The Sincerest Form of Flattery (And Why Taylor — Or Anyone Else — Shouldn’t Have to Apologize For “Stealing” Songs)

Ah, Taylor. I don’t even have to write her last name and you already know who I’m referring to.

Unless you’re just getting back from a year-long sabbatical during which you traversed the steppes of Uzbekistan with nothing but a backpack and no phone, you probably well aware that Ms. Swift just dropped a new album. And it’s…just okay. It’s nothing to write home about, especially when compared to her masterful previous works, and the lyricism seems to have regressed significantly. I’ll probably write a full review of the album in the next week or so, but I wanted to touch on one of the biggest talking points that’s come up during this album cycle. And it’s probably the talking point that’s been driving me the most bananapants.

Which is just how hilariously clueless the general public is when it comes to music.

Okay, that might have sounded a bit mean coming from a bitch with a music degree and decades of experience, so let me reword it a little nicer — the vast majority of the population has no idea how music theory actually works, especially in the context of copyright law. Now I’m not a lawyer, but I do know a little bit about what can be copyrighted and what can’t. Still, I want to focus more on the music side of things rather than the law side, because that’s the more fun side, right?

I guess you could count this thing as a percussion instrument.

Anyways, let’s start here — you got these songs. There’s the questionable Charli XCX diss track, “Actually Romantic.” Among the many complaints about the song, particularly that it’s disproportionately mean-spirited, is the observation that it sounds suspiciously like the 1988 Pixies single “Where Is My Mind?” Then you have “Wood,” Tay’s tacky ode to her man’s…manhood, which people have said sounds suspiciously like the legendary Jackson 5 hit “I Want You Back.” And the song I consider lyrically the strongest of this batch, her title track collab with my current celebrity girl-crush, Sabrina Carpenter, shares a similar feeling to “Cool” by the Jonas Brothers, who were famously her associates early in her career. So what the fuck, Taylor? Are we blatantly ripping off other artists now?

And here’s the part where I get to say “Well, ACKSHUALLY” and defend Taylor’s compositional choices (even if some of the lyrical choices are much harder to defend — looking at you again, “Wood”).

Thank you SO MUCH for making me picture Travis Kelce’s rock hard redwood tree…

In the Western music tradition, you’ve got 12 notes: A through G, plus the sharps/flats in between. It’s important to note that out of these 12 notes, only a handful sound good together. Those notes that sound good together form the “key” of any given song. The key is essentially the artist’s palette of colors. Those are the notes you can put in your song that will actually sound like they fit in the song. Anything outside of the key will sound off and even unsettling at times. That being said, you can use notes that don’t fit into the key, but it takes a certain degree of finesse and theory knowledge to pull off nicely. But for the most part, you’ve got maybe seven notes to work with, which, ya know, ain’t a lot.

Let’s get to chord progressions. What is a chord progression? Well, have you ever listened to “Poker Face” by Lady Gaga and Luis Fonsi’s “Despacito” back to back? Even though the genres of the songs are completely different, the “vibe” is still eerily similar. And that is because they share the same chord progression. There are many, many more examples. “Africa” by Toto. “One of Us” by Joan Osborne. “Peace of Mind” by Boston. “Fuckin’ Problems” by A$AP Rocky. “Alone” by my freaking favorite band of all time, Heart. And that’s just one famous chord progression. The progression the Beatles used in “Twist and Shout” was practically ubiquitous in the 50s and 60s, and the blues as a genre likely wouldn’t even exist without the 12-bar progression we know and love. And — this is important — you cannot copyright a chord progression. If I wanted to write a song that uses the exact same chord progression as Taylor’s “Love Story,” I could — and I have. Heck, she has even plagiarized herself in this regard. Go listen to “Shake It Off” and “Eldest Daughter” one after the other and tell me the latter doesn’t sound like a more somber, slowed down version of the first. That’s because they use the same three-chord progression.

Did Tay lift the chord progressions for her new songs from preexisting songs? There’s a chance, but even if she did, you have to remember that musicians have been gleaning ideas from each other for time immemorial. Everyone is influenced by someone. But there’s also a decent chance she just sat down at her piano or with a guitar and those are the chords that naturally came out. Because, like I mentioned earlier, they just sound good together. Our ears are conditioned since birth to listen for patterns in music, and you’re so used to hearing a V chord resolve into a I chord (that’s historically the most common way to end a musical phrase — the authentic cadence). So when you go to write a song, that’s what you naturally gravitate toward.

There is a great deal of discourse around the supposed lack of originality on this album, but I don’t think that’s a fair critique. I think there are plenty of valid critiques when it comes to this album, but I don’t think this is one of them. You could argue that Taylor opened herself up to more scrutiny in this area when she went after Olivia Rodrigo for rights on a song that only marginally sounded like hers (and like, only if you squint). At the same time, I don’t like any criticism of “copying” in songwriting unless it’s a particularly egregious example. Music, at the end of the day, is a social art, and musicians are going to keep borrowing from each other like they always have. As one of my favorite writers, Austin Kleon, says, it’s okay to “steal like an artist.” I’m allowed to have influences. You’re allowed to have influences.

And so is Taylor.

How Ephemeral Love Becomes Eternal Through Music

Brace yourselves, kids. In this post, I mention both Heart and Taylor Swift.

