This is a happy blog post, okay? Sure, I wasted more than a decade of my life pursuing a dream that ultimately fell through. I won’t lie and say it doesn’t sting. I do get a little weepy when I think about all the beautiful musical moments I’ve had with my past clients. I still remember playing piano for a dying man and his wife and how sweet it was to perform “their song” one last time for them. That’s something I’ll miss about music therapy. What I won’t miss? All the paperwork and clinical BS that comes with. Simply put, I’m not a clinical person. I’m a creator and a performer, first and foremost. Even if I had pursued cardiology as a career, which was my original plan, I probably would have noped out of that life eventually too. It’s for the best that my parents talked me out of pre-med in favor of music.
Becoming the first parents in the history of human civilization to talk their child out of being a doctor.
But for the first time in a long time, I feel some degree of hope. Tonight, I submitted my application to the multimedia arts technology degree program at Western Michigan University. It’s been a long time coming. I’ve been toying with getting serious about music production for a while and researching programs to teach me how to be a better mixer and producer. I managed to make a few friends out here who are already in the program and they all highly recommend it. One friend had a buddy who went through the program and became the touring sound guy for Avenged Sevenfold!
Who I admittedly know nothing about, but they’re famous, so that’s something!
So what to do with this degree? Well, my plan before leaving music therapy behind was to create a space for people of all ages and abilities to make music. I think music should be available to everyone regardless of their circumstances or disabilities. I wanted to build a recording studio not for famous artists, but for everyday folks who want to join in the act of creating music. I’m no longer pursuing music therapy, but those dreams never changed. I don’t need a music therapy degree to apply what I’ve learned about working with people of varying abilities in a musical context. I don’t need a music therapy degree to build a neurodivergence-friendly studio. And I don’t need a music therapy degree to help people make music.
My new dream is to start my own recording studio/music school. I want to provide lessons to the community at an affordable price, and I want a space for my students to record and produce their own music with my help. I want to make my studio a sort of “third space” for the community to be able to meet like-minded people and practice their instruments, and maybe even rent out instruments so folks can try things they might not have ordinarily tried. And if my studio catches on, I want to open multiple locations. I want to start a movement of sorts. Lofty, I know, but what’s the point of dreaming if you don’t dream big?
Quitting music therapy was a difficult decision that made me question my entire place in the world. Still, I’m convinced I can still change people’s lives through music, even without a fancy schmancy music therapy degree. Honing the craft of music production will take me one step closer to doing just that. I refuse to die before I’ve made a difference in the world.
I was on That God-Forsaken Platform That Shall Not Be Named when I saw someone share this status:
Everyone is cringy at 14, but I was a special kind of cringe. You see, at age 14, I was a very different Jessa (or shall I say, Jessie, as I was going by back then). I was in a sort of state of transition, as most people are at that age. For me personally, that transition was between shy, awkward me and cool, confident me.
I remember the catalyst for that transition being my seventh grade obsession with this cool guy named Kyle Kelley, who I was definitely going to marry someday. Suddenly, I wasn’t content to stay in the corner doodling pictures of Richie Sambora and imagining what Pokémon I wanted to add to my team when I got home. I desperately wanted to be one of the popular girls, like Kyle Kelley’s cheerleader girlfriend.
But that would involve me — gasp — talking to other kids!
Nightmare fuel.
I’ve touched on my autism before. I will admit I’m not officially diagnosed yet — it’s damn near impossible to get a proper diagnosis as an adult AFAB person. Because of the sheer amount of gatekeeping when it comes to diagnosis, most autistic folks accept self-diagnosis as valid. And believe me, the signs were all there. I was sensitive to loud sounds, hiding whenever I heard the neighbor girl’s loud bass from her car or the sound of the vacuum cleaner. I’d hyperfocus on things like Bon Jovi and parakeets, learning everything I possibly could about them and talking incessantly about them to anyone who’d humor me. I’d stim by making bird sounds and running around randomly. I would finish my homework quickly so I could spin around in the back of the classroom (okay, that one might be on you, ADHD). And I was garbage at socializing. Talk to people? You might as well have asked me to build a rocket to the moon, because that was not happening.
Then, of course, I met Kyle Kelley and suddenly, I had this burning passion to become “cool,” whatever that even meant. I studied meticulously the mannerisms and interests and the clothing of the girls I thought were cooler than me. It was almost like a science project, observing the “cool girls” in their natural habitats and trying to emulate them. Looking back, it was just baby-me learning how to mask, and I was absolutely terrible at it at first.
Somebody stop me, indeed.
Which led to me being labeled something of a bimbo, despite me being one of the smartest kids in my class.
I didn’t know how to speak to people properly, and I’d often clam up when confronted with an actual conversation. And so I’d say the first dumb thing that came to my head in my desperate attempt to say anything. I honestly didn’t know how to interact with other folks my age. I figured it was better to be considered dumb than be an outcast, and the kids in my grade thought I was funny and silly because of it. So I went along with the “dumb blonde” label, because at least it wasn’t “weird kid.” It was such a pervasive label, I even got typecast in the school play as the stereotypical bimbo. Like, this character was soap-eating levels of dumb. At least I didn’t have to actually eat soap for the bit (it was white chocolate).
And thankfully their chocolate tastes much better than their soap.
At some point between high school and university, socializing became more natural to me and I was able to shed the “dumb blonde” label. I certainly shed the “blonde” label when I dyed my hair dark (bleaching was starting to take a toll on my hair, and I wanted to emulate my hero, Ann Wilson). But I still have some empathy for the little girl who thought popularity was more important than being viewed as smart or deep. It wasn’t her fault people didn’t take the time to get to know her as anything else.
