Pieces of Myself: Learning to Love Past-Jess

Full disclosure: I started using the good ol’ Mary Joanna to help me sleep at night. Yeah yeah, I know that technically means I’m not sober by the broadest definition of the term, despite being alcohol-free for about a year new (hell yeah). But I use it medicinally to help with my constant waking up in the middle of the night, and honestly, it does help me get a more restful sleep

Sometimes after I smoke, I don’t immediately fall asleep, and when that happens, I either get horny, paranoid, or philosophical. It’s kind of a crapshoot every time which of my high personalities shows up. It’s usually the one I don’t want at the time, which means using it as an aphrodisiac is a gamble.

“Jess, this is not the time to ramble about how we’re living in a simulation.”

Last night, though, I had a strange experience. My wife was giving me a pep talk regarding my mental health, which has been pretty bad as of late. Nothing concerning, just the usual “What if life is meaningless and everything I do will eventually be forgotten?” Which is pretty heavy stuff to think about literally every second of the day, and I’ve been in this mindset for most of my life. Yay, anxiety!

But, in my high, pseudo-intellectual stupor, something my wife said really itched a part of me I didn’t know I needed to reach — the past Jesses (is that the proper plural of Jess?).

I haven’t been nice to past me. Not any of them. I tend to think of my past selves as different people, instead of a cohesive part of who I became. I look at Child Jess through my adult eyes and judge her unfairly for being, well, an outcast. A pariah. The weird autistic little girl who stims by spinning around in the back of the classroom and making bird sounds. I get mad at my younger self for having the nerve to not fit in and be popular. And as my wife said, that little girl is a part of me still, and every time I resent my childhood eccentricities, I bully her the same way I was bullied by other people.

PROTECT THIS CHILD.

Then I think of College Jess. The me who was skinny and outgoing and optimistic and popular and excelled at school despite barely trying. Although she’s a part of me as well, I resent her for being all the things I wish I was now. I’m jealous of a past version of me! It makes no sense when I really think about it — at that time, my mental illnesses were worse than they’d ever been before, and I’d sooner saw off my own pinky toe with a nail file before I’d willingly deal with my OCD at its worst again. But I only see this rose-tinted version of the past, with this girl who is infuriatingly everything I want to be. Everything I was.

Yes, I was that bitch.

The thing is, these aren’t two different people. They’re all me, and they’ve taken me to where I am now. And honestly, where I am now isn’t that bad. I have a wife and a girlfriend I love dearly (that poly life, I’m tellin’ ya). I’m back in school for music therapy, and I’m closer than ever to getting this degree. I even won a scholarship for it! I’m about to be debt-free, and I’m working on getting back in shape. And despite my depression being ever-present, my mental health has never been better. Everything is falling into place for once, and I owe it all to my past selves for bringing me to this place. I started thinking of these past selves as an Inside Out-type of inner council that influences my day to day decisions and emotions.

It’s going to be a process, but I’ve started making peace with my past. I want to continue to honor and integrate these past versions of Jess into myself as a whole. Writing this out was my first step in healing these broken pieces of me. If your brain works at all like mine, I hope this little blog post helps you, too.

How Sad, How Lovely (Or, The Tragic Tale of Connie Converse)

It’s not uncommon for me to feel a kinship to a person I’ve never met — and never will meet. From Freddie Mercury to Zelda Fitzgerald to a number of murder victims from the scores of true crime podcasts I binge, I have a tendency to see myself in various figures. I think everyone does this to an extent. Whether it’s a fictional character or a real human who walked this earth, we all want to find someone to relate to in the things we consume.

I was listening to a podcast on unsolved mysteries when I learned her name. Elizabeth “Connie” Converse, a fledgling but pioneering singer-songwriter who gave up and ran away to places unknown, never to be heard from again.

The listening experience was eerie as hell, as the narrators rattled off various facts about her life. She worked as a writer and editor. She was also into visual art in addition to music and writing. She lived in Ann Arbor and likely walked the same streets I do today. And like me, she was plagued with depression, or as she worded it, a “blue funk.”

Connie, born in 1924, would throw herself into the local music scene in the 1950s, playing living room shows and doing home recordings with artist and animator Gene Deitch of Tom & Jerry fame. Her songs are often described as ahead of their time — think a proto-Joni Mitchell. She wrote about subversive themes for the time, things like sexuality and racism. In fact, many consider her the earliest example of the singer-songwriter genre in the US. So why has no one heard of her? Simply put, she never managed to make an impact on wider audiences. Disheartened, she gave up on music and eventually would pack her bags and disappear forever, not even telling her own family her whereabouts. Her fate remains unknown.

But her music survived. In an interview, Gene Deitch shared some of the music he’d recorded in his younger days, including Connie’s music. This sparked a renewed interest in the forgotten artist, and in 2009, an album of her music was released to the public. She finally gained the recognition she’d always wanted. And yet, no one knows if she was even alive to see her half-century-old project see the attention it deserved.

Considering she’d be closing in on 100 years old now, the chances she’s still alive somewhere is incredibly slim. But I wish she was. I wish I could meet with her in some quiet cafe and just talk about music, art, life, anything. I know we’d be kindred spirits. I’d tell her my own frustrations about trying to make it in music, about my struggles with mental illness, how I’ve fantasized about simply disappearing sometimes.

But I can’t have those conversations, so I’ll settle for continuing her legacy. I’ll take her life and learn from it, glean inspiration from it. I’ll be the best songwriter I can be. I’ll be the best writer I can be. I’ll live a life that would make her proud and kick depression’s ass.

Do it for Connie.

Like life, like a smile
Like the fall of a leaf
How sad, how lovely
How brief