A few days ago, Heart’s original manager, Michael Fisher, passed away. Actually, calling him just their manager is kind of an understatement. In the autobiography of Heart frontwomen Ann and Nancy Wilson, Kicking & Dreaming, Ann tells the story of how Michael was her first love. Their whirlwind relationship inspired one of the band’s earliest and most iconic songs, “Magic Man.”

Why do I mention this? Obviously, Ann and Michael didn’t work out. Michael ended up marrying someone else and having like eleven freakin’ kids, and Ann went on to become a rock star. But their stories are forever intertwined because of that one song. And that’s what this post is about, because when you write a song for someone — or create any art in their honor — you’re preserving a piece of that relationship forever.

I’m a lifelong songwriter. I’m also fascinated by interpersonal dynamics. If you took every song I’ve ever written throughout my life, they would tell countless stories of people who have come and gone and somehow left a mark on me. The songs almost act as containers for the emotions left behind by those old relationships. Each song is a museum of memories. That’s why I have this theory when it comes to songwriting. Well, maybe it’s more of a maxim than a theory. And the maxim is this: If you get even one beautiful creation out of a relationship, it was not a waste of time.

People enter into relationships usually expecting — or at least hoping — to spend forever with someone. The point of dating is to find “your person” (or people, if you’re polyamorous like myself). So when relationships go south, it’s easy to write off the entire experience as meaningless. That’s where art comes in, though. With the magic of creativity, even the shortest-lived tryst can be fuel for a song or a film or a poem or painting.

Taylor Swift is a songwriter I admire deeply, and she’s a great example of this maxim in action. People have given her so much shit throughout the years for writing about her relationships, but honestly, that’s one of the things I like about her writing style. Not because I’m one of those parasocial weirdos who obsess over her dating history, but because that’s how I write songs too. I write about people. She has had many exes, as have I, but I feel like that’s what makes us better at writing. We have these lived experiences we can churn into music, and nothing can take that away from us. Like, she’s not with Taylor Lautner anymore and she hasn’t been with him for over a decade. But “Back to December” is still a beautiful song all these years later, and a song that millions of people still listen to and relate to.

I think of my own songwriting similarly. I think back to Jacob, whom I had a short-lived fling with my freshman year of college that led to the writing of “Smiles & Anchors” and “Tsvi.” I think about Dylan, my high school crush, who inspired “Off the Deep End” and the unreleased track “Outta My System” off my upcoming album Lore. There’s TJ, the muse behind “Song of the Sea,” and Phil, who never reciprocated my feelings but nonetheless influenced the writing of “Oceanography.” There are even songs I’ve squeezed out my non-romantic relationships and the ones that really went south, like the falling out with a former bandmate that led to the writing of “Ladies Don’t Start Fights (But They Can Finish Them).” I can find closure for relationships I wasn’t ready to leave just yet, and peace in relationships I’m happy are over, all because I’ve been able to transmute the pain into something I’m proud of.

I know I write about songwriting pretty frequently, but it is something I’m deeply passionate about. It’s what has gotten me through many breakups and heartaches and unrequited loves. But none of those situations were in vain, all because I could make something beautiful out of them. Relationships — romantic and otherwise — are the backbone of songwriting. We write about human beings and the way they relate to each other. Maybe those relationships don’t last forever, and sometimes, they shouldn’t last forever. Michael Fisher may have been absolutely miserable had he ended up with Ann Wilson, and vice versa, but the love they shared briefly inspired music that people will treasure for generations to come. And to me, that’s the beauty of songwriting.

If you enjoyed the writing in this post and elsewhere on the site, please consider donating to Jessa’s tuition fund! Any help is appreciated!

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Ten Songwriting Truths I Live By

A writing prompt! I love those!

List 10 things you know to be absolutely certain.

Last summer, I read a truly wonderful book called The Creative Act by one of my music production heroes, Rick Rubin. In it, he writes of many truths he’s uncovered in his time working in the music industry and in everyday life. I fondly remember reading it on the beach, soaking in every word as if it were holy scripture of sorts. There’s so much to learn in studying the work and writings of the greats.

I’m now at a place in my career where younger local musicians look up to me, and it’s a cool feeling. I often have friends ask me about my songwriting tips, and I don’t mind passing along my knowledge. I know I’m no Rick Rubin, but I’ve got almost two decades of songwriting experience under my belt. I know a thing or two about writing a catchy song. So here are my Ten Universal Truths of Songwriting:

1. Writing Anything is Better Than Nothing

This one is so important, I put it first. Think about it. A swimmer swims. A dancer dances. What does a songwriter do? Sit around and daydream about how nifty a Grammy would look on their mantle? No! They write songs! It doesn’t matter if it’s not perfect — just do it! It’s better for people to hear what you have instead of wishing it was something else. After all, there’s no wrong answers in songwriting. You don’t have to be Bob Dylan or have a Lennon or McCartney in your life to craft a song. Anyone can do it. What matters is that you do it. If you never write, you don’t get to call yourself a writer any more than I get to call myself a golfer.

