How My Parents Convinced Me to NOT Become a Doctor

I’m about three weeks into my internship now. I don’t know why I’m shocked. I guess I assumed I’d spontaneously combust before I got this far, but here I am, actually doing the damn thing.

It hasn’t been an easy road, but at least I don’t have to go it alone. My wife’s been so supportive and understanding, cheering me on from the sidelines (well, from the couch in our Airbnb). Sometimes when it’s especially stressful, she puts on kids’ shows to cheer me up. Today, she put on Bluey, which is her go-to for wholesome entertainment.

The episode she chose was “Dragon,” where the titular puppy’s family draws and narrates a fairytale adventure. The rest of the family is floored when its matriarch reveals her secret talent — she can really draw. While the dad struggles to draw a simple stick-figure donkey, the mom illustrates a beautiful horse companion for her character in the story. A flashback reveals the true reason she’s so good at art — her own mother encouraged her when she was a child.

“Doesn’t that remind you of us?” my wife said. “We’re good at what we do because our parents encouraged us too.”

You see, I wasn’t always going to be a music therapist. When I first signed up for college courses as a high school senior, I had my mind made up. I was going to be a cardiologist. I liked to tell people I was doing it because my dad had a heart attack and I wanted to help other people like him, but the real reason was because my boyfriend’s best friend’s dad was a cardiologist and he was like, really rich and powerful. So I decided I was going to be a pre-med student.

But fate had other plans.

The night I went to orientation and declared my major, my parents walked in on me practicing guitar. They sat me down and lovingly told me that if I went down the med school path, I’d be wasting my talents. They told me I had a future in music, be it as a therapist, professor, or rock star. Screw the money and prestige — they encouraged me to follow my passion instead.

Which makes my parents the first in the history of human civilization to convince their child to *not* be a doctor.

So I called up the university right away and told them I’d made a mistake. And that’s how I ended up studying classical guitar instead of, I don’t know, anatomy and crap.

Music hasn’t been an easy road, and I almost gave up multiple times. There were the times I dropped out of the music therapy program. There was the time my own pastor told me I wasn’t a good enough guitarist to perform on stage. There was even a time I almost gave up on playing music entirely after my first real band broke up. But each and every time it got difficult, I went back to that conversation with my mom and dad, and I remembered why it is I was put on this planet — to make the world a brighter place through music. And I pressed on.

There will be times during this internship where I’ll want to give up. But I have so much support and so much love in my life. It’s why I’m able to do what I do. I still remember the pride in my dad’s eyes when he’d tell everyone he’d meet about how his seventh grader could write and perform her own music. That kind of stuff sticks with you. I want to make him proud.

I’m going to finish this internship and make it as a music therapist, even if it kills me.

How to Be More Original

So, I signed up for a virtual audition with The Voice. Get your laughs out now; I know it’s silly. But I’ve wanted to be on one of those ridiculous singing shows ever since I was little. The Voice. American Idol. X Factor. Like, I’ll take any ridiculous singing show.

I remember watching those shows with my family as a kid and imagining I was on that stage, performing in front of millions of people at home. My name would be in lights. I’d actually be popular, which was a pipe dream for socially awkward, autistic little Jess, who discovered performing music was a way to make people like her.

My first foray into the world of televised singing competitions came in college. I found out the American Idol auditions were coming to Detroit. I stood out in the cold with my two best friends at the time, Crass, rehearsing my little heart out with my guitar and chosen two songs. I’d play a jazzy cover of “You Give Love a Bad Name” followed by my original, “Oceanography” (which I recently re-recorded and released, actually).

I knew I had it in the bag. And to be honest, I did make it pretty far into the audition process. Something no one tells you about American Idol is it’s not one or two standouts and five hundred duds auditioning. NO. It is quite the opposite. You’ve got five hundred Mariah Careys in the room with maybe one or two William Hungs.

So the fact that I made it three rounds into the audition process is astounding. I passed the initial audition, another audition in front of a set of producers, and made it to the executive producers.

Judging by the fact that I’m typing this and not, I don’t know, on a yacht sipping a pina colada with Simon Cowell somewhere, I obviously didn’t make it.

It’s what the producers told me that will stick with me forever though.

You’re just not unique enough.

After years and years of being the outcast for being too unique, I, Jessica Joyce Salisbury, was not unique enough.

I almost laughed. It didn’t seem right. I wasn’t like any of the other girls auditioning. I had blue hair at the time, for cryin’ out loud.