I have a confession: I read a lot of self-help. Maybe it’s because I need a lot of help. After all, I could slap my name on the DSM-V manual and call it my autobiography.
I’ll be signing books at a Barnes & Noble near you!
Some of the books are total woo-woo, others have good ideas but aren’t practical. But every once in a while, I find one with substance.
Enter How to do Everything and Be Happy by a fine British fellow named Peter Jones.
How can you not be happy looking at a cover like that?
I was pleasantly surprised with the wisdom of this book. You see, Mr. Jones tragically lost his wife only a few years into his marriage to her, and he realized just how fragile the human life is. Which, of course, led him to reevaluate everything. One thing led to another, and he found himself making a series of lists of things he wanted to do during his time on earth. Kind of like a bucket list, but this list was a now list. He wasn’t going to wait until he was knocking on death’s door to accomplish the items on this list. He wanted to start working toward them now, setting aside a day every month to either complete an item or research how to complete an item.
In the book, he encourages everyone to make a series of lists as well, including their own “now list.” Which got me thinking about all the things I want to do with my time here. After all, I have a lot of varying interests and goals. So much so that when I decided to share my own list on my blog, I realized I’d have to break it up into smaller chunks. There were just so many items! These are going to take some time to finish, possibly my whole life, but I want to give it my all and try my best to experience everything.
So without further ado, here is the first installment of my “now list.”
1. See Taylor Swift live
Anyone who knows me knows I’m a bit of a Swiftie, albeit initially against my will. I remember being on tour with my former band and being locked in a van with 1989 playing on repeat, back when it first dropped. I hadn’t been impressed by her in the past. So she’s a white girl with a guitar and some songs about boys — like, I’m all those things too. It’s not that special, right? But something happened while I was trapped in that van. I actually started to appreciate her songwriting style, and her music was actually…good? I got home and bought all her albums for myself, and it turns out I enjoyed them more than I thought I would.
Years later, I still consider her one of my biggest musical inspirations, to the point where I’d probably rank her alongside Max Martin and Kara DioGuardi as one of my all-time favorite songwriters. But from what I’ve heard, her performances are nothing to sneeze at either. Her highly celebrated Eras tour has been making waves across the world. I didn’t catch this tour, mostly because tickets were prohibitively expensive and difficult to even come by, thanks to the shitshow that is our ticket sales system. But I’m hoping to catch one of her shows eventually. I was banking on her having a Vegas residency or something someday, when all the hype around her has died down. I always said I’d catch her when people stop caring about her, but what if one or both of us dies before that happens? I’d rather save up and jump on the opportunity as soon as it arises, which is why it’s at the top of my list.
2. Get my passport
I’m almost embarrassed to admit I’ve never left the country, save for a brief trip to Canada. (And what Detroit-area native hasn’t gone to Canada at least once?) I feel like I’m missing out on so much stuck here in the Midwest, bouncing between Michigan, Indiana, Ohio, and literally nowhere else. I’ve been to Colorado once, and the south, where my immediate family is from, quite a few times (although I’m hesitant to go back now that I’m openly queer, because of the everything). Aside from those excursions, I’ve seen very little of the world. And I want to see all of it. But that will be hard to do without a passport.
I tried getting a passport recently, but I apparently need my divorce date. I guess my inconsequential marriage that lasted less than two years is something the state needs to know about before giving me permission to leave the country. So the first matter of business is to go to the county clerk and figure that shit out. After that, it should be $130 or so for the actual passport. Then, the world will be my oyster. That is, assuming I have any money to travel out of the country. That’s a problem for later-me, though. First things first, as they say.
3. Go to the Pokémon Center in Japan
Pokémon has been a central part of my childhood ever since I first brought home Pokémon Red from a Blockbuster in kindergarten. I was immediately hooked. I loved all the creatures and the world and the gameplay mechanics. I wanted to become the very best, like no one ever was. I wanted to immerse myself in this silly game. My Pokémon became friends to me before I ever had any friends. And it grew with me. As I got older, I drifted away from the franchise for a while, but I always found myself first in line for the new RPGs, and I even befriended my future wife through Pokémon.
Going to the Pokémon Center in Japan would be like my childhood coming full circle. I don’t even know what I’d buy there. I’d just be happy to see it in person. The Pokémon phenomenon has been such a huge part of my life, and now that I have a passport (assuming I’ve completed the second item on this list), what better way to honor my inner child than by indulging her in a trip to the epicenter of it all?
4. Play a major music festival
As a little emo kid with a guitar, was my dream for years to play Warped Tour. It was one of my favorite festivals to attend, and it seemed accessible. I had friends who played it, and my former band even played a one-off gig as part of it, albeit before I joined. Now the festival is gone (unless?), but my dream of playing a major festival persists.
I specify “major” because I technically have played a festival with Wake Up Jamie, but it was a tiny one in the middle of nowhere that nobody cared about. Now I’d be tickled pink to play South Bend’s YART festival, but I want to aim high. Maybe Bonnaroo, or Lollapalooza, or some other equally silly-sounding festival. I don’t care if I play it with Wake Up Jamie, my new band, Syrin, or even as a solo act. I just want to play a big festival and see people screaming along to my music. And probably be covered in glitter, but that’s a given, considering it’s me. Speaking of things that involve lots of glitter…
5. Learn to pole dance
…I went to a “gentleman’s club” for a good friend’s birthday recently. And I have to say, I think I enjoyed it as much as he did! Not only were the girls beautiful (and I am very homosexual), they were so talented. I couldn’t take my eyes off the dazzling women as they spun around so free and graceful. It made me wish I could do something like that. And it got me thinking, what’s stopping me?