2. Shortcuts Are Best Used Sparingly

I can’t chastise anyone for using AI for inspiration. I played with fire myself, and even though I came out the other side leaning more anti-AI than pro, I’d be a hypocrite if I said I never utilized it in any capacity whatsoever. But take it from someone who has used it in songwriting. Using AI will bork your creativity and make your imposter syndrome worse. Use it for chord progression ideas. Use it to flesh out demos. But for the love of God, do not use AI as a crutch. You will get way more satisfaction crafting a song yourself.

3. Grammar Comes Second to Flow

I’m big on the Max Martin School of Pop Songwriting, including and up to prioritizing the catchiness of a song over everything else. That man’s first language was not English and it shows, but in a way it liberated him to be more creative with the language. In “Break Free,” a Martin-penned tune, Ariana Grande sings “Now that I’ve become who I really are,” a sentence that makes no grammatical sense but sticks in your head. I used the same verbiage in “Kalamazoo” in homage to Max Martin, actually — “But I’m happy where I are; I don’t wanna be a star.”

4. You Don’t Have to Reinvent the Wheel

Did you know that most popular music uses the same chords as Johann Pachelbel’s much-loved Canon in D? Those chords are the I, IV, V, and occasionally the minor iii and vi. You’ve probably seen or heard the Axis of Awesome four chords video at some point if you play music, but it stands true. You don’t need to throw in weird jazz chords to make things interesting. You can, but you don’t have to, and too many weird chords muddles things in my opinion. I try to throw in one spicy chord per song, if that. But the truth is, you can’t copyright chord progressions, so don’t feel bad about borrowing from your favorites. Speaking of which…

5. Studying the Greats Makes You Great

Don’t just listen to your heroes. Study them. What did they do, both in their music and out of it? I’m lucky that one of my biggest inspirations as a songwriter is Taylor Swift, whose songwriting processes have been studied and dissected numerous times, to the point where her work is studied in colleges. Because I see a lot of her writing in my own writing, I enjoy reading about how she writes songs, especially to glean inspiration for my own. (Which reminds me, I’m due to write a fun glitter gel pen song soon.)

6. You Are Your Own Artist

As much as I fancy myself a follower of the Swiftian School of Pop Songwriting (yes, there are a couple different Schools of Pop Songwriting), I know I’m not Taylor. I’m not Max Martin. I’m not the Wilson sisters from Heart or Jon and Richie from Bon Jovi either. I know I make a shitty Taylor Swift or Ann Wilson, but I make a great Jessa Joyce. And the best part is I get to decide what that looks like for me and my life — and my songwriting. I found a lot of freedom when I stopped trying to fit my music into a box. Sometimes music doesn’t fit into a pre-existing box. Do you think King Blizzard and Wizard Gizzard or whatever the hell their name is would have a career if music had to fit into a box?

7. You Can Find Inspo in Anything — ANYTHING!

When I was in college, I was dating a guy who played circles around me, guitar-wise. Like, one of the best guitarists I’ve ever heard in person to this day. But he couldn’t write like I could. He didn’t believe me when I said I could write a song about anything, so I wrote a song about his noisy-ass fridge. It slapped. When people ask me my advice for starting out writing songs, I usually say pick a theme of anything — it can be the ocean, candy, your record collection — and just collect phrases and metaphors relating to that thing.

8. Collaboration is Key

Sometimes the best moments in songs are happy accidents with other people. When Wake Up Jamie wrote “Bones” (a song that may or may not ever see a proper release), we just frankensteined together various bits and bobs we’d written individually. I wrote the catchy chorus, natch, while the other frontwoman wrote the verses. The main riff was all the lead guitarist, and the drummer decided to insert a metalcore-style breakdown in the middle of this otherwise funk and glam-inspired song. Had I been more of a control freak than I am, these elements would have not been possible. But I let go of the reins a little and ended up penning one of my band’s coolest songs.

9. Music Theory is Your Friend

Don’t fall victim to that whole “Music theory is for nerds” mentality. Knowledge is power, especially in music. Sure, you can learn the rules if only to break them, but it’s good to know the rules so you know how to break them most effectively. It’s important to know why music works together. Learning the basics of music theory will help you create more musically and artistically interesting works. Unless you’re creating nothing but barebones punk, you need more than three power chords and the truth.

10. Music Should Be Emotional

I saved the best one for last. If the music you’re writing doesn’t make you feel something, you’re not doing it right. I’m a proponent of getting high on your own supply, so to speak. I listen to my own music all the time. It should spark a sense of pride in you. I know I don’t have much. I’m not a celebrity. I’m not rich or powerful. But I’ve got these songs, and they’re a part of me, and that’s gotta count for something. Throw your entire self into your craft, emotions and all. You’ll never regret the songs you leave behind one day.

If you enjoyed the writing in this post and elsewhere on the site, please consider donating to Jessa’s tuition fund! Any help is appreciated!

CashApp: $TheJessaJoyce

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More Than Words: Five Quotes I Live By

Do you have a quote you live your life by or think of often?

If there’s one thing I can take away from being a writer my whole life, it’s the fact that words are powerful tools. We can use them to build people up, tear each other down, spread information, spread misinformation, and evoke strong emotions. Something I’ve always been fascinated by is the use of mantras or affirmations for self-improvement. Just repeating a certain phrase to yourself can make an impact on your mental health. And here’s the thing — your affirmations don’t have to be anything in particular, so long as they resonate with you.

Like a favorite quote!

