Tag: technology

Finding Joy and Embracing Whimsy in the Face of Terror

Sometimes I seriously wonder why I subject myself to the internet.

If I’m honest, my fears regarding technology are nothing new. In fact, in college, my tech aversion got so bad, I’d have to ask my mom to check my email for me at times, and this was when I ran a freaking newspaper. I was never as bad as my dear late father, who died without ever having an email address. Don’t assume I’m a total troglodyte — I have fond memories of painstakingly editing my MySpace profile to reflect my perfect mix of prep and scene, with a touch of emo.

WHO IS THAT?!

These days, I still loathe the World Wide Web of Lies and Secrets, but it’s a slightly more manageable loathing. I guess I’ve come to accept that most of the planet is only accessible through it, and by shutting myself off from it, I’m limiting my opportunities. That being said, it feels like a very necessary evil. There’s a lot of dark and shit that happens online, and much like the Grinch, I would not like to touch any of it with a 39-and-a-half-foot pole. People feel tempted to drop their masks on here, and it gets ugly. Take, for example, this exchange of pleasantries on the slightly better X Twitter, Threads.

I was tempted to leave the dude’s name uncensored, since he clearly wanted attention.

I’m not upset at the guy, but like, bro, why? It was just unnecessarily mean for no reason. This was not on any of my numerous political or religious posts, mind you, which left me extra confused. I give right-wingers a lot of material to work with, being a mentally ill polyamorous pansexual, so you’d assume I’d be getting a lot more hate for that. Nope, just a stupid video of me fucking up on mandolin.

Such a controversial instrument!

I initially brushed off his dumbassery. Trolls are gonna troll, and feeding them only screws you over in the end. After a while, though, part of me wondered why I still subject myself to this. Why do I open myself up to be hated on a platform that is openly hostile to women, queer people, and — let’s be honest — anyone who wouldn’t look out of place in His Orange Highness’s golf buddy group? Was I just doing this all for “content,” whatever the hell that even means? Why do I make anything I make? Why do I even write this stupid blog? (I already answered that question, but bear with me.)

Sometimes I feel like I am screaming into a void. But then I remember that if I’m screaming, it means I still have a voice. And much like how Anne Frank immortalized and humanized herself through her work, I hope the things I’m putting into the world do the same for me and my loved ones. It’s not a secret that the world is a very twisted and dangerous place right now, and the future looks bleak at times. Sometimes I feel like posting little whimsical whatnots like making up dumb songs or silly attempts at playing the mandolin aren’t consequential at all in a world that wants to crush all whimsy and creativity. I’ve realized this world is full of joy terrorists, and terrorists are called terrorists for a reason: they want you to live in terror. But in a way, spreading joy and whimsy and art and fun is a quiet act of rebellion. They want us to live in fear. They want us to be quiet. Don’t let them win.

Back in January, I had the incredible opportunity to go on an emo cruise (which I will never financially recover from). There was adventure. There was romance. There was music. There was me meeting the frontman of Dance Gavin Dance and not realizing who the fuck he was. (In my defense, I am faceblind.) I will never forget the amazing experiences I had and the friends I made along the way.

And meanwhile, back home in the Midwest, another white queer woman just like me was murdered by the government.

The entire time, I couldn’t get the thought out of my head. I felt so guilty, this horrible, grating sense of survivors guilt, of “it should have been me, not her,” of “what if it is me next?” I was experiencing this strange cognitive dissonance of everything being amazing immediately around me, but on fire everywhere else. And there was a part of me that just wanted to refuse the fun that was being served to me out of principle. How could I, Jessa, have fun, when people are dying? It felt wildly insensitive.

But joy has a way of finding you even in the midst of darkness. Funnily enough, the ship’s freakin’ name was Joy. And it hit me that I don’t need to take on all of the pain of the earth at once. I can lighten up and enjoy the good things I have while I still have them, because tomorrow isn’t promised. Renee didn’t know it was her last day when she dropped her child off at school that morning. Everything I have can be taken from me at any moment, so I’m going to live it up while I can. Even my favorite book of emo poetry, Ecclesiastes, has this to say:

“So I say a man should enjoy himself. For there is nothing good for a man under the sun except to eat and drink and be happy.”

Life is hard, but life is good. Two things can be true, and I’m learning every day to wrestle with that. I don’t know how much longer I will have on this little planet, but while still have a voice, I will use it to spread joy, and I will revel in that joy myself. That’s what it means to be alive. That’s what it means to be human.

AI Killed the Radio Star: How Technology is Crushing the Culture of Music

I wasn’t sure how to answer this prompt—

What bothers you and why?