I’ll forever associate my blue hair with the Band That Will Not Be Named, though.

I guess in a sea of, say, Ypsilanti, I was basically the town’s Taylor Swift, but in a sea of millions, I was just another girl with a guitar. There wasn’t anything original about me. I didn’t have some sad sob story except the fact that I grew up without friends (which is a sad sob story another million other singer-songwriters already have). I didn’t even have that unique of a look. I didn’t come in there looking like Lady Gaga, or that girl who wore a bikini to her audition. I was just…ordinary.

I think I’m running into the same problem now as I go about promoting my music. Every artist needs a hook, and I honestly don’t know what mine is. I’m autistic and ADHD. So? There’s millions of neurodivergent artists out there doing the damn thing. I don’t have a unique look about me. I dyed my hair black in part to quell comparisons to Swift, but now people, especially older ones, compare me to Ann Wilson from Heart. Not that I minded either comparison all that much, considering both women are musical inspirations (and big gay crushes) of mine, but I wish I had a look that stood out more. Even the split-dyed look I sported for a while has already been done better by Melanie Martinez.

I don’t know what I need to do to set myself apart, but I’m sick of being the only person who cares about my music. I just wish I knew how to make other people care about my music. I can’t just pull a U2 and download my songs onto other people’s devices or like, stream “Oceanography” or “Sweet Honey” directly into people’s heads. (If that were possible, it probably wouldn’t be legal.) I’m not a virtuoso by any means, but I’m a damn good songwriter. That should be enough, but we live in an age where anyone with a laptop can be a songwriter and produce their own music. That’s not a bad thing, but it does make the competition that much more fierce.

Maybe I’ll get through the Voice auditions and finally get my big break, who knows? All I want is for my music to be heard by other people. I’ve always made music as a way to connect with other people. I don’t do it just for my own amusement.

Even if I do listen to myself more than I’d like to admit.

I didn’t answer the question in the title, mostly because I still don’t know myself. I guess I’ll always be on the journey to find new ways to stand out in a big wide world of other creators. That’s all we artists can do.

New Music: Oceanography

I’m going to start using this platform to promote my music endeavors as well. They’re both part of me, my writing and my music, so it feel appropriate to use my personal website for both, right?

Anyways, here’s my first official release under the name Jessa Joyce, and it’s a rerelease of my very first EP, which was originally released under the Wake Up Jamie name. (Wake Up Jamie is now a band, but these rereleases will be technically a solo project. Confused yet?) This is the title track, which is in the process of being released to streaming platforms everywhere, but can be listened to right now on Bandcamp, or right here!

Oceanography master.wav Download

The song itself is about longing, about meeting someone and being so enamored with them, you want to know anything and everything about them. It was written by a very wide-eyed younger version of myself who was in love with the idea of love, and I feel like some of that giddiness is still hidden within this more updated version. At the time, I was obsessed with all things nautical, hence the title and the theme of the song. All of the songs on the EP have a slight nautical theme to them, which I still really love. I’m a Michigan girl at heart, so what can I say? I really like large bodies of water.

Here are the lyrics, so you can sing along!

Oceanography (words & music by Jessa Joyce)

You’ve got an ocean in your eyes

And I can’t spot land for miles

Throw away the compass and the maps that I’ve used

I wanna get lost in you

Fishing lines wrapped around your oar

I’m a boat tied to your shore

I won’t scream when the seaweed slips into my boot

I just wanna get tangled up in you

Cause I wanna know everything

If you’d just drag me to sea

And I, I’d give you everything

If you’d just give me the key

In my mind your body is a book

Crammed with all the notes that you took

About the destinations and the places that you’ve seen

I wanna feel your story in me

I’ll cast my dreams upon sailboats

Reading Flowers For Algernon on the east coast

I’ll feel the warm breeze upon my lonely seabed

And I’ll wish it was you instead

Music Reviews No One Asked For: Shadows Collide With People by John Frusciante

What’s your all-time favorite album?

Well, thanks for asking, daily writing prompt. I guess I can’t technically call this a music review no one asked for now.

I had a few albums in mind when I saw this particular prompt. Futures by Jimmy Eat World was my first instinct, being the album I cried to as a baby emo in high school while sneaking into the abandoned house down the road to hide from the world (I was dramatic as heck). folklore and evermore by Taylor Swift were contenders as well, being the answer to my prayers that she’d attempt a moody folk album. But I kept coming back to one particular album — Shadows Collide With People by John Frusciante.