As I began writing this post, I realized I have a handful of quotes I constantly repeat in my head like mantras. They’re the words that shape my personal philosophy and the way I approach life. I never really stopped to actively consider and appreciate how these words have shaped my experience as a human being. But I wanted to share a few of these quotes I carry with me.

She refused to be bored chiefly because she wasn’t boring.

–Zelda Fitzgerald

This first quote comes from the iconic flapper wife of F. Scott Fitzgerald, who absolutely should have been absolutely as famous as him in her own right. She was a Renaissance woman — a writer, painter, and dancer, who went on to die tragically in a mental hospital fire. I see a lot of myself in her story. She was diagnosed with schizophrenia, but had she lived today, she would have received a bipolar diagnosis like me.

Zelda was a wild child with many diverse interests, so I can’t imagine a woman like her would ever be bored. That’s kind of how I want to be. I don’t enjoy being idle, and I don’t ever want to be boring. I always want to be involved in exciting new projects and opportunities. Life’s too short to sit around and be bored. You gotta actively make a life worth living. That’s kind of what the quote means to me.

Show love with no remorse.

-Red Hot Chili Peppers (“Dosed”)

I remember the first time I heard this song and being entirely floored by how beautiful it was. It was in the car with my former drummer Jerry and another short-lived bandmate on the way to our bandiversary date. I’d heard plenty of Red Hot Chili Peppers before that day, but this was the song that really made me appreciate them on a deeper level. I loved the guitar work, the harmonies, and perhaps most importantly, the words.

I’ve always said I wanted this exact lyric tattooed on me someday. I just think it’s a simple concept. You’ve got nothing to lose by giving love freely and joyfully. We need much more love in this world, and now is not the time to be stingy with it. You’ll never regret treating people with kindness.

Never attribute to malice that which is adequately explained by stupidity.

-Robert J. Hanlon

I hesitate to call this a quote. It’s technically a philosophical razor, which eliminates — or rather, shaves off — weak explanations for a particular phenomenon. The phenomenon at hand when it comes to Hanlon’s razor is “Why are people awful to each other?” And the explanation it offers is simple: people just don’t know any better.

Hanlon’s razor is why I still have faith in humanity, even after I’ve witnessed some of the worst of it. People very seldom intend to hurt each other. We’re all just big dum-dums that say and do the wrong things sometimes, and we really need to treat each other with more grace. That’s why I don’t believe in cancel culture — we need a grace culture. If you make an honest mistake and own up to it, that shouldn’t be held against you. No one is perfect, and we can’t hold people to impossible standards.

Do not be overcome by evil, but overcome evil with good.

-Romans 12:21

I struggled to think of just one Bible verse to include, since so many have been influential to me growing up in the church. But this one felt really relevant with some of my recent posts about loving your enemy and fighting the rampant dehumanization of marginalized folks in our society. It’s easy to lash out against the people who are hurting me and my loved ones. But you have to remember that they’re human and they’re hurting too. Hurt people hurt people. It’s not an excuse, but it’s an explanation. And it’s why I choose love — because you don’t know what someone else is going through.

The verse immediately before this one talks about how offering your enemy water when they’re thirsty is akin to heaping hot coals on their head. The Good Book is telling us to kill them with kindness. I saw a post recently that said the true test of a Christian is not whether they love Jesus, it’s whether they love Judas. I’ll admit it’s hard for me to show love to the people who hurt me. The human part of me wants revenge. But the divine answer remains to be love.

Where words fail, music speaks.

-Hans Christian Andersen

I’ll admit I never knew the person behind this quote was none other than the Danish purveyor of fairytales such as The Little Mermaid, The Emperor’s New Clothes, and Thumbelina. But I’ve always related to this quote. As a child, the signs of my autism were very apparent. I would often stim by pacing or making bird sounds, and I had sensory issues surrounding things such as loud noises and upsetting smells (looking at you, ranch dressing). And like many autistic kids, I struggled to communicate with my peers. My classmates thought I was from France for the longest time because I never spoke in elementary or middle school, so they assumed I had an accent or didn’t know English or something.

But then I picked up a guitar, and everything changed. When I learned to play music and started performing, that was when I truly found my voice. Music was my way of reaching out into the world. I call music my first language for good reason. It was the bridge that connected me to other people for the first time in my life, and for that, I’m forever grateful.

What quotes do you live by? Leave your favorites in the comments!

If you enjoyed the writing in this post and elsewhere on the site, please consider donating to Jessa’s tuition fund! Any help is appreciated!

CashApp: $TheJessaJoyce

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Girls Just Wanna Have Funds: Figuring Out How I’m Going to Pay For School

What is the biggest challenge you will face in the next six months?

So I started audio engineering school this year. That was the best next step for me after the disaster that was my music therapy internship. And so far, so good! I’ve gotten nothing but As in both of my classes so far, and while I’m far from being finished with this degree, I’m confident I have what it takes to make this one happen.

There’s just one little problem. You see, school is like, really fucking expensive.

So therein lies the dilemma. Ya girl needs money, and I’ve been racking my brain trying to think of how I’m gonna raise like, $6,000 between now and September. I’ve toyed with a lot of ideas. I’ve considered streaming video games, and even tried launching a streaming channel a few times with varying amounts of success. I’ve thought about busking on the streets with my guitar. Heck, OnlyFans crossed my mind on occasion. I do, uh, have a lovely bunch of coconuts.