I was bound and determined to get picked for the prestigious swing and samba performances when I was in dance class, so much that I practiced my ass off every night. And it paid off! I did get selected to do those dances. And I’m sure if I put the same amount of effort into learning the art of pole, I bet I can achieve the same amount of grace as those dancers I saw at the club. I invested in a sturdy pole, which looks hilarious in my dining room, but it’s not like I was using it for its intended purpose anyways. Like, who sits at a dining table anymore anyways? Stripper poles are a far better use of the dining room space, am I right?
6. Sew a dress from scratch
I admittedly know next to nothing about the sartorial arts, and I’ll confess that the pillowcase project I bought for myself lays embarrassingly behind my tv stand so I don’t have to look at my own failure every day. I don’t do well with silly things like “instructions,” which is the main reason why I haven’t attempted to sew much in the past. You kind of have to follow a guide, or else you’re not going to make much of anything presentable. I learned this the hard way with my foray into crocheting, where I gave up on reading the directions halfway through and came up with this:
…kill me.
But I’ve always wanted to sew my own clothes. I liked the idea of tailoring things to myself and picking out cool fabrics. I admired people who could whip up amazing cosplay outfits, and I wished I could do the same. So when I was coming up with this list, I thought, “What’s stopping me?” (Aside from my crippling inability to follow instructions, that is.) I did buy my wife a heavy-duty sewing machine to work on her currently postponed fursuit endeavors. I just need to buckle down and learn how to use it myself. If I could whip up something like this, I’d be content.
List three jobs you’d consider pursuing if money didn’t matter.
It’s funny that this prompt came up right now, because I’ve been doing a lot of soul-searching regarding my career. After all, music therapy didn’t exactly pan out for me, and the more I learn about the field, the more I’m kinda glad it didn’t work out. Apparently burnout is rampant and no other professionals take it seriously, from what I’ve gleaned from r/musictherapy on Reddit. But for most of my life, if you asked me what I wanted to be, the answer would have been a resounding “music therapist.” It was my entire personality. It was my destiny, or so I believed.
Now, I’m scrambling trying to figure out a Plan B. I didn’t have a backup plan. In my desperate attempt to grasp for alternative career paths, I tried to think of what drew me to music therapy in the first place. Was it helping people? I mean, I’ve worked pretty extensively as a caregiver, and while it feels good to do good, I still didn’t feel completely fulfilled in those jobs. Maybe it was the respect. I could see myself as a celebrated professor or researcher in the field. But in all honesty, music therapists don’t really get a lot of respect at any level (also according to r/musictherapy). That left just one potential reason — I need to make music.
Music is my entire life. I don’t know who I’d be without it. It was my first language. And all I truly want out of a career (and life in general) is to create it. And so I began to brainstorm other careers I could pursue that would allow me to play music, or at least be in close proximity to it. These are the ideas I’m currently batting around.
1. Luthier
l’ll admit this one’s farfetched. I’m not a crafty person or a handy person, so making a thing from scratch is a very intimidating prospect. Still, the idea of building and fixing guitars is attractive to me. It’s a very male-dominated field, so being a female (well, femme-by) luthier would make me cool and unique, right? There’s a luthier school an hour and a half away from where I live now, but that would be a ridiculous commute, so I’d have to either live in the dorms or get an apartment out there. My poor wife has been through enough with the Fort Wayne saga, though, and the tuition makes it prohibitively expensive.
2. Music Producer
This is probably the thing I want to do most, if I’m honest with myself. This is a purely creative job. I’d simply be tasked with making music and helping other people make music. I’ve already been doing some producing, although I’m by no means an expert. The local university has a multimedia arts technology degree that seems promising, should I want to hone the craft. One of my friends has a buddy who went that route and ended up touring with Avenged Sevenfold as their sound guy. That being said, that program also costs money I don’t have, not to mention getting the space and equipment I’d need to open my own recording studio. And then I’d need clients, which means I’d have to advertise, which means I need more money. And if I don’t get clients at all, I’m screwed.
3. Professor
When I was pursuing music therapy, my ultimate goal was to become a professor and researcher. After all, I thrive in academia, and I’ve always enjoyed teaching. If I go this route, I’d likely enter the graduate composition program at the local university, and eventually earn a doctorate. I love the idea of being Dr. Salisbury. I want the respect, the stability of being tenured, the freedom to study cool shit and make money doing it. But alas, this program also requires money.
I guess if money didn’t matter, I’d pursue all three of these at different points in my life, maybe go the producer route first and subsequently start my academic career, then learn the craft of building guitars as a retiree. I still (hopefully) have many years ahead of me. But realistically, I’m going to choose one to focus on, due to financial constraints. Unfortunately money does matter.
Maybe I’ll start a GoFundMe.
What do you think I should be? Leave your ideas in the comments!
I remember the shock when I got the results back for my 23 and Me test (that I drunkenly ordered back when I did drink).
So I’m pretty British. I was expecting that much, considering my government surname is Salisbury and I don’t think there exists a more British last name. (Except maybe like, Buckingham, or Worcestershire. Is that someone’s last name?) But I wasn’t expecting the sheer amount of Britishness I ended up being. Hardly anyone I know has gotten more than 90 percent of a particular ethnicity, and here I am more British than the late queen herself (probably).