Now it’s no secret I’m obsessed with John Frusciante, despite the fact that I don’t think I’ve ever mentioned him on this blog. It’s a shame, because there’s so much I could say about him. Like how we share a birthday. Who else can say they share a birthday with their favorite guitarist? Or how he talks to cats. Or how “Frusciante” because the new “f-word” in the newspaper office I worked in because I wouldn’t shut up about him. (The word “potato” was also banned in the office for unrelated reasons.)

I found Shadows Collide With People at a thrift shop or something back in 2015. It was around the time I’d just graduated from college, landed absolutely no job, witnessed my band implode in the most explosive way possible, was battling a burgeoning alcohol problem, and had my heart broken once again by the man I thought was the love of my life. All this to say I was in a pretty dark place. I remember driving around crying to this album, with its highs and lows reflecting my own turbulent life at the time. Even though John Frusciante’s struggles were not the same as mine (I never did heroin, for one), somehow I felt less alone knowing my hero had been to similar dark places. And wrote a pretty bitchin’ album about it.

The album itself opens with “Carvel,” a suitably weird rock song that uses ice cream cake as a metaphor for drugs. It’s probably one of my favorites by Frusciante in general, and sets the stage for all the angsty goodness that’s yet to come. The follow-up is the much more chill “Omission,” which features Frusciante’s protege and eventual Red Hot Chili Peppers guitarist Josh Klinghoffer’s soaring vocals. “Regret” comes next, repeating the simple yet somber line “I regret my past” over melancholic music.

“Ricky” and “Second Walk” are both fun uptempo bops, but the mood is jarringly brought back down by the eerie “Every Person.” The next portion of the album contains two electronic instrumentals, both sparse and unsettling, as well as the catchy “Wednesday’s Song” and “This Cold,” which could easily have been a RHCP song. “Song to Sing When I’m Lonely” is sure to get stuck in heads, and “Time Goes Back” feels oddly nostalgic in a way I can’t put into words.

The next three songs are fairly forgettable in my opinion, but fit in perfectly with the context of the album. “Chances” is another catchy one, although not my favorite on the album. What follows is yet another eerie instrumental, although this one feels more sad than startling. The closer, “The Slaughter,” is, in my opinion, a masterpiece, and the perfect way to close this absolute adventure of an album. “I know my pain is a life away,” Frusiciante croons wistfully, and as the final few chords ring out, you feel it.

I think what gets me about SCWP is the fact that it takes you to some deep, dark places, but it doesn’t leave you there. Instead, the album takes your hand and leads you back out into the light with the final song. I’ve always loved a good story, and this album feels like one. It has a way of meeting you where you’re at, in the midst of the pain, and reflecting your emotions like a musical mirror. I can honestly say it has helped me through some difficult spots.

I’m studying music therapy for a reason, and I think SCWP is a beautiful example of what music can do. It displays the entire range of human emotion in a very raw and unfiltered way. Even though I’m in a much better place now, this album will always hold a special place in my heart.

A Life in Song: Why I Owe Everything to the Art of Music

What would your life be like without music?

Sometimes I wonder this to myself. After all, I’ve built my entire life on this weird-ass human phenomena of taking noise and making it pretty.

Like, I don’t think music has ever not been a part of my life. I remember being a small child and spinning around humming little tunes I made up. I didn’t have any means of writing them down or recording them, but that was the beginning of what would become a lifelong love of songwriting.

When I was eight, my parents bought me a guitar. Two years later, I started lessons. I’d already been kicked out of ballet, tap, gymnastics, and swimming thanks to then-undiagnosed ADHD, but music lessons were different. Not only could I literally not get kicked out of one-on-one lessons, I actually enjoyed them enough to pay attention. I studied in a basement with this college kid named Eric, who my mom thought was hot. Over the next few years, I’d learn the basics of music theory, initially against my will.

“You’re going to need this stuff if you ever want to study music in college,” Eric told me.

“Nah, I want to be a doctor,” I probably said.

Sure enough, I went on to graduate high school, but not before selling my soul to the music department. I participated in nearly every ensemble — in fact, I was in almost all the acts in the annual dinner theatre (which involved a lot of costume changes). Outside of school, I volunteered to play in the church band, which gave me a sense of confidence I never had before. I was regularly performing with and learning from players who were far better than I could imagine being, and as I grew as a musician, I found myself as a person.

