Confessions of the Family Dud

I have a cute little decorative plaque hanging above my household altar to Christ/Hildegard von Bingen/Freddie Mercury. It was a Christmas gift from my brother, and it reads “Family is your anchor.” Which is correct — I’ve always been very close to my family, and they are the anchor that keeps my feet on the ground when I’m feeling too big for my britches, or whatever the saying is. We’re a blue-collar working class family of hillbillies, after all, and I’ve learned from them to never forget where I came from.

Strong work ethic runs in my family, going back to the farmers and miners who left Appalachia to find a better life working in Michigan’s many factories. That same blood runs through my father’s veins, having retired after many years as a union steelworker, and continues through my generation. In fact, both of my siblings managed to break out of our income bracket and probably make enough to be considered upper middle class at this point. My sister is a successful businesswoman, while my brother does…powerwashing I think? All I know is he makes beaucoup cash from it. The point is, they’re the American dream, a couple of the rare folks who actually did manage to pull themselves up by their bootstraps. Which probably explains why they’re Republican while the rest of my family are staunch Democrats, but this isn’t a political post.

Nope, it’s about me, the family dud.

I’ll be honest — sometimes I look at my brother and sister and wonder how I’ll ever stack up to them. My brother has the perfect white picket fence life with a wife, four kids, and a dog. My sister doesn’t have any children, but she gets to jetset around the world at the drop of a hat and mingle with powerful people. And then there’s the baby of the family, me, the artsy weirdo with a cat.

I had a lot of hopes placed on me as a kid. When my brother was a teenager, he was a bit of a troublemaker, and my sister didn’t have much of a direction throughout her younger years. But I was a responsible kid who finished at the top of her class and never got in trouble and had a ton of talent in a variety of fields. I was on track to become a doctor, in fact! And on top of that, I was conventionally attractive — the skinny doe-eyed blonde with big boobs. I was basically Barbie.

I know I compare myself to my brother and sister a lot, but the problem is me. I’m the former gifted kid burnout everyone talks about. In these cases, I think it’s important to remember that we’re in different stages of life. There’s a sixteen year age gap between me and my siblings, after all. They didn’t have it all together yet when they were my age. You’re not supposed to compare the beginning of your story to the middle of someone else’s, and I haven’t even been an adult for the majority of my life.

Maybe if I’m in the same place as I am right now in another ten years, I’ll have reason to worry, but I honestly shouldn’t be. All things considered, my trajectory is pretty great. I’m an internship and a certification exam away from finishing my degree, and after that, we’re planning on kids and a masters degree. Maybe I won’t have the financial success of my siblings — or maybe I will. Maybe my band will take off. But I’m not going to stress about it.

Something funny happened when I told my sister about my insecurities. She said she was jealous of me. She’d tried to take up guitar as a teenager and wimped out because her fingers hurt too much. She wished she was creative and musically talented as much as I wished I was business savvy and smart like her. She thought I was silly for comparing myself to her! My brother-in-law, the like, regional director of freakin’ Quicken Loans, said something similar when my artist wife mentioned feeling like her family’s dud. He wished he could create art like she could!

We think of creatives as duds, but in reality, so many wildly successful people wish they were creative. Maybe instead of wallowing in the fact that we’re not successful by the world’s standards, we just keep creating and doing what gives us life. We’re just wired differently, and that’s okay. You wouldn’t judge an eagle for its ability to run, nor would you judge a cheetah for its ability to fly.

I’d like to think I’m carving out my own niche in my family, using that same work ethic that got the farmers and steelworkers and powerwashers and businesswomen who came before me through life. I’d like to think I’m making them proud in my own way, even if it’s just writing and playing music. The world needs that sometimes.

“Your Biggest Fan, This is Stan” (A Humble Critique of Obsessive Fandom)

It’s fitting that I write this as one of Taylor Swift’s songs plays on the radio at work. Not like I write this stuff on the clock or anything.

You see, Tay’s the catalyst for the events of this story. Or rather, her loyal army of stans.

