Last week, my best friends from the Kalamazoo karaoke crew stole me away to Detroit for the night to see my childhood heroes, Heart. And let me tell you, it was magnificent.
And bittersweet.
And oddly galvanizing, in a strange way.
To think my lifelong obsession began with this American Idol performance I watched in my parents’ living room one evening as a wee 10-year-old. I remember thinking out loud that it was a really pretty song, and so my mother beckoned me to her cassette collection as if to show me a clandestine secret.
And there it was. The Rosetta Stone that would decode my entire direction in life.
I’d never heard anything like it before. That voice, it was almost unreal. I was already captivated by the audio, but then I managed to catch the music video for “Alone” on VH1 (and recorded it onto a VHS tape, natch) and by God I was mesmerized.
I mean, Nancy Wilson, the guitarist and the younger of the two sisters, was beautiful. As a young blonde girl who’d just picked up guitar herself, it was expected for me to gravitate towards Nancy. Everyone in my life asserted I was a little Nancy. But the sister who really stole my heart was the raven-haired, soulful-voiced siren, clad in all black, with a longing gaze that burned into the CRT screen of my childhood TV.
That would be Ann fucking Wilson, and suddenly, I didn’t want to be a veterinarian or a racecar driver when I grew up. I wanted to be her.
In fact, I think this particular album cover made me realize I was into girls:
Ann had become my biggest musical inspiration, my baby lesbian crush, and perhaps most importantly, somebody I could see myself in. I remember my favorite cringy OC from my middle school stories and how it was essentially just Ann Wilson but like, with a cool outfit and a hot boyfriend too. At the time, I was a far cry from the effortlessly cool rocker chick I desperately wanted to be, but I still had hope.
Because Ann wasn’t always the effortlessly cool rocker chick either.
In fact, when she was a kid, she was just like me. She was bullied relentlessly, same as I was. For her, it was a stutter; for me, autism. For her, it was being overweight; me, I was scarily underweight. I remembered finding out about her struggles and felt an odd kinship with her. In a way, she felt like my big sister, the one who went through hell first so she could show me the way through.
That’s why the show felt so bittersweet. In a way, I felt like I was saying goodbye to an old friend. Because — and it hurts my heart to admit it — I don’t know how much longer I’ll have her. She did recently beat cancer, which makes her even more badass, but I’m not naive. Even if she is in otherwise perfect health, she’s not getting any younger, and who knows how many more years she’ll be able to tour. Same with most of my musical heroes. The remaining members of Queen will eventually die. There will someday be a world with no Bon Jovi. And after my pantheon of boomer musicians have passed on, I still have to watch all the gen X musicians I looked up to perish. And after them, it’ll be my generation.
But despite sobbing on three separate occasions at the show, I left that night feeling strangely empowered. Because one day, Ann may be gone, but she’ll live on in my heart (pun only slightly intended). And I’ll carry on her legacy as best as I can by creating beautiful music and giving it my all at every performance I do. I owe so much to her, because she’s the one who made me realize I could be whoever I wanted to be. I didn’t have to be a scared bullied kid anymore. I could be a rock and roll baddie. It’s kind of funny — a few days ago, a woman at my music bingo show said, and I quote:
“You know who you remind me of? The singer of that one band. You know, Heart?”
JESSA JOYCE 