When it came time to register for classes, I went for pre-med, but upon arriving home after college orientation, my mom and dad overheard me practicing guitar.

“You’re wasting your talents,” they said, as they became the first parents in the history of human civilization to convince their child to pursue music instead of medicine.

So I immediately switched my major to music, and things just sort of fell into place.

I am where I am now, about to start an internship in music therapy and on the cusp of something great with my band, because of my relationship with music. It’s given me so much confidence with other people — growing up autistic, I had a hard time socializing and communicating. But music helped me to find my voice and make friends, some of whom I now consider family. It’s enriched my life in such a profound way, I’m struggling to think of how my life would be different without it. It’s difficult to even imagine. I’d likely be a lonely reluctant cardiologist with no passion for life.

Music is such a blessing. It connects us in ways nothing else can, and I’m so thankful I get to partake in it as a musician.

Dear Cadence, Part Fifteen: Find Your Chosen Family

This is the latest installment in my memoir project, written as a series of letters to my future daughter. Here are the previous entries: Part One, Part Two, Part Three, Part Four, Part Five, Part Six, Part Seven, Part Eight, Part Nine, Part Ten, Part Eleven, Part Twelve, Part Thirteen, and Part Fourteen

Ever since I was little, I wanted to be in a band.

Sounds familiar, right?

After the disaster that was Dethklok, I wasn’t sure I even wanted a band ever again. It didn’t seem worth it to make music with other people if they were just going to hurt me. I was content to just do things alone from now on, if I was even going to keep making music for myself at all. I was back in the music therapy program, and that was enough, right? But deep down inside, I knew I needed more. I kept writing songs and still had that lifelong itch to be a performer. I loved being onstage, and a tiny part of me wished I could share that with someone else.

I met Wally through my new church, a rare queer-affirming church I found in my new old stomping grounds of Ann Arbor, the larger college town that neighbored my smaller college town of Ypsilanti. Wally was an older guy, a little younger than your grandpa was but definitely still old enough to be my dad. He was a quirky fellow with a wife and eight kids and even more keyboards. He was basically a straighter, slightly less flamboyant Elton John who played in a band called Unkle Laylee’s Moonshine All-Stars Band with an old stoner dude named Gray and his aptly named son, Grayson. And when I came to this new church, he took me under his wing and promptly added me to the lineup. I was now Wally’s unofficial bonus daughter/bandmate, but Wally had an official daughter who secretly wished she was in a band as well.

Enter Hailey.

Hailey was a tiny blonde cheerleader who hid a knack for songwriting that rivaled my own. During one practice, she came down and showed us one of her originals, which gave Wally an idea. Unkle Laylee wasn’t really his vibe, and it wasn’t mine either, so we started our own project right then and there. Our little trio would form the basis of a brand new creation. We couldn’t agree on a name, so we stole the name of my former solo project, Wake Up Jamie, which came from a misheard lyric from an old song no one remembers.

At first, we frequented local bars and coffee shops, playing to anyone who’d listen. Those were some of the most memorable shows I’d ever play, even if they seemed small and insignificant in the moment. Every weekend or so, we’d meet up and plan our next moves, the three of us. And as our repertoire grew, we realized the project was getting to be too big for only three of us. Wally moved to a position of manager and eventually phased himself out in preparation for a move out-of-state, while we brought on board three new members.

The first was Jerry, an old collaborator of mine I knew from my time in the local music scene. We’d played briefly together in a band called Fate’s Redemption, which I’d left in order to join Dethklok (bad idea). But despite my betrayal, we remained friends, and when I mentioned needing a drummer for the revised Wake Up Jamie, he jumped on the opportunity. The second was an old friend named Chris, a guitarist who I met in music school who could play circles around me. Originally, he was supposed to play bass, but we realized we were squandering his skills as a guitar player by keeping him on bass.

Now Pippa was a cute girl who was active in the music scene and had been following Wake Up Jamie for a minute. We met at a gig and drunkenly made out. Word got out that she was learning bass, so I swept her up and taught her the songs. Was it originally an attempt to get to know her better because I had a massive crush on her? Possibly. But even after our short-lived romantic relationship ended, I found I very much enjoyed her company as a friend, and now as a bandmate.

Wake Up Jamie had reached its final form — me, Hailey, Jerry, Chris, and Pippa.