Pip pip cheerio, or whatever.
Was I a little disappointed at first? Maybe. It felt like the most basic ethnic background I could have possibly gotten. We don’t speak a fun language that isn’t English, we’re so white the sun tries to kill us anytime we walk outside, and all we’re really known for is tea and trying to take over the world (and fucking things up for like, a bunch of other people in the process). And like, soccer and shit, but I never cared for sports. Why do I wanna watch a bunch of people I’ll never meet play a game? Wouldn’t you rather play the game yourself? I mean, I wouldn’t want to play personally, but that’s only because I suck at anything that involves silly concepts like “teams” and “balls.”
Pictured: Jessa’s kryptonite
My point is, I didn’t think there was a whole lot to be proud of. Why couldn’t I have been born, well, anything else?
There had to be something cool about being British. It couldn’t all be earl grey and imperialism.
And then it hit me.
The thing I’m most passionate about.
Music!
What aspects of your cultural heritage are you most proud of or interested in?
It’s well-known that Black Americans invented rock and roll, but the British…well, I can’t say they perfected it, since, well, Black Americans also perfected it. But we Brits had a hand in codifying it into the behemoth of a genre it is today. The Beatles, The Rolling Stones, The Who, Pink Floyd, Queen, Led Zeppelin, Deep Purple, Black Sabbath, Fleetwood Mac (well, partially at least)— it’s probably easier to list legendary rock bands that aren’t British.
So how did Britain become such a hotbed for rock music?
Thankfully, your favorite armchair ethnomusicologist is here to break it all down.
As this very well-written article explains, after World War II, Britain was pretty beat up and down bad. But in the 1950s, American rock music infiltrated the tiny country and re-energized a whole generation of folks. As the writer puts it, “…rock ’n’ roll arrived like a form of deliverance, an alien transmission that electrified British youth, literally driving them wild.” The Brits didn’t have any connection to the blues and folk that initially influenced the budding genre, so up-and-coming musicians had to rely on the records they were consuming to learn the ways of rock. At first, artists tried to mask their Britishness to fit in better with the American musicians they were learning from, but eventually, these artists began incorporating their own culture into their music. For example, it was uniquely British repression and rage that fed into subgenres like punk.
I found it strangely comforting to research British influence on rock music. Reading this stuff makes me feel like I’m part of something bigger than myself, that I actually do have a heritage I can be proud of. Although I’m only a second-generation British-American and have never visited the isles myself, I feel a connection to my ancestry through rock’s storied history. It’s kind of cool that music is what ties me to the land my family originated from, since music has been my entire life.
So, it’s actually kind of cool to be 93 percent British after all. (But like, I could live without the sun trying to kill me.)
If you’ve been following my music career, you’d know I recently released a cover of Chappell Roan’s pop masterpiece “Good Luck, Babe!” It was a labor of love — I adore the song and wanted to explore a more rockish guitar-driven take on it — and I also wanted to drum up some hype around my own music. After all, The Oceanography EP and my other covers weren’t getting attention, and what’s the point of making music if no one listens to it except you? So when I recorded “Good Luck, Babe!”, I sent a little prayer to God or whoever is up there listening that this cover would get me noticed.
You have to admire the creativity of some of these.
Apparently my stupendous bundle of joy was rubbing a lot of TikTokers the wrong way. I hadn’t gotten this amount of hate on anything I’d posted since my now-deleted post about guitarists drowning out the homophobes at a pride event. And even then, those hate comments were driven by bigotry, not anything I’d actually done or created. They would have gotten up in arms over anything I could’ve posted because I’m a queer woman, so their opinion isn’t valid. They just suck as people. In a way, getting hate comments on my music is worse. I can handle being called a dyke. It’s when you come after something I put hours of love and hard work into that I get a little perturbed.
But through this whole debacle, I’ve learned quite a bit about conducting yourself online as a musician. The second you decide to put your work out there, you’re essentially signing up to be a professional musician, and that requires a degree of, well, professionalism. Here are a few tips and tricks for dealing with haters on the internet.
1. Remember it’s them, not you.
Nothing anyone says online to you is about you. More than likely, they’re dealing with some shit too. Remember the human. They probably had a rough day at work or are going through relationship issues, and they’re looking for a punching bag to take out their frustration. Insulting some guy on the internet is the perfect way to relieve that stress — you don’t have to see this musician you just insulted in real life. They’re just a face behind a screen. Remember these folks are probably just salty because of something that’s going on in their own lives. I know it’s more satisfying to lash out and insult them back, but it shows a lot more maturity to restrain yourself from doing this.
2. Like their comments! Or better yet, thank them!
Nothing deescalates online drama quite like being the bigger person. These folks are looking to rile you up. Don’t let them. Instead, “like” their comments! And if you want to take it one step further, thank them. A simple “Thank you for listening anyways” with a smiley emoji will catch them off guard. This is how I dealt with a lot of the recent hate I’ve gotten. People don’t know how to react to that, so they simply shut up. Kill them with kindness, as I always say.
3. They are talentless fucks.
Okay, I’m gonna be blunt now. Anyone who leaves random hate comments on a musician’s page clearly doesn’t know what it’s like to be a musician. Which immediately makes you cooler than them. In fact, that’s probably why they’re lashing out — they know they can never stand up to you in real life because playing music is cool as hell. Folks can’t handle when other people are more talented than them. Aussies call this “tall poppy syndrome” — when your flower grows to new heights, others will be scrambling to cut you down to their level. Don’t let them.