Big ones, small ones, some as big as your head!

None of these ideas are great, though, and I know this. I think about my wife and how the only thing she’s talked about for the last two months is buying this huge T-shirt printer for her merchandising business. She’s locked in. She knows what’s going to make her money. Meanwhile, I feel like I’m throwing spaghetti at a wall and seeing what sticks. Ideally, I’d earn the money I need for school doing something I’m good at, but it’s hard to monetize the two things I’m actually good at.

I wish I could monetize this blog somehow, since it is where I publish much of my writing. I have made money as a writer before, but it was damn near impossible when I’d just graduated with my journalism degree in 2015, and the climate is even worse now. Between the rise of party press bullshit in the journalism world again, the fact that many writers are willing to work for free, and the elephant in the room that is AI, writing jobs are pretty much extinct.

So I’m going to try something new in my blog posts. At the end of my posts, I’m going to add a section asking for donations. I’ve toyed with the idea of switching to a subscription-type of platform, but the end of the day, this blog is a labor of love, so I want to keep my writing free for everyone to access. But if anyone feels particularly moved by a certain piece of writing, I’d like to have the option for readers to give whatever they deem reasonable.

That’s my plan for hopefully getting a little extra cash for my classes. I’m also looking into additional jobs. I’m far too attached to my teaching and performing gigs to let them go, but I’m interviewing for a position at an overnight vet clinic tomorrow, so I’m praying that works out. (Here’s your cue to pray/send good vibes/make a neat spell jar too — I need all the divine intervention I can get.) Until then, me and my broke coconuts will brainstorm other get-rich-quick schemes.

If you enjoyed the writing in this post and elsewhere on the site, please consider donating to Jessa’s tuition fund! Any help is appreciated!

CashApp: $TheJessaJoyce

Venmo: @TheJessaJoyce

The Art of Becoming Immortal Through Writing

You’re writing your autobiography. What’s your opening sentence?

“She was born in the middle of a snowstorm on her mother’s birthday…”

Okay, maybe I won’t be pretentious and write it in third person, but I’ve very much toyed with the idea of writing an autobiography of sorts. I always said I’d wait until I was actually important to write one, but honestly, who’s the judge of importance? Lots of ordinary folks have put their life down into words.

It seems fitting to get this prompt on the eve of my birthday. I’ve been thinking a lot about how I want to preserve my story as I get older. I know I don’t want to be easily forgotten, that’s for sure. My biggest fear stems from one of the best animated films of all time in my opinion, Coco. At one point, a man literally dissolves into nothing after the last person on earth who remembers him dies. I don’t want to fade quietly into obscurity, with my story and my creations and my entire existence irretrievably forgotten.

Nothing like a whimsical cartoon fantasy to launch you into an existential crisis.

That’s why I write this blog. In a way, it is my autobiography. There’s stuff on here I’m very proud of. There’s stuff on here I’m not as proud of, but it’s part of my experience nonetheless. It’s different from my social media accounts where everything is sort of curated for the particular medium I’m posting on. In this blog, though, I can be completely myself. I’m not beholden to any standards or expectations. This is my little corner of the internet to do whatever I please with.

And so I write. I write about all of the things I love. I write about all of the things I’m passionate about. And most importantly, I write down my life story. Because when I make it to the end of the road, I don’t want it to be for naught. I want my life to have meaning.

I’ve been considering my own mortality quite a bit lately. I’m becoming acutely aware of the fact that I’m slowly catapulting toward death, maybe quickly if things in the world keep progressing (or rather, regressing) the way they are. I don’t want to be a doomer and assume it’s going to get that far, but if it does, we need to preserve our stories. Anne Frank humanized an entire people group through her writing, even if she ultimately perished. Her writing lives on. She lives on.

And that, my friends, is why I write.

A Mother’s Love (Fiction)

“I think you’re going to be just fine.”

Those were the words that made Liam’s eyes well up as the light of the computer bounced off his horn-rimmed glasses. His pink face turned into a puffy hot blimp as the tears streamed down in twisty little trails, leaving dark splotches on the collar of his shirt.

You see, those were exactly the words Liam needed to hear after the fight that led up to where he was now.

He’d been agonizing over what to tell his mother for months — no, years. He’d always kind of known. He never did fit in with the girls his age, and he felt drawn to this different, alternate version of himself, a version he was actually comfortable with. He’d made a clandestine ritual of throwing out his femme clothes and began seeing a doctor in secret for testosterone.

After several months, though, the changes were impossible to hide. His flute-like voice had started deepening into a warm tenor. His peach fuzz had begun turning into a proper smattering of patchy teen boy facial hair. He’d been concealing his already-small breasts with a binder. He even started smelling like your average 18-year-old guy (well, part of that was admittedly the Axe).

He had to say something. Anything.

“Mom,” he started, appearing in the doorway of the living room where his mother was seated watching Jeopardy. “I need to tell you something. I’m a boy. My name is Liam.”

“Leah—“

“Liam, Mom.”

His mother snatched the remote and made a show of muting the television. “Leah, this isn’t you. You’re my little girl.”