My band had a show on Friday, hilariously enough competing with Taylor Swift’s show in Detroit. So I made this infographic as a joke to convince people to see us, a dinky ass local band, instead of her.

I know in humor you’re supposed to punch up, but in this case the punch was more of a playful nose-flick. Everyone in the band is a Swiftie, after all — we just thought it would be a funny way to drum up attention for the band and our show.

At first, we got a pretty hearty positive response, people saying we “won them over” and wishing us a good time at the show.

Then the stans came.

Suddenly, we were inundated with accusations of misogyny (hilarious in hindsight because we’re mostly women), homophobic (also hilarious because we’re mostly queer), and even mocking her mom’s cancer (I sure hope that stan warmed up before making that stretch). One of the “nicer” commenters asserted she’d seen her “three times on this tour” for less than her paycheck and has met her many times. The ones that hurt the most were accusations of us belittling a fellow artist — we would never attack another creator maliciously. Like, we made it clear in the caption that we were actually huge fans and meant no harm to Taylor.

But when you’re a stan, there’s no gray area. Make one perceived slight against their object of adoration, and you become public enemy number one.

Why do people do this?

I think it all comes back to the parasocial relationship people have with musicians. The beauty of music is that it’s a deeply personal medium that brings people together. That’s what drew me to music as a little autistic kid who had trouble socially. Music — and the people behind it — felt like friends to me. There’s a reason I’d make believe I was Bon Jovi and methodically watch anything related to them. In the end, music is what helped me connect to other people and build relationships that have lasted years.

But like nearly everything, there’s a flip side to that phenomenon. Take, for example, the song that gave stans their name — “Stan” by Eminem.

In my personal opinion, “Stan” is easily one of the most unnerving songs ever written. In it, a man describes his obsession with Eminem through a series of letters, culminating in him committing a murder-suicide after being let down by his idol. It’s absolutely chilling and worth listening to. In fact, I’ll link it here:

Another musical episode!

It’s almost funny how watered down the term “stan” has become — or has it? If it came down to it, would Swifties die for their queen? Would the BTS army kill for a bunch of cute guys from the other side of the world?

I’m almost afraid they would, and that’s because it’s happened before.

If you look at my YouTube subscriptions, you’ll find my two biggest interests to be music and true crime. Don’t worry — I’m not one of those weird Jeffrey Dahmer lovers or hybristophiliacs. I like the thrill of being scared, but fictional monsters don’t do it for me because my brain doesn’t register them as a threat. What does scare me is the fact that real life monsters exist, and are absolutely a threat. And every now and then, the stars align and I find something to watch that’s both music and true crime related.

Ever hear of the Bjork stalker? No?

Ricardo López was your average incel before the term even existed. He was a social recluse who retreated into the world of celebrities to dull the pain of not having many friends, let alone a girlfriend. His main fixation was the Icelandic singer Bjork, to whom he wrote many fan letters and considered her his muse. The obsession wasn’t sexual — he couldn’t envision her as anything but this pure, innocent figure.

So when she finally did get a boyfriend, and a black boyfriend at that (yup, he was kind of a racist too), Ricardo was furious. He wanted to send her straight to hell for her perceived slight against him. So, viewing the process as a sort of sick art project, he began filming a series of video diaries chronicling his plan to kill Bjork with bomb hidden within a book. Ultimately, he’d kill himself too, and he and his love interest/victim would be united in the afterlife.

In the conclusion of his series of “art films,” Ricardo shaves his head and paints his face green and red before shooting himself in the face, dedicating his suicide to Bjork as one of her songs drones on in the background. His bloated corpse and the video tapes would later be found by police, who immediately recognized what was happening to be a threat. They managed to intervene just before the package reached Bjork, narrowly sparing her life.

This is what fandom looks like at its worst, and it still happens. Even our girl Taylor has had to deal with it. And this is why I’m scared to death of becoming anything more than a local act, even though my band is slowly making its way toward greater things. Because with more attention comes more obsession, and people are fucking crazy. Maybe Taylor’s stans will come for me, or I’ll say something to piss off the BTS Army. Or worse, Wake Up Jamie will accumulate its own obsessive fans, and there will be that one bad apple who decides to Selena me.