4. Remember that great art is divisive.
There’s a whole montage in Bohemian Rhapsody where critics’ comments of the band Queen are highlighted. This is the Queen, the band that brought you such legendary hits as “We Will Rock You,” “Don’t Stop Me Now,” “Radio Gaga”…you get the idea. It’s hard to believe now that they’ve reached almost godlike status among music lovers, but not everyone liked them at first. I recently read an enlightening comment from a DJ. He said that the music he spun frequently got both positive and negative reviews. You know what records didn’t get plays? The ones no one cared about enough to hate.
5. Laugh about them.
One musician on Reddit said he puts bad reviews on his upcoming concert flyers like a movie poster so he and his fans can have a chuckle about them. I think this is brilliant! If I saw a band embracing their negative reviews like that, I’d assume they had a good sense of humor before I’d assume they sucked. Even better is editing down the hate comments until they become rave reviews and using those. “This is good!” and “This is so fire” are definitely contenders for good bad reviews for “Good Luck, Babe!” No one needs to know the second half of those reviews, and you’re technically not lying. It’s all in good fun.
6. Keep releasing new music!
Don’t let haters discourage you from posting your music. You have a unique voice, even if other folks don’t see it yet, and the music scene is better for having you in it. Every other artist in existence has had to deal haters, and even some of the greatest albums of all time had their critics. There’s only one you in this universe, and the world is missing out if you give up because of some small-minded asshats on the internet. Ignore the haters and do you. That’s the best you can do.
When I was a kid, I kept magazines by the family dinner table. I couldn’t eat unless I was reading something — anything! Usually I’d read about video games I was into, but sometimes I’d read about music. One of the features I always enjoyed in the music magazines was a featured artist’s list of their favorite albums of all time. Maybe it’s because I enjoy lists, I don’t know. Is that an autism thing? It might be an autism thing.
Anyways, I liked to imagine I was a famous musician being interviewed by one of those magazines, and I liked to consider what my answers would be. Now that I’m much older and have a platform of my own, I can just, you know, make my own list. I mean, what’s stopping me? So here’s my official top ten albums of all time. It’s not going to look like a lot of music critics’ top ten albums, as my taste in music is notoriously bad. I mean, Bon Jovi of all bands was my obsession for much of my life. But taste is subjective, am I right? And for better or worse, these are the albums that shaped me as a musician.
1. Bon Jovi – Slippery When Wet
I already mentioned Bon Jovi, so why don’t we start with there?
I remember the first time I heard this album. It was shortly after I discovered Bon Jovi due to the everywhere-ness of “It’s My Life” in 2000. I was very little at the time, but I loved that song. My much-older sister was a teenager in the ‘80s, so she remembered Bon Jovi’s initial run, and she still had her favorite cassette tape from back then. Starting up the tape and hearing synth intro of “Let It Rock” for the first time was nothing short of euphoric. I’d never heard anything like it. And then the bombastic vocals and heavy guitar came in, and I was absolutely in love.
Slippery When Wet also contained “Livin’ on a Prayer,” which was an immediate favorite of mine. I wasn’t sure what the hell a talk box was, but I knew I liked it. And how singable the chorus was! It would become my blueprint for creating earworms as a songwriter. There’s magic in that “woah-oh,” I’m telling you.
2. Def Leppard – Hysteria
After my mom confirmed her daughter’s bizarre interest in hair metal by giving her a Bon Jovi tape, she passed down even more of her and my sister’s music. Among the albums I received was Hysteria by Def Leppard. I was never as obsessed with Def Leppard as I was with Bon Jovi (and no one was as obsessed with Bon Jovi as me), but they still ranked high on my list of bands for that era. I loved the melodic nature of their music. You’d have this big, in-your-face chorus followed by some of the most captivating melodies. “Animal” is a great example of that.
My favorite from this album is “Run Riot,” which has the singability that I enjoy in a song. And the harmonies are glorious, owing in part to the amazing production of Robert John “Mutt” Lange, one of my favorite producers of all time. He knew just how to layer vocals and really create a lush soundscape with them. And speaking of Mr. Lange, he had a pretty big hand in the third album on my list as well.
3. Shania Twain – Come On Over
Before there was Bon Jovi, there was Shania.
Shania Twain was my idol. I loved her so much as a toddler. My own mother would get jealous because I’d draw pictures of Shania and not her (sorry Mom). I wanted a horse because I saw a picture of Shania with a horse. And of course, I listened to this album on repeat. I’m shocked I didn’t wear out the tape!
It would be easier to name the songs that weren’t bops on this album, because nearly all of them slap. (Wasn’t a huge fan of the title track, but everything else is a gem.) My burgeoning sense of humor really appreciated “That Don’t And Impress Me Much,” and I’d often quote it. “So what, you think you’re Elvis or something?” “Black Eyes, Blue Tears” was another favorite, albeit a pretty dark song for a three-year-old to truly grasp (it’s about domestic abuse). I loved the use of the talk box (again!) on it. And of course, Mutt’s penchant for strong harmonies is all over this album — he was the producer (and Shania’s husband), after all.
4. Taylor Swift – evermore
I’m skipping ahead quite a bit chronologically, but Taylor felt natural to bring up next. After all, Shania walked so Taylor could run. evermore came during the pandemic, when everyone was in a weird place already. Its sister album, folklore, was released less than five months prior, but aside from “this is me trying” (my neurodivergent millennial burnout anthem), none of the songs on that release resonated with me as much as the songs on evermore. Something about evermore just hit me hard.