Liam crossed his arms. “Mom, I’ve never felt like a girl. I don’t want to be a girl. That’s not who I am.”

“Who put these ideas in your head?” she hissed indignantly.

“No one, I promise! I’ve always felt like I was different! I just have a word for it now, Mom. I’m trans.”

The remote flew across the room. “No child of mine is going to fall for that transsexual nonsense. Leah, go say your goodbyes to your internet friends, because starting tomorrow, I’m going to be monitoring everything you do online.”

Liam’s bright blue eyes went wide. “You can’t do that! I’m eighteen!”

“And you live under my roof until you graduate, Leah. I’m not entertaining any of this. You are a girl and you always will be. I named you Leah and you will die a Leah.”

Silence.

“I just wanted you to understand me,” Liam muttered, thankful the darkness of the dimmed living room concealed his tears. He turned away from his mother and bolted up the stairs to his room.

“‘Say goodbye to my internet friends,’” Liam repeated under his breath. “Like I have any.”

Desperate for advice, he booted up the search engine on his laptop and frantically searched “FTM forums.” FTM, of course, being the widely used abbreviation for “female-to-male,” or more precisely, trans dudes.

What Liam didn’t know is that “FTM” had another meaning he wasn’t aware of, one he’d not considered when he received a DM from a certain stranger.

WildHeart39: I see you’re looking for some advice?

LonelySloth2007: hi, I’m 18 and really scared

WildHeart39: Yeah, I was there too not too long ago.

LonelySloth2007: really? how did you tell your mom??

WildHeart39: It just got really obvious after a while and I had to say something.

LonelySloth2007: that’s exactly what happened to me

WildHeart39: How did she take it?

LonelySloth2007: not great lol

WildHeart39: That’s a shame. It should be a happy occasion, you know?

LonelySloth2007: exactly, and it’s like she doesn’t even know who I am anymore

WildHeart39: Were you close before?

LonelySloth2007: we were always really close but she can’t accept me like this

WildHeart39: That’s a real shame. You seem like a really sweet person.

LonelySloth2007: I needed to hear that, thank you 🙂

WildHeart39: I won’t lie, I’m a little scared myself. No one gives you a how-to guide!

LonelySloth2007: yeah, like the body changes are exciting but scary

WildHeart39: It’s almost like going through puberty again! Like what the hell are my titties doing?

LonelySloth2007: I heard all the fat gets redistributed though with all the hormones and shit lol

WildHeart39: Don’t get me started on the hormones! I feel like I’m going crazy all the time!

LonelySloth2007: is that normal?

WildHeart39: I think it is, but I think you get used to it eventually.

LonelySloth2007: how long did it take everyone to be accepting?

WildHeart39: I’ll be honest, a lot of people weren’t accepting. I come from a very religious family.

LonelySloth2007: my mom’s not religious, she’s just mean sometimes

WildHeart39: Sadly some people are just that. I always say that if religion never existed, people would find some other excuse to be a dick.

LonelySloth2007: that’s so true tho

WildHeart39: I don’t know a lot about being a parent yet, but I know that you’re supposed to love your child unconditionally, you know? I already love mine.

LonelySloth2007: you seem really kind

WildHeart39: I’m just trying to be a light, you know? The way they always taught us in Sunday school. Be a light unto the world, or whatever. At least I’m living out that part of Jesus’s message. Even if I’m a filthy sinner to most people.

LonelySloth2007: you’re not a filthy sinner!

WildHeart39: And neither are you.

LonelySloth2007: you really mean that?

WildHeart39: I know we’re just internet strangers, but I really appreciated talking to you tonight. I don’t think you’re a bad person or a sinner. I think you have a beautiful heart.

LonelySloth2007: …

WildHeart39: Did I say something wrong?

LonelySloth2007: no, just no one’s ever been this nice to me before

WildHeart39: I’m glad I could be that to you!

LonelySloth2007: I’m really scared things are gonna go wrong

WildHeart39: Listen, there’s a lot of uncertainty in this world, and to be honest, I’m worried for my little one. I hope I can give her the kind of life she deserves. And I hope if she ever comes to me with something that’s bothering her, that I can be there for her.

LonelySloth2007: you sound like a good dad

WildHeart39: *mom, but it looks like I’m going to be doing both duties anyways!

LonelySloth2007: fair enough haha

WildHeart39: Anyways, the cravings are hitting me hard tonight, so I’m gonna go DoorDash myself something. But keep your head up. I think you’re going to be just fine.

At that exact moment, a young woman logged off the first-time mom forum to order herself some cookies. She rested her hands on her swollen belly and smiled.

And somewhere on the other side of the nation, Liam smiled, too.

Serving Glimmers: How Art and Performance Can Save Lives

I had a realization a while back — one of the reasons I pursued music therapy was because it looked “good.” It seemed like a noble profession, using music to improve people’s lives in a meaningful, measurable way. I’d tell people I was studying music therapy and it was an instant “Ah yes, I can trust her, as she is clearly a good person.” All my boyfriends’ moms loved me for it, and strangers would tell me what I’m doing is so beautiful, so kind. It may just be playing guitar for some kid in a hospital, but to that kid, you’re a hero! And who doesn’t want to be a hero, you know?