People need to realize musicians and other performers are literally just people. We make art, we make mistakes, and we have dreams and fears like everyone else. Standom tends to raise people to a godlike level, but at the end of the day, we’re all a bunch of stinky, pulsating meat living on a giant rock. Even Taylor.

Dear Cadence, Part Two: The Furnace Man Can’t Hurt You

I promise this will make sense. But first, we need some exposition.

I was born in the middle of a snowstorm on March 5th, 1993. Two other very important people were born on March 5th as well — John Frusciante, the greatest guitarist ever, and your grandmother, my mom. I was indeed a birthday present. In the immortal words of Kanye West, who may or may not still be a Nazi sympathizer by the time you read this (hopefully not), my presence is a present, kiss my ass.

This was planned, kind of. You see, I had the cord wrapped around my neck in utero. I was a suicidal fetus. Instead of letting me abort myself, the doctors decided to cut me out. My mom planned the surgery for her birthday, since my original due date was about a week afterwards anyways. There are a lot of other unusual circumstances behind my birth and how exactly I came to exist, which I will get into later on. (Don’t worry, I’m not gonna explain the birds and the bees in the context of your grandmother, uh… making me.)

Our family moved frequently when I was very young, or as your grandmother would say, we were a bunch of gypsies, which is a word that American baby boomers could get away with saying but is actually pretty offensive to actual Romani people. To be clear, we are not actually Romani, or anything exciting for that matter. I’m literally 95 percent British, which means you are approximately half-British. But most of our immediate ancestors came from Kentucky.

Your great-grandparents all moved up to Michigan to take part in the industrial boom that was happening in the 1950s, as did many other Kentuckians, settling in the working class southern suburbs of Detroit. This region, called the Downriver area, is not to be confused with the affluent WASP-y northern suburbs where your other mom came from. No, Downriver was hillbilly heaven. Trailer parks as far as the eye can see, confederate flags, NASCAR merch, the works. And our family, we settled as far into the country as you could get and still be considered a suburb of Detroit.

Your grandfather was a steelworker, and your grandmother was a homemaker, much like her mother before her, and her mother before that. The women in our family traditionally had very little contact with the outside world. This was less because of the misogynistic worldview that was prevalent in their formative years and more because of their crippling anxiety. As in, your grandmother was too scared to drive most of the time, and your great-grandmother didn’t drive at all after crashing her car into a bank or something during her first attempt behind the wheel.

Me, I was fearless. Or so I liked to think.

The reality was I was scared of absolutely everything. One of my earliest memories was at my grandma’s house for Christmas Eve, a tradition that persisted until her death. I still remember my brother and cousin pulling all kinds of shenanigans, like hiding jewelry inside a box inside a bigger box inside an even bigger box (and so on), then giving it to my grandma as a good-natured prank. I remember my uncle Arnie bringing weird smelly cheese and shrimp cocktails every year. The men in my family would have a few beers and play poker — that was the only time my dad ever drank around me, in fact. And then there was Furnace Man.

Furnace Man lived in my grandma’s furnace. He wore a plaid shirt and had no head, and every time the furnace made a sound, I imagined him kicking around in there, lying in wait, ready to like, eat me or something. Sometimes I would get close to the furnace, as if to test my theory that he was lurking, then got scared and ran away, terrified.

Obviously, Furnace Man was not real. In fact, my “vision” of him came from my dad going into the utility room to try on a flannel he received one Christmas Eve and getting his head stuck in the head-hole. I was too little to know what was going on, so my brain pieced together “headless man from the utility room,” and decided he came from the creepy blue-gray furnace that always creaked and croaked menacingly when I walked past it.