Nothing comes close to the heartbreak of “tolerate it” or “happiness,” and the sweet tribute to Swift’s late grandmother, “marjorie,” is sure to leave you weeping, especially when the long-deceased woman’s ethereal voice echoes throughout the end of the song. One of my favorite bands, HAIM, features on “no body, no crime,” the catchiest murder ballad since The Chicks’ infamous “Goodbye Earl.” I’m also rather fond of “ivy,” with lyrics telling the story of a married woman’s tryst with another person who I am convinced is another woman. (She never said the song was autobiographical. I’m not a Gaylor, I swear.)
5. Jimmy Eat World – Futures
Confession: prior to about 2009, I didn’t listen to modern music. Anything made before 2000 didn’t really appeal to me, which meant I missed out on all the good emo bands. But a good friend’s then-husband was cleaning out his house and had a stack of CDs to give me, and Futures was among them. I remember the first time I listened to it en route to Chicago for a marching band field trip. I was absolutely blown away. The music, the lyrics, the entire vibe of the album — it completely flipped my perspective on 21st century music. Suddenly, I had a thirst for discovering other alternative and emo bands, which lead me to artists like Brand New, Weezer, and the neon pop-punk bands of the late 2000s.
The album itself is almost a concept album of sorts, dealing with addiction and longing. I couldn’t yet relate to the addiction part, although that would come later on in my personal story. But the longing was something I related to as an angsty teenager. I could listen to songs like “Kill” and “The World You Love” and cry about the fact that Dylan Martin from my church’s youth group would never love me back. I still love this album though, and Dylan and I are good friends now, so it all worked out in the end.
6. Weezer – Pinkerton
In making this list, I nearly forgot about Pinkerton. I’m sure Rivers Cuomo would rather me forget about it, as he was famously embarrassed of it. But it was a crucial part of my lovesick, sexually frustrated teen years. Looking back, the album is essentially Incel: The Musical, but I related to the lyrics quite a bit at the time, as someone who often found myself falling for guys who were less than interested in me. The songwriting on this album made me feel less alone.
“Why Bother” could have been the theme song to my failed teenage crushes. “Why bother, it’s gonna hurt me; it’s gonna kill when you desert me.” And the simple acoustic track “Butterfly” is possibly one of the most beautiful songs ever written. It evokes the image of catching a butterfly only to watch it wither in captivity. It’s a poignant metaphor for holding onto a love that is ultimately bad for the other person. Sometimes it’s better to let go, which was a painful lesson for me to learn. Rivers was there too, and that’s why I love Pinkerton. It’s so real and raw in the way it handles interpersonal relationships.
7. Heart – Bad Animals
This was another cassette tape given to me by my mom, who I credit for my taste in music. I remembered hearing Carrie Underwood cover “Alone” as part of an American Idol performance, and my dear mother was like “You’ve got to hear the original.” She pulled out this tape and my mind was instantaneously blown. I’d never heard a voice like Ann Wilson’s in my life. The sheer power behind her vocals gave me shivers. And to learn that the rhythm guitarist of the band was also a woman — that changed everything for me. It was the first time I’d seen another female guitarist. Suddenly, I had someone to look up to in music who looked like me! Representation frickin’ matters.
“Alone” is obviously the standout track from this album, the power ballad that made me fall in love with power ballads. I recorded the music video onto a tape, which my autistic ass watched every single morning before school. I wanted to be like the Ann and Nancy Wilson. They were so beautiful and talented and effortlessly cool, unlike me at the time. I’m not as famous as the Wilson sisters, and I probably never will be, but I’d like to think I made that little girl proud. I’m certain the sheer amount of comparisons I get to Ann Wilson whenever I sing Heart at karaoke would make younger me beyond happy, and that’s what matters.
8. John Frusciante – Shadows Collide With People
I’ll admit I was a little torn between including this album versus one of the Red Hot Chili Peppers albums that has influenced me. I discovered John Frusciante through his work with RHCP — I still remember hearing “Dosed” from their album By The Way for the first time and being mesmerized by the beautiful guitar work. It made me want to further explore Frusciante’s work, which lead me to this particular solo album, which I found in a record store or a Goodwill or somewhere. I don’t remember exactly how I happened upon it, but it was quite serendipitous that I did. It ended up becoming my favorite album of all time, carrying me through one of the hardest years of my life.
“Carvel” is an absolute gem of an opener and the reason I pestered my old band to buy me a Carvel cake while we were on tour. The “Carvel cake” in the song is meant to represent drugs, and as someone who very nearly averted an addiction to alcohol, I found myself relating to a lot of the lyrics. The instrumental tracks on the album are eerie and unsettling in the best way, and the ending track, “The Slaughter,” is one of my favorite songs of all time, closing the album on an optimistic note. “I know my pain’s a life away,” Frusciante croons, and I feel it. The worst is over.
9. Chappell Roan – The Rise and Fall of a Midwest Princess
This is easily the most recent album on this list, as Chappell Roan’s meteoric rise to fame was only within the past few months. But this album gives me so much hope for the future of pop music. I was in a musical rut for a long time, and I was starting to become worried that, like many thirtysomethings, my taste in music had solidified. I wasn’t sure if it was my getting older or new music getting more boring that made me give up on discovering new artists. After all, I remember going to karaoke at a bar full of Gen Z college students, and their song choices were decidedly overwhelmingly subdued. The younger generation grew up on the likes of Lorde and Billie Eilish, who, while very talented, mostly make bummers, not bangers. What we needed was someone to inject pop music with a bit of fun. What we needed was a femininomenon.
