Putting Away Childish Things: What I’ve Learned About Letting Go

I’ve chronicled my music therapy journey on this blog quite a bit in recent years. It was a huge part of my life’s story, having been the focus of my studies for more than a decade on and off. Even when I wasn’t actively pursuing music therapy at my university, I still had every intention of obtaining that sweet degree at some point and slapping a fun little “MT-BC” after my name. Heck, if I was feeling really feisty, I could even go back to school again and throw a Dr. in front of my name as well.

Obviously, as I’ve detailed in painstaking detail on this blog, that dream died a hilariously brutal death in the godforsaken city of Fort Wayne, Indiana.

But that wasn’t my first — or only — dream.

When I was a little girl, I wanted nothing more than to be a rock star.

Now why does that sound so familiar?

After my tragic and abrupt exit from the music therapy world, I decided to refocus my energy on making it as a professional recording artist. LORE was intended to be my “Hello!” to the music world. I crafted the eight-song album to be a proper debut, with a smattering of songs from an array of genres demonstrating my abilities as a performer, songwriter, and producer. I redid my socials, pestered my besties with the demos, and even dragged my poor wife into a frozen-over forest for the promo shots. I had every intention of this album becoming a breakthrough of sorts.

Then, release day came. Friday the 13th. It felt poetic, but the moment came and went, and I found myself absolutely paralyzed at the thought of doing any self-promotion. I remembered the tragedy that was me trying to promote my ill-fated Chappell Roan cover, which was inundated with (at least charmingly creative) insults. Putting my original material out there, which I emptied my entire heart and soul into, felt even more vulnerable. Ultimately, I chickened out.

The album languished.

But here’s the weird part.

I actually wasn’t as disappointed as I should have been.

Because the older I get, the more I realize I don’t want to be the next Taylor Swift. In fact, the idea is becoming increasingly terrifying.

It’s not a secret that the music industry sucks. I literally just posted an entire piece about that yesterday. And truthfully, the more I learn about its seedy underbelly, I’m not entirely sure that’s the future I want for myself.

Maybe this is the dream I need to let die.

Last night, I had the most incredible opportunity. I got to meet my lifelong hero, Ann Wilson, the legendary frontwoman of the classic rock band Heart. And I had the chance to ask her exactly one question. Now when the time finally came, I definitely panicked. My initial thought was to ask her about her childhood and being bullied, and what kinds of things she told herself to stay strong throughout those struggles, but I didn’t want to get too dark, especially since I was one of the first in line. I ended up trying to ask her if any neat happy accidents had ever ended up in a Heart song, but I forgot how to articulate the phrase “happy accidents” and flubbed the question so bad that she had to ask me to reword it (not my proudest moment).

What I’m really glad I didn’t ask, however, was the question that was my other first instinct — what is your advice to up-and-coming musicians?

Her answer boiled down to “quit your day job and go all in.”

Which, sure, might have been decent, if a little reckless, advice back in the seventies when she was getting her start. But following that advice as a working class artist in the year of our Lord 2026 is a near definite death sentence. The chances are very slim that you will actually make it. The chances are much higher that you will wind up with this as your sick rock and roll castle:

“Hello MTV and welcome to my Crib!”

Perhaps her disappointingly out-of-touch response was the final wake-up call that I needed to stop pursuing music on such a grandiose scale.

After all, being a rock star was the dream of a child, and at some point, you have to put away childish things.

There’s a verse (1 Corinthians 13:11, to be precise) about this very concept in the Good Book, and I always hated it whenever I heard it in church. I’m a kid at heart and never wanted to grow up (and when I did inevitably grow up, I wanted to skip to the part where I got to be a lazy grandma). I thought the whole idea of having to act serious and proper and “adult” was a silly and unnecessary social convention. Who cares if someone still loves cartoons and toys and goofy jokes after some arbitrary cut-off?

What I’m learning recently, however, is that the verse in question isn’t referring to watching SpongeBob as a grown-up at all.