Looking back, this was when my OCD first manifested, and it took on a lot of forms throughout my life. As I got a little older, I was scared of my precious irreplaceable adult teeth falling out, so I’d wiggle them a little every day to make sure they weren’t loose. In kindergarten, we had a fire drill, and that sparked a fear that our house would catch on fire and I’d lose all of my stuff. A watched pot doesn’t boil, or something like that, so I thought if I never left the house, nothing would catch on fire.

Keep in mind this was how my brain worked in kindergarten.

It evolved into even scarier things as I got into my teenage years, like a fear of death or of hurting people I love. I was even afraid to have you for years because I was scared I’d lose my sanity somehow and hurt you. I wish I could say some inspirational “oh, I just prayed and God miraculously cured me” spiel, but the truth is, my saving grace was getting the help I needed from psychiatrists and therapists. Although, to give credit where credit is due, perhaps God put those people in my life to save me from myself and my crippling anxiety. There’s a lot of things I don’t know about this universe and how it works, and while that’s another source of anxiety for me at times, in a way, it’s almost reassuring that I’ll never have all the answers.

I don’t know why He chose to pass along the generational curse of anxiety and mental illness to me, but I’d like to think it was to better prepare me for taking care of whatever mental health needs arise for you. I pray you never have to deal with the severe mental health issues that have plagued our family for so many years, but if you do, just know that I’m on your side. I’ve been to hell and back again — I could get there with my eyes closed. But now I know the way back home, and if I ever find you there, I’m ready to fight alongside you.

No matter how real he seems, the Furnace Man can’t hurt you.

Dear Cadence, Part One

This is the first in a series of posts I’ll hopefully turn into a book someday. It’s a story that’s particularly close to my heart, because it’s my story. I wanted to write down all my experiences and advice for my theoretical future daughter, so that she can read it someday when she’s not theoretical. I don’t know how regularly I’ll post from this series, mostly because I want to put my heart and soul into it to make sure it’s JUST RIGHT, but I wanted to share my progress on this project for you all to read and enjoy as well. If any part of my story resonates with you, feel free to leave a comment. I hope you love this project as much as I do.

Dear Cadence,

If you’re reading this, I’m dead.

Kidding! Well, maybe not. It depends on if I die before you get this little book of wisdom. When will I give it to you? Who knows! Maybe when you go to college. Maybe when the red peony blooms, if you know what I mean. Maybe I’ll read it to you on my deathbed. Maybe I’ll even publish it as a memoir-type thing, and we’ll both be famous someday, me as an author, and you as the recipient of my 30-ish years of knowledge.

As of writing this, you are not alive yet. You’re just a lil egg floating around in my ovary, probably. That, or you’re adopted. I’ll probably break that news to you before I give you this book, though. Or—more disappointingly, I die before I can birth/adopt you, in which case, I give full permission to my surviving family to publish whatever is written here. Seriously, it’s okay! The saddest stories are the ones that get irretrievably forgotten, and the least I can do is immortalize my crazy life in writing.

I’m not a celebrity or anyone of note, at least not yet. By the time you read this, I could be the frontwoman of a celebrated, beloved rock band, or an esteemed professor of music therapy, or a Folgers jar of ashes on your mantle (and I swear to God you better put me in a more respectable urn than that or I will haunt you). But I’m your mom (or maybe dad—your other mom and I didn’t want you to get us confused). I don’t even know you yet, but as my firstborn/possibly only daughter, you mean the absolute world to me. This little collection of anecdotes is more than just a bunch of autobiographical stories I want to preserve and share with you and the generations to come. It’s a book of hard-earned advice I’ve gained from three decades on this giant rock we call home.

So, with that in mind, here’s the life story of yours truly, the greatest woman to ever walk this planet (well, at least until you arrive!).

Here’s to the Future

I’m usually good at coming up with things to write about myself, but every now and then, I like answering the little prompts on here. Just for funsies, ya know? And this one felt fitting, considering the fact that at the time of writing, I recently turned 30 and have literally just finished coursework for my music therapy degree that took more than a decade to complete.

Where do you see yourself in 10 years?

I want to start this off with a song — “I Want It All” by one of my all-time favorite bands, Queen.

