with my former drummer Jerry and another short-lived bandmate on the way to our bandiversary date. I’d heard plenty of Red Hot Chili Peppers before that day, but this was the song that really made me appreciate them on a deeper level. I loved the guitar work, the harmonies, and perhaps most importantly, the words.

I’ve always said I wanted this exact lyric tattooed on me someday. I just think it’s a simple concept. You’ve got nothing to lose by giving love freely and joyfully. We need much more love in this world, and now is not the time to be stingy with it. You’ll never regret treating people with kindness.

Never attribute to malice that which is adequately explained by stupidity.

-Robert J. Hanlon

I hesitate to call this a quote. It’s technically a philosophical razor, which eliminates — or rather, shaves off — weak explanations for a particular phenomenon. The phenomenon at hand when it comes to Hanlon’s razor is “Why are people awful to each other?” And the explanation it offers is simple: people just don’t know any better.

Hanlon’s razor is why I still have faith in humanity, even after I’ve witnessed some of the worst of it. People very seldom intend to hurt each other. We’re all just big dum-dums that say and do the wrong things sometimes, and we really need to treat each other with more grace. That’s why I don’t believe in cancel culture — we need a grace culture. If you make an honest mistake and own up to it, that shouldn’t be held against you. No one is perfect, and we can’t hold people to impossible standards.

Do not be overcome by evil, but overcome evil with good.

-Romans 12:21

I struggled to think of just one Bible verse to include, since so many have been influential to me growing up in the church. But this one felt really relevant with some of my recent posts about loving your enemy and fighting the rampant dehumanization of marginalized folks in our society. It’s easy to lash out against the people who are hurting me and my loved ones. But you have to remember that they’re human and they’re hurting too. Hurt people hurt people. It’s not an excuse, but it’s an explanation. And it’s why I choose love — because you don’t know what someone else is going through.

The verse immediately before this one talks about how offering your enemy water when they’re thirsty is akin to heaping hot coals on their head. The Good Book is telling us to kill them with kindness. I saw a post recently that said the true test of a Christian is not whether they love Jesus, it’s whether they love Judas. I’ll admit it’s hard for me to show love to the people who hurt me. The human part of me wants revenge. But the divine answer remains to be love.

Where words fail, music speaks.

-Hans Christian Andersen

I’ll admit I never knew the person behind this quote was none other than the Danish purveyor of fairytales such as The Little Mermaid, The Emperor’s New Clothes, and Thumbelina. But I’ve always related to this quote. As a child, the signs of my autism were very apparent. I would often stim by pacing or making bird sounds, and I had sensory issues surrounding things such as loud noises and upsetting smells (looking at you, ranch dressing). And like many autistic kids, I struggled to communicate with my peers. My classmates thought I was from France for the longest time because I never spoke in elementary or middle school, so they assumed I had an accent or didn’t know English or something.

But then I picked up a guitar, and everything changed. When I learned to play music and started performing, that was when I truly found my voice. Music was my way of reaching out into the world. I call music my first language for good reason. It was the bridge that connected me to other people for the first time in my life, and for that, I’m forever grateful.

What quotes do you live by? Leave your favorites in the comments!

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