The band itself went on to play some of the biggest shows in Michigan — Arts, Beats, and Eats, Detroit Pride, and even a radio show. As of writing, we haven’t “made it” in the sense that we can make a living off our music, but that doesn’t matter to me. Wake Up Jamie has never been about getting rich or famous. The band is my honorary family, the people I trust with my life.

I still remember when one of the members had an emotional breakdown at practice, and we all halted our activities to talk them down and make sure they were okay. We then sat outside during the reminder of practice just sharing our mental health struggles. It was a difficult conversation, but I felt so comfortable sharing my heart with these people, and it was such a warm feeling to know they trusted me enough to share their hearts as well. It was like night and day compared to Dethklok, who was just as mentally ill as a group but chose to address their problems with vitriol and drama. Wake Up Jamie all legitimately care for one another, and I feel like that comes through in our music.

Blood family is important, but your found family is just as sacred. I hope and pray you find your people someday.

My Life as a “Should’ve Been”

Everyone’s familiar with the term “has-been.” It’s a label we give one-hit wonders and washed-up celebs. But the thing about has-beens is that they have at least, well, been. There are so many more people out there who never will reach those heights at all, who had potential and squandered it somehow. I think those are the cases that fascinate me even more. Maybe that’s because I relate.

Are you holding a grudge? About?

I think my biggest grudge is against myself for not going all-in as a musician when I was younger. I feel like I could have actually taken my music somewhere had I started sooner, had I thrown my entire existence into it. It’s hard to accept that it may be too late. There are artists half my age who are making it in the business now. Thirty is grandma-age by industry standards.

It’s not entirely my fault that I didn’t devote myself fully to the dream. I think back to my struggles with mental health, which were debilitatingly severe in my teens and twenties, to the point where I could barely keep up in school and work. Much of the music industry, now and back then, happened on the internet, which I was scared of using for many years. And who could blame me? There are a lot of things to be afraid of on the world wide web.

I had a presence on YouTube, but I remember being nearly paralyzed every time I went to post a new song. I couldn’t help but fear what kind of reactions I would get. I remember some of the mean comments I’d receive about my appearance and worse, my musical abilities. Even in a sea of positive comments, it was the negative ones that haunted me and made me not want to share my music anymore. I had a lot of anxiety about putting myself out there, and I’m beating myself up for it to this day.

I feel like I could have been something greater. I could have been the next Taylor Swift, or even Christina Grimmie (RIP), had I actually kept an online presence back then. Now I feel it’s too late. In a post-TikTok world, I don’t even know where to begin when it comes to sharing my music. I feel like everything I do will be hilariously irrelevant now that I’m past the peak age for “making it.”

I wish I could go back and tell younger me not to be scared of internet assholes. People are gonna suck, and there’s nothing you can do about that except shine in spite of everything. I wish I hadn’t hidden myself away in the darkest corners because of my anxiety. I feel like a massive “should’ve been,” and it sucks to think about. Maybe it just wasn’t meant to be, and I need to accept that. But a tiny part of me still wonders what could have been had I just put myself out there more.

I guess I’ll never know.

Whoever “She” Is, You Don’t Have to Worry

I write this from the absolute depths. Like, the only way things could get worse is if a meteor struck my apartment or something. I got passed over for the internship of my dreams, which was enough of a blow. Then, my tire goes flat. Oh wait, all my tires are bad. There goes $800. And my boss seems to think everything I touch turns to suck, so work hasn’t exactly been a bed of roses, or even cheap carnations.

All this to say I’m not exactly having a great time.

In my times of trouble, I tend to turn to music to comfort me. I’ll never know why it’s so reassuring to know that at one point in time, some dude with a guitar felt exactly the way you feel. But then, The Maine’s “Whoever She Is” came on.

And I cried. Like a freakin’ baby.

It’s not a sad song, nor is it a love song, as one might be led to believe by the title and the soft acoustic arrangement. Rather, it’s a song about standing strong in the face of adversity. “She” isn’t a woman but a personification of whatever is troubling you. And it’s oddly relatable. She could be “rainy days, minimum wage, a book that ends with no last page” or a whole slew of mundane issues. But the chorus ends with “whoever she is, you don’t have to worry.”

Things will be okay.

I imagine John O’Callaghan writing this song from his own personal hell. I imagine he went through shit like I’m going through now. Everyone does. That’s the beauty of music. It reminds us that we’re not alone in this struggle called life. No one’s above it all, and even the rock stars and pop princesses and that cool singer-songwriter who busks on the streets have their own problems. We live in a broken world, and we’re never going to be completely free of heartbreak and disappointment this side of heaven.