My wife has been without a job for a good amount of time for a number of good reasons. Because of the circumstances, our roommate and I are not pestering them to be employed at the moment. Still, bills need to be paid, and so my wife has begun to sell off their prized possession — their beloved Pokemon cards.

For years, that was all my wife asked for. Forget chocolates and Hallmark cards, if I didn’t come home with Pokemon cards on Valentines, I was in the metaphorical doghouse. I seriously gave this woman (well, nonbinary woman-shaped cryptid) a bouquet with multiple booster packs taped to shish kabob skewers tucked within it. Pokemon cards were their one obsession.

A few days ago, I was talking with my wife about the sudden change of heart. As it turns out, like many things we cherish, capitalism has soiled the card collecting hobby as well, with scalping running rampant. And more than that, they admitted making sure my roommate and I, their two favorite people on the planet, were fed and cared for was more important than some dumb flimsy cardboard.

Now that is maturity. Now that is growing up.

“Alexa, play Blink-182 ‘Dammit.’”

Maybe the childish things in our lives aren’t crayons and kids’ books. Maybe they’re the things that keep us from what’s actually important in life. No, I don’t want to be a rock star anymore. I want to be a loyal partner to my favorite people. I want to be a good mother someday. I want to build a home and a career I can take pride in. And I want to change the world through music on my own terms.

Why I Became My Cringy Childhood OC For Halloween

Meet Ann Valentÿne.

Like I said in the video, she was essentially a drag queen’s take on “Alone”-era Ann Wilson from Heart with a lot less clothing and more sequins, with a bit of a femme Jon Bon Jovi flavor for taste and a hint of a dark-haired Sophitia from the Soul Caliber video games. She was a rock star, but more than that, she was the 20th century incarnation of Aphrodite, and she was tasked with both saving the world and her little sister from an ancient evil. She had a hot beefy boyfriend, but in my stories, she’d always save herself. She was kind of a badass.

I’ve written about her before and how I recently unlocked memories about this character, who was a kind of escapism to middle school-me. She was definitely my attempt at creating a self-insert and was probably something of a Mary Sue if I’m honest, but I loved her. She made me feel powerful when I was a scared bullied little kid. And when I happened upon a certain leotard online that resembled the signature bodysuit I designed for her, I knew it was kismet. I needed some new stage clothes and a new persona for my music career, and I really needed a Halloween costume. Besides, I wasn’t quite sure how I could top Chappell Roan last year.

I do still have the wig.

So I chose to lean into the cringe and live my childhood fantasy, because why not? The world is going to hell in a handbasket and who knows how many more Halloweens we’ll have before humanity inevitably blows up the planet. Why not add just a little bit of childlike whimsy to your world? People are so scared of cringe and looking uncool and it’s sapping all our creativity and fun. There’s a reason why popular music has been in kind of a lull lately. The Black Eyed Peas and OutKast could not have careers in our current zeitgeist. We’re too afraid of silliness.

The scariest part of the season is how many folks take themselves too seriously. I’m not afraid to admit I was a bit of a dork growing up, and I still am. And there’s absolutely nothing wrong with that. Embrace the cringe — be your childhood OC for Halloween.

Stepping Into My Own “Barracuda” Moment

Let’s talk about Friday night.

I’ve been sitting on this blog post for a few days now as I process what happened at karaoke on Friday. Here’s the SparkNotes version of the events.

Basically, I was already riding high from a very successful music bingo night that I’d just hosted at a different bar. That part is important because had I not been in such a powerful mood already, I probably wouldn’t have been able to do what I did. I got to Old Dog Tavern (shout out to one of my two favorite bars in Kalamazoo!) around 10 I think and met up with one of my bandmates and best friends, Ellie. We were just outside on the deck probably sharing a joint with a few friends or something when we both headed inside for some reason. Not ten seconds after we stepped inside, some crusty short old white dude with a Colonel Sanders goatee in a green hat came up to us. He reached his shriveled hands within an inch of our titties and made a honking motion, remarking “Eh, isn’t this how you greet women?” and shyly begging “Can I?”