This song has been my mantra throughout the past few years, ever since I decided I was done sucking at life. Like, I was stuck in a marriage I rushed into for the wrong reasons, I had a burgeoning drinking problem, my mental health was in the toilet (as if it had ever been anywhere else), my music career was DOA, and I couldn’t even finish my damn degree, having dropped out of the program twice. I thank God for my brother. As complicated as our relationship is at times (for reasons that would take a whole other blog post), he’s the one who intervened when I was thisclose to driving my car into the fucking river.

I have a band that I really should talk about more on here called Wake Up Jamie, and one of our songs is called “I Hate My 20s.” It’s exactly what it says on the tin — a song about how much it sucks to be in your twenties. I didn’t write it, and I don’t sing it (my bandmate Hailey does), but I relate to as if I wrote it myself. Sometimes I feel like I wasted my youth being a crap sack of a person, but I think everyone feels that way to an extent. As much as we idolize being young, it’s kind of a struggle to figure things out, and most people take a minute to get it together.

That being said, I’m excited for these next ten years. I feel like I’m finally confident in who I am as a person and have some sort of direction in life. I don’t have it all figured out yet, but I’m a hell of a lot closer than I was ten years ago, when I was still wide-eyed and optimistic about everything. I’m still optimistic, just in a different way. I’ve seen how low life can get, and yet there’s always been a way out of it. There will always been rain, but it doesn’t last. The sun will rise in the morning.

I realize I still haven’t answered the actual question, but in ten years, I imagine myself finally living the dreams of my youth, with a life full of love and music. I want to have a family of sorts, with children of my own. I can already imagine a little curly-haired Cadence Amirah singing along to the songs written by me and my friends, her own mixtape of music from people who love her. My wife will stay home with the kids while I go to work at some prestigious university, performing research that shapes the world of music therapy. In addition, I’d like to have a private practice and recording studio where clients can work through their struggles while recording an album. I want to work with clients of all diagnoses and walks of life, but of course, there’s a special place in my heart for neurodivergent folks like myself. Maybe I’ll have an autistic client who gets to write music about his special interest in a world that wants him to shut up about it. Or maybe I’ll have an ADHD client who can revel in producing a song, the first thing she’s ever accomplished on her own after a lifetime of hopping from project to project without finishing anything. It will be rigorous work, but so rewarding. Aside from music therapy, I want to write songs and either perform them myself or send them off to Nashville or LA to be recorded by people more famous than me. I want to pen that one hit song that secures my legacy as a songwriter and a livelihood for my family.

I don’t know where I’ll live. I’d like to stay in the Midwest so I can remain close to my girlfriend, who I have every intention of building a life with as well, but the details are up in the air. Saugatuck is the goal, as a gay little vacation town in western Michigan, where we can have our idealistic lake house filled to the brim with oddities of every sort, from vintage Pokémon merchandise to colorful crystals of every size to a dinosaur skeleton. I’d commute to Western Michigan University every other day or so in order to teach or perform research, and have a humble studio in Saugatuck where I’ll spend most of my days. At night, I’ll go home and watch the moon on the water from my back porch and enjoy the life I’ve built for myself, sipping some Red Bull margaritas or nonalcoholic wine and playing guitar for my wife and kids.

I’m getting goosebumps writing this all out, and the crazy thing is, this can actually happen. I think back to when I just turned 20, how different my life looked from now. I imagined a day when I’d have my own little apartment and a significant other and a cat to share it with. I dreamed of having a band I considered family, just like the ones I saw on Behind the Music as a kid. I remember when I’d never set foot on a stage bigger than the corner of a coffeeshop, and we just played Arts Beats and Eats last summer! I’m exactly where I hoped I’d be ten years ago, and while not everything is perfect, I’m content with the way things are going. I think 20-year-old me would be pleased.

And ten years from now, I hope I feel the exact same way.

Let’s connect! Follow me @TheJessaJoyce on Instagram and don’t be a stranger! If you want to support the blog, feel free to donate whatever you can via CashApp (@TheJessaJoyce) or just share my content if it speaks to you. I appreciate it a lot!