That’s why we have music to comfort us. And as I bawled my eyes out, I realized this is exactly why I do music in the first place. And I’m not going to let a few setbacks keep me from doing what I was made to do.

And neither should you. If you’re reading this and you know how I feel, put on your favorite song, have a good cry, and get back on your feet, because things can and will get better. The world will still turn, and so will the tides of fortune. Bad things happen, but so do good things. And I still believe the good in this world outweighs the bad.

Just remember, whoever “she” is, you don’t have to worry.

Dear Cadence, Part Eleven: You Will Get Hurt, and You Will Hurt Others

Ever since I was little, I wanted to be in a band.

It wasn’t enough to play music. I wanted a band.

I wanted the family, the ups and downs, the VH1 Behind the Music where we all talk about how much we love each other even after struggling through five overdoses and the guitarist cheating on his wife with the drummer’s wife. I wanted the full experience.

And what I got was Dethklok.

Dethklok was not the real name of this band, but to protect the identities of the innocent (and the guilty), I’ve changed all the names to the members of the protagonists of the show Metalocalypse. In fact, for this chapter and this chapter only, I am Toki Wartooth. You can imagine me with a mustache if it helps.

I met the band when I opened for them at their album release party. It was the biggest show I’d played to date, and even with just me and my acoustic guitar. I got the crowd going, rather impressing the Dethklok guys (I say guys, but there were female members. But for the sake of consistency, we were all guys.)

I played for them a second time at another venue, this one with a private green room. After my performance, they cornered me in the green room bathroom.

“We want you to join Dethklok as our second guitarist and go on tour with us,” they said — no, demanded. And who was I to refuse such an offer!

It was all rainbows and roses at the start. I befriended the other members of the band pretty quickly. There was Nathan Explosion and Skisgaar Skwigelf, the lead vocalist and guitarist, respectively, who were dating. William Murderface was the bassist, a certifiable weirdo, but a charming one. And Pickles the Drummer was just kind of…there. He had red hair.

Learning the songs was easy for me, so much so that the rest of the band was beyond impressed. To be fair, they were basic four chord pop-punk songs for the most part, save for one relatively heavy post-hardcore number where Nathan Explosion would scream and Skwisgaar and I would “chug chugga chug” on the guitar. One of these days I’ll show you one of our old songs. They were definitely songs.

The band was becoming something of a family to me. We’d eat together, play games together, and just generally do life together. And what’s more, people liked us! We had a ton of fans, something I wasn’t used to. There were fanfictions written about us, even. It was surreal.

The fall tour would be the true test of our bonds, though. And as we got ready for the first of our two regional tours, I found myself daydreaming about Murderface more and more. We were the two carnivores of the group — the rest of the band was vegan — and we both dealt with a lot of mental health issues (that we actually acknowledged, since the entire band was incredibly mentally ill and incredibly unmedicated). Was I falling for him? Fans were already shipping Toki and Murderface. Were we a match made in pop-punk heaven? We spent several nights together just hanging out and listening to John Frusciante’s solo material, and after some time, he gave me his grandmother’s ruby ring and asked if someday, I’d marry him. Lost in the fantasy, the rock and roll fairytale I was living in, I accepted.

But that first tour was an absolute whirlwind. We traveled much of the East Coast and Midwest playing tiny clubs and bars. Most of the shows weren’t that big — just a couple of local bands and us — but it was exhilarating to be able to play to new faces every night. I felt like a true rock star, even if we were sleeping in our drummer’s mom van and random people’s houses and not a luxurious tour bus. Even if we all smelled horrible by the end of the tour and we had to mask our natural musks with copious amounts of perfume and cologne. It was an adventure unlike anything I’d ever experienced.

There were arguments now and then, mostly between Nathan Explosion and Skwisgaar. A few times, I was dragged into a conflict, such as the time Skwisgaar and Pickles made me and Murderface cry for not being vegans. (They were all like “What if someone ate your dog?” And I cried, being the damn Pisces I am.) We were a tight knit group, but the threads began to unravel as the fights became more and more frequent. Suddenly, I was seeing how mentally unstable we all were, myself included. Still, these people were becoming my best friends, even more so than your mom and Aunt Mel. I trusted them with my life. It was a toxic, codependent five-way relationship.