—until my girlfriend and I had a conversation on AI. Which is not unusual, since she’s a pretty staunch advocate against it. I’m fairly neutral on it, to be fair. I think it opens up lots of exciting possibilities, and it’s a tool like anything else, but at the same time, there are multitudinous problems with it that no one seems to want to address. Hell, I experimented with it against my better judgment and realized it was making my imposter syndrome so much worse. The unfortunate truth is we’re just going to have to learn to adapt to this somehow. There’s no putting this genie back in the bottle.

Christina would never.

But it’s disheartening, because the advent of AI might be the final nail in the coffin of the music industry. And that is what has been bothering me lately.

And the sad truth is, the state of music has been in decline since the dawn of the internet. In fact, Suno is just finishing a job started by Napster all those years ago and continued by Spotify to this day.

Back in the 80s, everyone and their mother knew who Michael Jackson was. You only had a handful of radio stations in any given town to listen to, and if you wanted to hear a particular song any time you wanted, you had to go out and buy it. The albums would be prominently on display in your local Kmart. Even grandma was familiar with Bruce Springsteen’s ass.

That’s America’s ass.

Television isn’t as much of a special interest to me as music, so I don’t really care as much about its history, but you can see this kind of monoculture in TV throughout the years too. In the beginning, you had ABC, NBC, and CBS (and DuMont, the weird fourth one no one remembers). Everyone in your city was watching The Andy Griffith Show at the same time on the same channel and having this shared experience. Then cable came and divided everyone. If you were into sports, you went to ESPN. If you were into music, you went to MTV. If you’re into watching Amish people do mundane things, you went to TLC. Even the big cable networks splintered eventually — from MTV you get MTV 2, MTV Tres, VH1, VH1 Classic, CMT…

And none of them are playing music at any given moment.

With more technology, you get more options. But I’m starting to wonder if that’s a good thing.

We’re seeing a shift in music especially. We no longer have a monoculture, and I blame this on how easily accessible the entire catalogue of music is nowadays. If you want to listen to nothing but obscure pirate metal for the rest of your life, you don’t have to go on a wild goose chase hunting down every obscure pirate metal album ever made by every band that’s ever done obscure pirate metal. It’s as easy as going to a specialized Spotify playlist. And let’s say you want to listen to nothing but obscure pirate metal about your cat for the rest of your life. With AI, that’s entirely possible.

Why on earth would anyone seek out new music if they can just beep-boop an entire playlist tailored to their specific taste with lyrics reflecting their own life?

I think that’s what bothers me most about the future of music and how it has been intertwining with AI. I’m not scared of it taking my job necessarily, at least not in the traditional sense. I know human-made stuff is still largely superior. I’m really not even so afraid of the environmental stuff, since the planet’s borked anyways (I’m an optimist). It’s the death of culture and interpersonal connection that scares me. A survey said 62 percent of people actually prefer chatbots to humans. There are people straight up dating AI bots. How much more isolated are we going to allow ourselves to get?

My prediction is that eventually, this AI bubble will burst — but not without seeing huge reforms to the music industry. I can’t see the current model lasting much longer. I can see a return to smaller, more intimate shows as people get sick of how overflooded music platforms are with AI slop, low-effort music, and whatever the executives are trying to feed us. At least the true music fans will pivot that way.

Humans have a thirst for something real. It’s why American Idol always pushed artists with sob stories. We love when the art we consume comes with a captivating backstory, and entering a prompt and pushing a button was a cool backstory — the first thousand times it happened. Like, if you told someone in 2018 that a robot wrote the music for this song, that would be some neat Futurama shit. But the fact that technology can beep-boop songs from scratch is old news now, and people don’t want manufactured backstories. There was already a recent backlash against a band that was revealed to be AI. People are quick to turn on an artist when they sense disingenuousness. Remember that author who penned an autobiography that got noticed by Oprah, only to have it all come crashing down when it was revealed the story was fabricated?

The hidden controversy is the sensory nightmare that is that book cover.

I think the music industry is going to change in a lot of ways in the upcoming years. My hope is that we musicians don’t become obsolete and that the human need for connection and genuineness is stronger than the fleeting coolness that is AI. And I think we do have a need for real, human-made music. You can’t replace the camaraderie of your local punk scene or the chills a live orchestra brings or the sheer joy of going out to karaoke. Music in our souls. It’s what humanity sounds like.

If you enjoyed the writing in this post and elsewhere on the site, please consider donating to Jessa’s tuition fund! Any help is appreciated!

CashApp: $TheJessaJoyce

Venmo: @TheJessaJoyce