Grace Culture: Why Cancel Culture Needs to Go

Everyone sucks. It’s a pretty well-established fact of life. I suck. You suck. Your mom sucks. Hilary Clinton sucks. Donald Trump sucks. The Queen of England sucked. Name your favourite or least favourite person alive, and I can tell you with absolute certainty that they definitely suck. The very first thing we learn to do upon exiting the womb is suck (in a literal sense, but also in a figurative sense). It’s in our human nature.

There’s an entire tirade in the Bible about this, actually. It’s particularly referring to the Jewish and Greek folks who would have engaged with this writing at the time, but you could swap in any ol’ demographic and get the same idea. Black or white, cis or trans, Christian or atheist, and anyone and everyone else. We. All. Suck.

“None is righteous, no, not one;
no one understands;
no one seeks for God.

All have turned aside; together they have become worthless;
no one does good,
not even one.”
Romans 3:11-12

Recently, I’ve learned a lot of my favourite creators suck, too. And I’m not talking incredibly famous people, but people who are just like me, people who create and share things. These people are musicians and bloggers and writers who just so happened to reach the right amount of people to “make it,” whatever that even looks like. But the point is, I could be any one of them.

It’s exciting. It’s humbling. It’s scary.

One of my favourite YouTubers is apparently a nightmare to work with. Another took a picture with all her friends — who just so happened to be skinny, white-passing, and attractive by our narrow Euro-centric beauty conventions — and spun the post as body positivity. One of my favourite podcasts of all time got derailed because…I’m still not entirely sure. Stevie Nicks’ landmark song has a title that’s quite literally a racial slur. And I could list every infraction ever committed by my favourite guitarists, from John Mayer’s general fuckery to how Richie Sambora drove drunk with his daughter in the car. Even my beloved Chili Peppers aren’t innocent, sexually assaulting a fan in the early 90s and citing a porn star who was literally underage at the time she was active in the industry as a muse.

I’ve always wanted to be famous, ever since I was little and ran onstage at some show because I was mad the actresses were getting attention instead of me. I used to daydream at great length about becoming a rock star, crafting entire scenarios in my head about what my life and career would be like. I imagined the inevitable biopic that would be made about me, my internal dialogue becoming a narration of the story of my life from the perspective of someone who thought I was cool enough to make a movie about.

But at the same time, I don’t know if I can handle being famous. And that’s simply because I suck. Certainly not as much as some of the creators I mentioned above, but I still suck. I’ve said and done things I regret a lot, and I’m just lucky that I wasn’t in the spotlight at the time. Because I honestly don’t know if I could handle the criticism, even if it was justified. Especially if it was justified. I hate the feeling of being wrong, almost as much as I hate the idea of ever hurting anyone.

As a creator of any type, there’s so much pressure to be perfect, not just looks-wise but as a person as well. We need to be a role model. I don’t think that’s a bad thing. I think creators should strive to be positive influences for their fans, and I think creators should be held accountable when they inevitably fuck up. Some of those things might be unforgivable. Should the allegations against Michael Jackson be true, for example, we definitely need to stop holding him up as an idol. Should we stop listening to his music? I think that’s an even more complicated issue that I’ll probably address in a future post. But for relatively benign “maybe I didn’t realise this was racist at the time but now I know better” kinds of problematic behaviour, I think we need more space for grace. Because God knows I’ll need it.

I want so badly to make waves as a musician or writer, but sometimes I find myself paralysed by the pressure to be above reproach in all things. What if something I posted ten years ago on Facebook resurfaces and shows me as a total asshole now? You have to put yourself out there to get any ounce of fame, but in the process, you open yourself up to so much scrutiny. And sometimes I wonder if I could handle that. I cry if someone looks at me funny (I describe myself as “the stereotypical Pisces” for good reason). I think I could handle the press or some anonymous Twitter denizen calling me ugly or untalented. But if someone attacked my character, something I take more seriously than my looks or even my art, I’d probably lose it.