By the time our winter tour rolled around, things came to a head. The arguments were so frequent, we were bickering more than we were talking music, or anything else for that matter. Nathan Explosion and Skwisgaar broke up, and Murderface and I were on the rocks too, as I’d recently reconnected with Jacob from earlier and I wanted things to finally go somewhere with him (spoiler alert: it went nowhere). So I was far away from home surrounded by people who all hated each other, and at our homecoming show, Skwisgaar slammed his guitar on the ground in a fit of rage. The next day, we unanimously decided to split up. It was an ugly breakup, uglier than all of my romantic breakups combined. Harsh words were spoken. Threats were made. I finally made the decision to cut them all out of my life, once and for all. And I’m so glad I did.

Healing was rough, but I managed. Your mom and Aunt Mel were the rocks I needed to lean on, and they gave me all the support I needed as I found my way again. I learned my lesson not to trust just anyone, and not to get swept off my feet by whatever shiny opportunity presents itself, because the truth is, it’s not all it’s cracked up to be. People will hurt you, but the right people will own up to it. And you will hurt people too, and it’s your responsibility to own up to it as well. I got stabbed in the back by folks I considered friends, but I wasn’t innocent either. In the end, we were all very mentally ill and very unmedicated.

I’m sure you’re wondering whatever happened to Dethklok. I wondered myself, after several years had passed. So I reached out to my old bandmates to apologize for how things ended and make peace with the pas. Murderface and I became friends again through the local art scene, and Pickles went off on his own and never really spoke to me again. Nathan Explosion didn’t want anything to do with me, and in fact blocked me on all social media. I guess I don’t blame him. The funniest thing happened when I cold-messaged Skwisgaar, though.

“I wanted to apologize if I ever did anything to hurt you,” I wrote. “You were like a big brother to me.”

“You mean sister — I’m trans. And there’s no hard feelings. I know I was an ass too.”

And that, my child, is how I became friends with your Aunt Tegan. Funny how life works itself out.

Dear Cadence, Part Nine: The Path to Your Dreams is Not Always Linear

I found out what music therapy was from one of my grandma’s nurses when she was dying. She found out I played music and encouraged me to bring in my guitar to play for my grandma and the other old folks at the nursing home. She told me there were people who get paid to do this kind of thing, and that they actually go to school to study the ways music can be used to help people.

I wasn’t sold entirely. My long term plan was to attend Eastern as a pre-med student and eventually go to the more prestigious (and expensive) University of Michigan for medical school. I’d minor in music, but it wouldn’t be my main thing. I wanted to be a cardiologist or a pediatrician or even a neurosurgeon, something that could legitimately help people, instead of wasting my time selfishly playing music for my own ego (this was before the “Jacob”’arc).

I’d already signed up for all of my freshman year bio classes when my parents overheard me singing and playing in my room.

“Remember what that nurse said about music therapy?” they said, implying that they wanted to become the first parents in human history to encourage their child to go to music school instead of becoming a doctor.

So I went back up to the university right away and auditioned for the music therapy program. I already knew my way around a guitar and I could sing circles around most of the other freshmen trying out, so I was a shoo-in.

Despite being less than a half hour from my hometown, life at the university seemed a world away from life in high school. Not only was I living in an artsy fartsy college town, it was also the point in time when the “quirky weird girl” trope was at its most popular. The days when no one wanted to associate with me seemed like another life. Everyone wanted a piece of the guitar-slingin’ manic pixie dream girl, and I was happy to oblige. I started playing house shows and cafe gigs, and I made a name for myself as the Taylor Swift of Ypsilanti, Michigan.

But the cracks began to show as I struggled to stay awake and focused during my classes, to the point where I’d gotten referred to the university counselors by my professors. To top it off, the anxieties that had plagued me my entire life were coming to a head, to a near debilitating degree, and I had no choice but to consult with a psychiatrist at a local clinic for young adults. It was there that I was prescribed Prozac, which I do credit with saving my life, but it wasn’t nearly enough to save my academic attempts. Music therapy school was brutal, and I found myself fighting hard just to stay on top of my coursework.