I have a hard time picking one or two favorites from this album chiefly because they’re all incredible. “Casual” is ethereal and heartbreaking, culminating in Chappell screaming at her would-be lover “You can go to hell!” in the final line. The sheer passion in that delivery gave me goosebumps the first time I heard it. And the horny lesbian anthem “Red Wine Supernova” is an obvious standout, with candid lyrics and witty references to “wands” and “rabbits” (if you know, you know). It’s such a bop, even Melissa Etheridge referenced it at one of her recent shows. Melissa walked so Chappell could run.
10. Jessa Joyce – The Oceanography EP
And finally…me! It’s probably an unusual choice to put your own album on a list of albums that changed your life, but I can’t think of an album that changed my life more. Sure, it didn’t take off or become as successful as I would have liked, but it proved to me that I could do it. I could record an album! My 2013 spring break was spent locked in my office at the newspaper I worked for at the time, utilizing the Mac desktops there for the GarageBand feature. I had a shitty Blue Snowball mic and a whole lot of caffeine and nicotine in my system (as I hadn’t yet been diagnosed with ADHD and that was my form of self-medication). It was released to Bandcamp with little fanfare, but I felt accomplished. Ten years later, using the knowledge I’d built up about music production and improved equipment (and Adderall), I re-recorded the entire project and released it to Spotify and, well, everywhere else.
“Oceanography” was a song about my longing for a particular guitar-playing guy to like me. It’s about that feeling of wanting to know everything about someone because you’re just that fascinated by them. The folksy “Smiles & Anchors” was dedicated to another guitarist, the title of the song taking its name from his band. The angsty alt-rock “Off the Deep End” was about a completely different guitarist and how I shouldn’t like him, and “Song of the Sea” was about a breakup with a fourth guitarist whom I dated in college. The album could have been called Songs About Guys Who Play Guitar Better Than Me. But they’re all part of my story, and I still love the songs to death, even if those guys aren’t in my life anymore. That’s the beauty of music I think. It’s a snapshot of a time in your life, and Oceanography represents so much of my history. That’s why it’s on this list. I am who I am today because of my lived experiences, and songwriting is my humble way of documenting those experiences. It’s my way of screaming into the void — I was here. Isn’t that what music is all about?
Here’s the short answer: so I don’t lose my freakin’ mind.
The long answer is a bit more complicated.
I started this blog back in 2018 (I think). At the time, I was married to someone I wasn’t truly in love with and stuck in a conservative church that increasingly came to represent everything I didn’t want to stand for. I was still fresh out of college with a journalism degree I knew I was never going to use, but I still had the itch to write something. Anything. So my blog, which at the time was titled “I’m sorry I mean it,” simply became me screaming my displeasure with my current life into the void. “I’m sorry I mean it” was a double meaning — “I’m sorry and I mean it,” and “I’m sorry, but I mean what I’m saying.”
Writing has always been a catharsis for me, though, dating back to elementary school. When I was teased mercilessly and ostracized by nearly everyone, I made up characters to serve as “friends” for me. I didn’t have imaginary friends in the traditional sense of the word — I knew these characters were make-believe — but they were real enough to me to fill a void. My long school days were spent daydreaming about these fictional characters, and eventually, their stories spilled onto paper. I’d hurry up and finish my work for the day, then spend the rest of my time fleshing out these characters in stories I dreamed up, usually inspired by whatever I was into at the time. I had a whole series based around three pets trying to get home and the grand adventures they would go on.
My writing is nothing if not derivative, but it’s cool.
That’s part of why I find it harder to write these days. For the first time, I’m genuinely pretty happy. I don’t have to rely on my inner world to satiate my desire for human interaction. I have two amazing partners, a wildly supportive family, and more friends than I know what to do with. But I still love writing to clear my mind on the bad days. It’s how I handle negative emotions, as evidenced by the everything on this blog. If I couldn’t write about my music therapy journey on here, for example, I probably would have lost my mind. The entire experience was so traumatic, I needed to vent about it somehow. Just the act of hitting “publish” on a blog post gives me a sense of relief. As painful as it is to put these emotions down into words, once it’s over, it’s no longer stuck inside me. In a way, it’s emotional bloodletting.
There are other reasons I write too. I realize I have a unique lived experience as a queer polyamorous Christian woman, and I have a platform where I can tell my side of the story. In a world that’s become increasingly hostile to folks breaking the norm, I feel like my words give a voice to a lot of people who aren’t represented in media. I know this from private messages I’ve received. My blog makes people feel seen, and I love it for that reason. My mom always encouraged me to write about socio-political issues — the pen is mightier than the sword, as she would say.
I know I’ve made this joke before, but it bears repeating. It’s what Mom would’ve wanted.
Writing, to me, is my biggest catharsis aside from music, and the two often go hand-in-hand. I’ve written some of my best lyrics as a result of emotional turmoil. “Ladies Don’t Start Fights (But They Can Finish Them)” was written about a feud with a former best friend who betrayed my trust. “Queen” was written during a time when my bipolar swung into a deep depression as a way to lift my own spirits. My newest song, “Fake Nice,” is my way of coping with criticism from my partner’s mother, someone whose opinion of me I valued. If I couldn’t write about the things that bother me, I don’t think I would have made it this far in life.
If you’ve been following my blog for any amount of time, I want to personally thank you for being with me through the highs and lows. It hasn’t been an easy few years, and this blog has seen me through some of my worst days. I appreciate the time you’ve taken to read my words and take them to heart. I do this not just for me, but for you, too! This is my way of screaming to the world, “Hey! You’re not alone!” I just want to be a light on someone else’s darkest times. I want people to read this blog and know that they’re in good company, that things will eventually turn out okay with time.