I think I have a hero complex, and I think that’s what’s prevented me from jumping headfirst into performance instead. I always wanted to be a hero. I wanted to help people. And if I became a rock star, who would I be helping except my own selfish desires?

The typical perception of pretty much everybody is that performing and the arts are just little “extras.” They’re nothing but fun little distractions, right? No one needs a movie or a comic book or music to live.

QUICK! GET HIM THE LATEST TAYLOR SWIFT ALBUM!

What I’m slowly realizing is that, while we don’t need the arts to live, we absolutely need the arts to really live.

When I moved to Kalamazoo, I searched frantically for work. I would have taken damn near anything, but I wanted to try finding a job involving music. And lo and behold, a trivia company was looking for a music bingo host in my area. And I mean, getting to essentially be part-DJ, part-game show host every night?

I love what I do. It’s a great gig. But for a while, I was feeling like what I did didn’t really matter in the long run. People come into the bar, play music bingo, and leave, going on to live their own lives. I imagine there are probably nurses and firefighters in the audience, and what I do must seem so inconsequential compared to what they deal with every day. And I think those thoughts were starting to wear on me, because I got complaints from one of the bars I work at that I wasn’t “engaging enough.” At first I was angry, because what do you mean I’m not good enough?! But then I realized maybe I’m not giving it my all, and maybe that was because I felt like my job wasn’t important.

So I determined that this show would be my best show yet. I dressed just short of a full drag queen getup, picked some banger categories, and drank enough caffeine to kill a horse. I promised myself I’d socialize the whole time, even if I wanted to sit down. I even moved the chair so I wouldn’t be tempted to just sit down. I was going to give this show my all.

Then, something amazing happened. Sometimes, when you put good vibes out into the universe, the stars align and give you exactly what you need in that moment. What I needed was a glimmer.

Everyone knows what triggers are, but I recently saw that someone coined a term for the opposite phenomenon — glimmers. These are the tiny moments that make life worth living. I experience a glimmer every time I laugh with my wife, or hug my girlfriend, or hear my parents say they’re proud of me. They’re what being alive is all about. They’re little moments of pure joy, which was exactly what I needed.

I walked into the bar to an array of balloons. It was an older couple’s 55th anniversary, and I was going to be hosting music bingo smack dab in the middle of it. Thankfully, the couple was cool about me coming to blast disco at them and even joined in the game, along with many of the other folks in attendance. The older woman who was celebrating her anniversary came up to me and told me that her and her husband’s song was “You’re Still the One” by Shania Twain. And anyone who knows me knows I never miss an opportunity to play Shania Twain.

Tangentially related fact: I was so obsessed with her as a small child, I’d draw pictures of her and not my mom. (Yes, my mom was a little jealous.)

When intermission came, the bar dimmed the lights, leaving only the hanging Christmas lights to illuminate the room. I cued up the song and introduced the couple to the entire bar. Then, everyone gathered around the couple with their phone flashlights. Seeing all of their friends and family surround them in a sea of twinkling lights actually made me tear up a little. The family would remember this moment for the rest of their lives.

A moment I helped make happen.

It’s easy to dismiss entertainment as an opium of the masses, even more so than religion, as Marx famously said. But I’d argue that entertainment is as important as the STEM fields, just in a completely different way. Sure, a particular song may be insignificant to you, but that song could have been the one thing that stopped someone from taking their own life. There’s a reason for this album’s existence. I know people who stay alive because they want to see what happens next in their favorite video game franchise. The arts and media provide those small glimmers that keep people going.

So maybe I will go all-in on being an entertainer and creator. Because someone somewhere needs my music. Someone somewhere needs a fun game night at the local bar. Someone somewhere is reading my writings about mental health and my own personal journey and feels less alone because of it. Artists, writers, musicians, video game developers, game show hosts — they’re all heroes in a unique but important way. Entertainment and art communicate ideas, and more than that, hope.

That’s why I do what I do.

How I Invented Myself (As a Thirteen-Year-Old Girl With a Sketchbook)

First of all, this blog post needs a visual:

This post isn’t just an excuse to share a picture of me looking like an absolute baddie. You see, I made this very weird, very cool realization when I scrolled through recent pics to find this particular one.

That woman in the picture? I invented her.

When I was a kid, I had a lot of original characters. They were kind of my only friends when I didn’t have any to speak of. It’s easy to forget that I was ever uncool, but I very much was for most of my early life. I’ve talked about how I had to eat lunch in the library to avoid being pelted with ranch dressing packets, but that was really the tip of the iceberg. It got a lot worse than that at times. I scarcely remember a day in middle school where I didn’t come home from school crying. So I made up these imaginary people, usually rock stars, who’d be my friends, and on occasion, I’d make one whom I wanted to be.

That was Anne…I can’t remember her last name. It was Greek. She was Greek, as I had a brief Greek mythology phase (every teenage girl has one, I swear) and I’m pretty sure I made her to be the modern incarnation of Aphrodite. But I distinctly remember almost everything else about her. She had long dark hair, wore sort of gothy clothes, including fishnet stockings and gloves, and impossibly high black boots. She was the lead singer and guitarist of a rock band called Valentÿne (the umlaut is v important), and she had a teenaged little sister named Sophie of whom she’d become caregiver. She was an amalgamation of women I looked up to at the time — the Wilson sisters of Heart, other rocker chicks I admired, my own older sister, even. She was very much a wish-fulfillment OC, as I wanted nothing more to be a bad bitch with a soft side who wore cool-ass clothes and had confidence.