I saw red. It was enough that this fucko disrespected me, but also poor little Ellie, who is for all intents and purposes a little sister figure to me. I pushed back through the doors to where my wife, Crass, was sitting outside, and all I had to say was “creep,” “tried,” and “grope” and she was equally livid. We both bursted back inside, her to find the pervert and me to make a fucking statement.

I ran up to the stage and grabbed the microphone. Fuck whatever else was going on. This man had to be stopped. I screamed to stop the music, took the mic, and with all of the pent-up rage of 32 years worth of creeps thinking they can test me, I declared:

“Nobody is allowed to sexualize me and my friend without our consent.”

The bar bursted into a frenzy of confused looks and claps, save for one asshat heckler in the front who yelled “Too late!” like a goddamn Reddit troll in real life. This made me even more angry, and I lunged toward him, grabbed him by the collar to make him look me in the eye, and said “What the fuck did you say?” At that point, Crass had turned her attention to the heckler, and she literally chased the whole man out of the bar. The original pervert got tracked down and kicked out as well, and the whole time, I was shaking and crying and in shock at what I had just done.

I — the bullied little girl who had to eat lunch in the library to avoid being pelted with ranch dressing packets — finally stood up for myself.

Then, the most amazing moment happened. The whole bar rallied around me, encircling me physically with their bodies and figuratively with their love. I sunk into my friends’ arms and let out all of the emotions that had built up.

Because I was no longer scared. I felt like I had become something new. I stepped into who I was supposed to be this whole time. Like, there was something deeply spiritual about what happened that night. My good friend’s girlfriend said it’s a Leo moon thing. I keep drawing powerful feminine cards like The Empress and the Queen of Wands, the latter of which is a card that’s always resonated with me, though I couldn’t place why at first. I always thought I was more of a Cups girl — soft and emotional — not a fiery, passionate Queen of Wands.

I’ve mentioned my ridiculous admiration for Ann Wilson, frontwoman of the classic rock band Heart, on here many times, and it’s fitting that this particular night was the day after her 75th birthday. I wanted to be her so bad growing up, to the point where I’d study her singing and her performances and her fashion sense and even her personal life, as stan-ly as that sounds now (give me a break, I was an autistic child). One thing I learned when reading about her childhood was the fact that she was bullied extensively too, like me. She was overweight; I was underweight. She had a stutter; I had undiagnosed ADHD and autism. But I saw myself in her. Hell, I created a cringey wish-fulfillment OC based on her! She gave me hope that I could someday be the badass rocker chick I desperately wished to become.

That night at karaoke, that’s exactly what I did. I became that woman. The take-no-shit rock and roll queen who isn’t afraid to call a fucker out.

After the creeps were exiled from the bar and karaoke resumed as normal, the DJ (who may just be the best cishet white man this side of Steve Irwin) asked me if I was okay and if there was anything he could do. I had one request, because I knew exactly what my last song of the night would be.

Back in the 1970s, Ann and her own (actual) little sister, Nancy, were frequent victims of slimy men in music venues, especially since rock was very much considered a man’s world back then. The iconic “Barracuda” was written as a response to some guy backstage who made a creepy joke toward Ann at her sister’s expense, insinuating their relationship was incestuous. Absolutely filled with unbridled rage, she wrote the scathing lyrics that would eventually become the now-legendary song.

And that night was my “Barracuda moment.”

I got on stage to a roar of applause. It’s funny because a while ago I wrote a song half-joking about wanting to be “Kalamazoo famous” instead of actual famous. In that moment, I really did feel like a small town celebrity. With what little was left of my voice after cussing out the pervs, I sang my musical heroine’s battle cry, dedicating it to her for helping me find my voice — and to every man who ever intentionally made a woman feel unsafe in a bar.

I left the best part out. After everything was said and done, a young woman came up to me and quietly thanked me for what I did. She’d been victimized by the creep too. It made me realize how much power we have as women to lift each other up and protect one another.

I want to carry this night with me whenever I feel like I’m not strong enough to stand up for myself. Because now I know I have what it takes. I’ve seen it. My friends have seen it. The entire city of Kalamazoo has seen it.

I have more power than I thought.