I feel like everyone has their “one that got away,” be it a love interest or a lost friend or missed opportunity. For me, it’s music therapy.
I’ve written extensively on here about my journey through the music therapy program at Eastern Michigan University and the subsequent disaster that was my internship in Fort Wayne. The internship was traumatic in a lot of ways and really disillusioned me to the world of music therapy. It’s still a raw wound, if I’m honest.
Tonight, I broke down. I don’t know what my direction in life is anymore. I found myself excited at the prospect of working in a factory. Just like my dad before me. I know he wanted better for me. He wanted me to get that master’s, get that doctorate, and never have to set foot in a factory. He envisioned an easier life for me. He wanted me to break out of the blue-collar trap my family has been stuck in for generations. He believed in me so hard, he stayed alive to see me graduate.
Now, it’s hard to believe I’ll ever be cut out for anything aside from menial physical labor. I feel like this is my destiny. I’ve perished any dreams of becoming a music therapist, or a professor, or anything else to be honest. I’ll be lucky if I make enough money to have a family of my own someday.
I feel like the title of “failed music therapist” will haunt me forever, like a scarlet letter. I have this vision of me on my death bed, awaiting the end, and some well-intentioned nurse who knows I was a musician in a past life sends in a music therapist to comfort me. But I won’t be comforted. Instead, it’ll rip open the same wound that pains me now. I hate this for me. I don’t want to live with regrets, but I feel like I have no other choice. Music therapy has been ruined forever for me.
I’m tearing up at the gym writing this. That’s where I work now, and while it’s not a glamorous or esteemed position (and the pay is abysmal), there are perks. Just now, one of my regulars snuck up on me to startle me, and we had a good chat. I think talking to me makes her day — she takes care of her dad all day and seems lonely. Maybe that’s the best I can do, just try to bring a little light to wherever I end up working. Maybe someday I’ll bring in my guitar and serenade people as they come in, I don’t know. Maybe music therapy didn’t work out because something else will, and this entire thing will no longer eat at me. Maybe my cover of Chappell Roan’s “Good Luck, Babe!” will take off and catapult me to rock stardom, or at least allow me to make enough money from my music to have a decent enough life.
I have nothing left but this reckless optimism that won’t fucking die. And that’s gotta count for something.
In fact, I came into this world Jessica Joyce Salisbury, which is a decidedly un-rock star name. Jessica Salisbury is a British schoolteacher.
You KNOW she looks like this.
My dad came up with Jessica, although my mom wanted to name me “Chelsea” or “Ciara,” the latter of which is infinitely cooler than the other two options in my opinion. Can you imagine how powerful I’d be as a Ciara?
At least this powerful.
But “Ciara” was not in the cards, nor was “Chelsea.” “Jessica” ended up being the winner. Unfortunately, it was the winner for many other girls born in 1993. In fact, it was the number one name for baby girls that year. And I had the honor of sharing my name with two other Jessica S’s in my grade, both of whom were my childhood bullies. The name “Jessica Salisbury” was usually proceeded with “ew.” As in “Ew, Jessica Salisbury? I don’t wanna sit by her. Let’s throw ranch dressing at her!”
(Yeah, my childhood sucked ass at times.)
In middle school, I started thinking of alternatives. “Jessie” was what my parents called me and still call me to this day, but it was too cutesy and reminded me of the cowgirl from the Toy Story films. I tried to get people to call me Sophitia, after the Soul Calibur character, but no one went along with it except my dad (until my mom made him stop).
What every seventh grader aspires to.
When I hit high school, I discovered an Australian duo I liked decently enough called The Veronicas, and one of the members went by Jess. I didn’t realize that was an option for me! So I started going by Jess instead. I still go by Jess with family and friends. I guess it’s kind of my “default” name.
But it still didn’t have a rock star quality.
I remember, later on in high school, there was a girl a few grades ahead of me named Jessa. I don’t recall her last name — it was a bunch of consonants smooshed together — but I always thought her first name was really cool. She was cool. She was valedictorian and incredibly pretty and had a great sense of style.
Her name stuck with me until a few years later, when I joined a pop-punk band called Aim Your Arrows. We were semi-famous and even did some touring, and I knew I needed to pick a name for myself that had star quality. The name I picked at the time was Jessa Primrose, taking a surname from a distant ancestor on my mom’s side. But that last name proved to be a little clunky still.
Then I remembered I still had a middle name to work with.
Joyce was my grandma’s first name — I was named for her. Jessa Joyce had an amazing star quality to it, and it honored my late grandma. So when I restarted Wake Up Jamie as a band, I started going by Jessa Joyce.
I don’t mind people calling me Jess still — like I said before, that’s kind of my “everyday person” name. Stefani Germanotta has Lady Gaga, Kayleigh Amstutz has Chappell Roan, and Jess Salisbury has Jessa Joyce. When I perform, I’m Jessa. I almost feel like she’s a separate entity, kind of like how in Yu-Gi-Oh!, Yugi turns into Yami Yugi. (Is that how it worked? I haven’t seen Yu-Gi-Oh! since the Cretaceous era.)
Time to duel.
Jessa is a confident and commanding rock and roll queen, something I tend to not be in my day-to-day life. Jess is the sweetheart, a total marshmallow. Jessa’s the bad bitch. But they’re both part of who I am. They’re both part of the tapestry that is me, and I’m comfortable with that.
JESSA JOYCE 