This might be my most controversial blog post yet, moreso than any of my posts on religion or politics. Like, I could lose my Artist™ card over this transgression.
You see, I have sinned. I wrote an album using AI software.
Not a song.
Not even an EP.
A whole ass album.
I realize that sounds bad, and it kind of is. Bear with me.

I’ve discussed AI in depth on here before, and to be honest I was a skeptic before I met a good friend who introduced me to the software. It was simple enough — you input a prompt (or a full set of lyrics if you’re really fancy), and out pops a song. And the songs it spat out were not robotic or mechanical at all. They sounded extremely realistic, all with breath sounds and guitar string scrapes and lifelike vocals. There was no uncanny valley — that valley had been crossed.

The friend was using the software because they don’t play an instrument, but wanted to write songs, which I mean, I definitely get that. I can’t shame someone for wanting to bring the music in their head to life. That’s what I’ve spent my entire life trying to do myself through songwriting.
But one night, I was bored at work. They say that idle hands are the devil’s playthings, and the little red man was feeling especially feisty I guess. So I downloaded the software myself and plugged in some of my unused lyrics along with prompts that reflected the kind of music I wanted to make. I figured it wouldn’t hurt to generate some ideas to glean. And holy shit was my mind blown. Suddenly I had one, two, five songs that were literally already complete, and according to the licensing policy of the particular software I was using, I could do whatever the hell I wanted with these songs. I could post them, remix them…

I could re-record all of the songs I’d beep-booped and release them myself. It was genius! This was going to streamline songwriting in ways I’d never imagined. Suddenly, I was writing lyrics to see what the software would spit out. It was almost addictive.
But it didn’t come without a cost. I felt a twinge of guilt whenever my girlfriend would mention an anti-AI post. I knew what I was doing was technically cheating, but the dopamine hit from hitting “create” was too strong. My imposter syndrome was getting worse because of it. I’ve been writing music since I was 14 — how the fuck was a computer writing better songs than me? It was almost disheartening. Nothing I tried to come up with on my own compared to the full songs this software came up with in ten seconds.
Not to mention the fact that my taste in music was now borked. I now had all these songs I’d created and curated specifically for my own taste in music, and nothing else compared. I wasn’t getting “hyperfixation” songs like I used to because all I wanted to listen to were my creations on repeat. I needed to squeeze all of the joy I possibly could out of them because nothing else was satisfying.

So here we are now, with me stuck with 12 songs I only half wrote and don’t know what to do with. The conundrum I find myself in is that these are not only good songs, but personal songs. I used some deeply personal lyrics I couldn’t find a melody worthy of in order to make some of these songs. There’s a song about recovering from my rape, there’s a song about how I probably won’t ever get to have a kid, there’s even a song about how I’m willing to go to war to defend my girlfriend from Nazis. I tried rewriting them but nothing sticks like the fucking AI songs. At this point they’re more than songs. They’re demons I need to exorcise.
And the only way I can exorcise them is by re-recording them and releasing them into the world.
I wanted to write this blog post before I post anything from this album just because I don’t feel ethically sound releasing something made with AI without disclosing that detail. I came to love these songs and I hope you do too, despite their origin. They’re still very much my work lyrically, and I’ll do my best to make it musically own as well. It’s unsettling how close some them already sound to songs that came directly from my noggin. “Fire” is a sexy rocker to “Sweet Honey,” and “WTF” could be considered the sequel of “Chrysanthemums.” I’ve been trying to think of some way to frame the release of these songs as a social experiment — will the music I created with AI be more successful than music created entirely by humans — but truthfully, I just want to get these songs out there in some fashion.
This blog post comes with a warning — if you’re a creative type at all, use caution when utilizing AI software, because it will erode your actual skills if you’re not careful. That’s not to say it won’t have any legitimate uses. I can see it being used in music therapy settings with a lot of success, and I’ve heard of nerdy types using it to make songs specific to their D&D campaigns. Hell, I can see it being used to get ideas during a bad writer’s block, so long as you don’t lose your own voice. But therein lies the problem. AI is like fire — it is a tool, but you have to remember, it’s still fucking fire. It’s almost eerily fitting that the software I used contains the word “sun” and one of the songs I made with it was one named “Icarus.” At first I wanted to believe I was Bernie Taupin and the AI was my Elton John, but if I’m honest, I was Icarus and the AI was my sun.

I don’t harbor any ill will toward the friend that showed me the software or even the software itself. I’m glad the songs I beep-booped into existence exist now, even if I wish the circumstances behind their existence were different. I don’t know if I’ll ever write anything with AI again after this project is properly exorcised. My next project is a concept album that’s almost finished lyric-wise, and I’m so tempted at times to pump them into the software and see what it comes up with, but I’m restraining myself as best as I can. I want to see what I can come up with this time.
I kind of miss the process of creating, and im tempted to make my next project entirely analog for this reason. I miss that hands-on feeling. When I was at my girlfriend’s apartment this weekend, I toyed with her synthesizer and recorded a handful of catchy riffs with my phone. They’re not full songs, but they’re starts. And most importantly, they’re mine.






















