I write this from the fancy-schmancy professional studio I’ve been holed up in for the entirety of spring break. It’s almost 2 in the morning, and going by track records here, my bandmate and I won’t be leaving until 6, if not even later. The only thing I have to eat is a jar of cashew butter I shoved into my guitar case. I’m running on Adderall, enough caffeine to kill a horse, and a brief power nap I took hours ago. But as much as I want to complain, I can’t.
This is the life I chose, you know?
When I was a kid, this is the kind of stuff I’d dream about doing someday. I don’t think I can overstate how influential music was to me growing up. I’d watch Behind the Music religiously and dream about the day I’d be in my heroes’ shoes. I’d even imagine my own episode someday, all of my wild ups and downs throughout my career. Music was a mystical thing and I had my own pantheon — Bon Jovi were gods and Ann and Nancy Wilson were my goddesses.

This past week, I’ve spent five nights and one long day doing what I’ve been wanting to do for years — work as a professional musician. I feel like I’m so close to phasing out any form of “real work” and just doing what I love, and it feels great to be honest. I’m sick of menial unimportant work. I want to do something with meaning.
For a long time, I assumed my role on this planet was to help people in a really real and tangible way. In high school, I was insistent on becoming a doctor so I could do just that (and for the clout of being able to call myself a doctor, obvs). Of course my parents talked me out of that career path, and probably for the best, because knowing how flaky I can be, I’d probably be the person who leaves a scalpel in a patient or something.

But even after I left my shallow dreams of doctorness behind, I was convinced I’d someday be a music therapist, and that was going to be my method of helping people. My first love has always been music, so I knew that had to be involved somehow. It was the perfect arrangement — I’d get to do what I love and also help people. Alas, those dreams didn’t pan out either, no thanks to my nightmarish internship that soured me to the entire profession I’d been pursuing for a decade.
Which leads me to where I am now. I host music bingo for a living. I put on trivia shows for local bars. I’m studying audio engineering and on special occasions, I get to be a studio musician and help out with recording guitar or bass. Nothing I’m doing is groundbreaking or livesaving. No one needs a game of music bingo. But I’m content, because the things I am doing are still important in their own way. I talked a little about serving glimmers as an entertainer on here, but it stands repeating. Entertainment and the arts are crucial to every day life because they’re an intrinsic part of being human. It’s why I’ve got mixed thoughts on AI. Art and humanity have been linked since the dawn of civilization. It’s what makes us different from other creatures, even relatively intelligent ones like dolphins.

We need arts and entertainment. It’s the thing that keeps us sane in this hectic society. And honestly, it’s a huge honor work as an entertainer. I love what I do. I love putting smiles on people’s faces. I used to think working in entertainment was selfish. After all, I only want to do it because I love attention, right? And I mean, I do enjoy being the center of attention, but there’s an altruistic element to it as well. Making people happy — just giving people something to look forward to in this dark world — is what keeps me going.
I’ll end this sort of rambly blog post with an anecdote from my freshman year of college. I was very casually dating the sweetest, gentlest guy. He was smallish in stature and cute in a nice Jewish boy way and really, really loved sloths. My point is you’d never expect this young man to play guitar like a fucking rock god, but he did. He could shred. And he had such a way with crafting beautiful songs. We didn’t work out for reasons I’ll never know, but I was madly in love with him. That’s not why he holds a place in my heart to this day, though.
One night, we were sitting in the car. He was showing me Buckethead, one of his biggest influences, alongside John Frusciante, whom I also came to love. And my sweet kinda-boyfriend revealed to me the meaning behind his band’s name, Smiles and Anchors. He wanted to honor his passion for making people happy through music. That’s all he wanted to do. It wasn’t about becoming famous or rich. He just wanted to bring a little light to people in his little world.
And that shook me.
Music has always been my way of connecting with others, but I’d never heard anyone put it that way before. Until then, music was more about what it did for me. It made me happy. It made me connections with others. But what about the folks listening? To them, we’re the ones making life a little more bearable. We’re the ones providing the soundtracks to memories. And it’s kind of humbling in a weird way, and I like that. I never want to lose sight of why I play music. I never want to let my ego soil the joy I get from making my listeners happy with my songs, because it’s not about me. It’s about them. That conversation was part of the reason I ended up getting an anchor on my foot for my first tattoo. I wanted a physical reminder to stay humble, no matter where music takes me.

And that’s what being an entertainer is all about to me. It’s hard work. It’s scary. You have to put yourself out there. You have to practice a lot. Sometimes you’re in the studio for so long your contacts practically melt into your eyes and you get a gnarly case of conjunctivitis (true story). But for all the sacrifices this lifestyle takes, it’s worth it. Being a performer has been some of the most rewarding work I’ve ever done, and I’m happy I get to share it all with you.