And I think I’m finally there. I’m not a rock star by any means, but I have people who follow my music career and love what I do, and that’s enough. I’ve got the looks now — dyeing my hair dark for my 30s was a good move. And in a way, I do feel like I’m the caregiver of a smaller, more innocent me. Sophie was always sort of my “inner child” in a way. I’ve become this character I invented as a little girl, and it’s so cool to see realized.

I keep drawing the Queen of Wands when I ask my tarot decks questions about myself, and I think that’s telling. I’m not superstitious, but I’m a little “-stitious,” so to speak, and I don’t think it’s a coincidence I keep getting this card.

The Queen of Wands represents a fiery, sexy, confident, vivacious woman who knows what she wants and knows how to get it. She is everything I created Anne to be, and I feel like I’m finally seeing those things in myself too.

It took me long enough, but I’m happy with who I am today. In fact, I think that might be a small reason why I’ve had trouble coming up with characters and stories as of late — I’m actually content with who I am and who’s in my life. That’s never happened to me before. It makes me want to hide inside my imagination less. Which is honestly not a good thing for a creative, so I should probably address that sooner rather than later. But in the meantime, I’ll enjoy this contentment.

It’s hard to believe I manifested this version of myself as a lonely 13-year-old girl with a sketchpad and big dreams, but stranger things have happened, ya know? I remember a time when I hated being me, so I feel like I’ve earned this feeling. I hope I continue to evolve into even greater versions of myself as I continue through life, and I’m excited to share that journey with you here.

“Emotional Bloodletting” (Or, Why This Blog Exists in the First Place)

Why do you blog?

Here’s the short answer: so I don’t lose my freakin’ mind.

The long answer is a bit more complicated.

I started this blog back in 2018 (I think). At the time, I was married to someone I wasn’t truly in love with and stuck in a conservative church that increasingly came to represent everything I didn’t want to stand for. I was still fresh out of college with a journalism degree I knew I was never going to use, but I still had the itch to write something. Anything. So my blog, which at the time was titled “I’m sorry I mean it,” simply became me screaming my displeasure with my current life into the void. “I’m sorry I mean it” was a double meaning — “I’m sorry and I mean it,” and “I’m sorry, but I mean what I’m saying.”

Writing has always been a catharsis for me, though, dating back to elementary school. When I was teased mercilessly and ostracized by nearly everyone, I made up characters to serve as “friends” for me. I didn’t have imaginary friends in the traditional sense of the word — I knew these characters were make-believe — but they were real enough to me to fill a void. My long school days were spent daydreaming about these fictional characters, and eventually, their stories spilled onto paper. I’d hurry up and finish my work for the day, then spend the rest of my time fleshing out these characters in stories I dreamed up, usually inspired by whatever I was into at the time. I had a whole series based around three pets trying to get home and the grand adventures they would go on.

My writing is nothing if not derivative, but it’s cool.

That’s part of why I find it harder to write these days. For the first time, I’m genuinely pretty happy. I don’t have to rely on my inner world to satiate my desire for human interaction. I have two amazing partners, a wildly supportive family, and more friends than I know what to do with. But I still love writing to clear my mind on the bad days. It’s how I handle negative emotions, as evidenced by the everything on this blog. If I couldn’t write about my music therapy journey on here, for example, I probably would have lost my mind. The entire experience was so traumatic, I needed to vent about it somehow. Just the act of hitting “publish” on a blog post gives me a sense of relief. As painful as it is to put these emotions down into words, once it’s over, it’s no longer stuck inside me. In a way, it’s emotional bloodletting.

There are other reasons I write too. I realize I have a unique lived experience as a queer polyamorous Christian woman, and I have a platform where I can tell my side of the story. In a world that’s become increasingly hostile to folks breaking the norm, I feel like my words give a voice to a lot of people who aren’t represented in media. I know this from private messages I’ve received. My blog makes people feel seen, and I love it for that reason. My mom always encouraged me to write about socio-political issues — the pen is mightier than the sword, as she would say.

I *know* I’ve made this joke before, but it bears repeating. It’s what Mom would’ve wanted.

Writing, to me, is my biggest catharsis aside from music, and the two often go hand-in-hand. I’ve written some of my best lyrics as a result of emotional turmoil. “Ladies Don’t Start Fights (But They Can Finish Them)” was written about a feud with a former best friend who betrayed my trust. “Queen” was written during a time when my bipolar swung into a deep depression as a way to lift my own spirits. My newest song, “Fake Nice,” is my way of coping with criticism from my partner’s mother, someone whose opinion of me I valued. If I couldn’t write about the things that bother me, I don’t think I would have made it this far in life.

If you’ve been following my blog for any amount of time, I want to personally thank you for being with me through the highs and lows. It hasn’t been an easy few years, and this blog has seen me through some of my worst days. I appreciate the time you’ve taken to read my words and take them to heart. I do this not just for me, but for you, too! This is my way of screaming to the world, “Hey! You’re not alone!” I just want to be a light on someone else’s darkest times. I want people to read this blog and know that they’re in good company, that things will eventually turn out okay with time.

And that’s why I write.