I’d signed up for the school newspaper on a whim, and that seemed to be working well for me, at least. I was a naturally skilled writer. I didn’t even have to try to crank out article after article for the paper — I would sit down at my laptop and the words would just flow through my fingertips. I even got awarded the title of editor for the arts and culture section of the paper less than a year into me working there (we’ll revisit that in the next chapter). I did some research on the journalism major and it seemed significantly easier than music therapy, which was becoming increasingly difficult to even find the motivation to study for. As my mental health declined, I wondered how I’d ever be a therapist when I couldn’t even help myself. At least newspaper editors didn’t have to help other people figure their shit out. I could just do my thing and pretend I was okay.

So I made the decision to switch my major to journalism and forego music therapy altogether.

Still, even after I graduated, it felt like something was missing from my life. I tried finding writing jobs but nothing ever stuck. This was around the time I was still reeling from the breakup of my first real band (which we’ll get to) and the crumbling of my first marriage (which we’ll also get to). Nothing was working out, and I needed to regroup and figure something else out. That’s when Coco happened.

Coco was a Disney movie about a little Mexican boy who plays guitar against his family’s wishes. I won’t spoil it, although I’m certain I’ve played it for you at some point in your childhood. (What kind of a mother would I be if I didn’t make you watch all my favorite Disney movies?) But the climax of the movie, where music helps the protagonist’s grandmother momentarily regain her precious memories, made me realize I’d made the wrong decision when I switched majors. I was meant to — destined to — use music to heal people. No, I wasn’t too messed up to be a music therapist. That was a damn lie I told myself and believed to the point it became the truth. I drove straight up to that university myself and told the professors I’d be joining them once again that fall.

And…I failed once more. This time, it wasn’t my choice. I had a strong start. That school year began with me trying my very best. I was doing everything in my power to succeed this time, taking notes and staying alert and keeping organized. Then, something happened at that year’s music therapy conference that derailed all my plans.

I was raped.

The assailant was a total stranger, and I should have known better than to trust him when I met him at the rooftop bar at my hotel. But I was lonely, and it was my first time traveling alone, no friends, no parents, no husband. And he was charming. He said he loved how I was using music to help people.

All before everything went dark, in the absolute worst way possible.

After the incident, my mental health took a nosedive. I couldn’t concentrate for shit. I started drinking myself sick every night. I was making rash decisions and doing everything I could to drown out the ever-present feeling of disgust. I eventually snapped and found myself crying in the office of one of my professors. I couldn’t do this anymore.

And so I dropped out of the music therapy program for a second time.

This is a depressing chapter, right? I promise it has a happy ending.

Another few years passed and I found myself drifting aimlessly once again. I was in a slightly better place — I was married to someone I actually wanted to be married to, and my mental health was finally on the up-and-up. I even got a proper ADHD diagnosis, which explained some of the inattentiveness that made my previous attempts at the degree more difficult. But I didn’t have a job I actually liked. I knew I was meant for more than wiping people’s butts or slinging prescription pills. (Legally. As a pharmacy technician. Your mother was never a drug dealer.)

So, tail tucked between my legs, I whimpered pathetically at the professors one last time, begging for one last shot at that music therapy degree.

And this time, it worked! While finishing those last two years of schooling, I managed to earn a prestigious scholarship and even presented on autism for the university’s undergraduate research symposium. In 2023, I completed the coursework necessary to become a music therapist. As of writing, I’m waiting to hear back from my internship site. After completing the internship, I have to take a test, and then I’ll be certified. In other words, I still have a long road ahead of me, but the worst is over.

Sometimes I wonder where I’d be if I’d just stayed the course and finished my music therapy degree years ago. The truth is, I probably would have crashed and burned. I needed to learn to take care of myself first; otherwise, I probably wouldn’t have been focused and motivated enough to earn that scholarship or present in that symposium. I would have gotten meh grades and probably would have landed a meh job I would have given up on as soon as things got hard. But my place in music therapy is now fire-forged. I’ve been through the worst, and now I’m better equipped and prepared to face whatever comes next. The twelve years it took me to get this far weren’t a waste of time. Rather, it was time spent figuring out for sure that this is where I belong. I don’t think I would have made it this far had I not taken all the time I needed to reevaluate my core values and recover from, well, everything.

Often, the path to your dreams isn’t linear. It’s a road with many forks, pitfalls, and distractions. If you ever lose your way, though, just remember this chapter. When you discover what it is you’re meant to be in this world, it will chase you down, and no amount of obstacles will keep you from what it is you need to do. You are stronger than everything that will ever try to hold you back. You’re a force of nature unlike anything anyone’s ever seen, and I’m so excited to see where life takes you.