I hate the term “cancel culture” because of its association with the anti-“woke” (read: anti-any media that’s not cishet white male) rhetoric, but I think it’s time we cancel cancel culture to an extent. Rather, we need a grace culture, one where people are free to fuck up and be able to redeem themselves. We need to have open conversations with each other about why we suck and how we can suck less in a way that’s not defensive or vilifying. We need to be open to learning from one another.

Think of the Children! (An Easter Manifesto)

I originally posted this on my Facebook and Instagram pages (@thejessajoyce, if you’re curious), but I wanted to share this brief little write-up here as well. It’s so important to get this message out there since more often than not, the theoretical future of society and the fight to better it is co-opted by straight, cis, white, non-disabled people in an effort to tear down people who are not like them. I want to present a counter-argument. If all lives truly matter, as many on the political right say, and we must “think of the children,” my future children should be considered as well. There is room for everyone at the table of life, and we need to remember that this Easter.

Reading this book (Feminist Queer Crip by Alison Kafer) at the suggestion of one of my favorite professors for my capstone project on autism, and it feels especially poignant in the days of #blacklivesmatter and #SaveTheChildren and #autismawarenessmonth and the recent fight against drag and transgender rights. The first chapter talks a lot about the Child — the personification of the future of society — who is often politicized and weaponized. Think of the children, people say. The image of the Child is more often than not a white cishet non-disabled child born to white cishet non-disabled parents. This Child absolutely matters. But I’m not interested in fighting for him, not because I don’t care about him, but because he already has enough people fighting for his right to exist in peace. Instead, I want to fight for my children.

In a few short years, I’ll likely have a child of my own. That child will likely have a disability of some sort, or rather, a difference that makes it harder to exist in a world that isn’t built for her. Considering my family history, she’ll likely be autistic or ADHD. Depending on our donor, she will likely be at least part black, and she’ll have queer parents who will support her should she eventually come to terms with her own queerness. And guess what? Her life will matter too. She should have a right to exist in peace alongside the theoretical Child described above. I want her to have a future too.

That’s why it’s so important to keep fighting for equality. I feel like it’s important to note that it’s Easter Sunday as I post this. I am a Christian through and through, despite the fact that I don’t “fit” the American Evangelical mold, and I firmly believe that Christ died for EVERYONE. Not just white Americans or straight people or cisgender people or able-bodied and able-minded people. We are all wonderfully made and we all should have a right to inhabit this beautiful planet. This post is a call to prayer and more importantly, a call to action. We need to be a light to this sometimes dark and scary world. We need to keep fighting the good fight.

To a Much Older Me

Write a letter to your 100-year-old self.

Dear Jess,

You’re 100. At least, hopefully you live that long. Or rather, we live that long. I’m you, only 30! Remember those days? When we were living in Clawson with Krubby, who is now probably a faded tattoo on your saggy thigh skin. When our parents were alive and you had Crass and Livvy and so many friends who are probably all gone now. God, I’m making myself cry just writing this. But I’m slowly learning that nothing lasts forever except love, and it’s better to have loved someone and lost them than to have never loved at all. It’s a hard truth to swallow, but I’m coming to terms with it.

I don’t know exactly what to say to a 100-year-old me, except that I hope we accomplished everything we set out to do. I hope we got to start that family and get those degrees and write the songs that changed the world. I hope when we’re gone, our legacy lingers long afterward. I hope you never lost your childlike wonder and big dreams, even after shouldering the weight of a century of life. I hope you still have imaginary friends who live in the universes you created in your head. I hope you finally got that “Dr.” in front of your name, which is definitely still Salisbury (we’re not making that mistake again). I hope you dyed your white hair pink and wear all the tattoos of memories we made with pride.

I hope you can look back and be proud of me.

It hasn’t been an easy journey, making it to 30 years, and I’m sure it hasn’t been easy making it to 100. I know so much has changed — change is the only certainty in life. But we’re strong enough and brave enough to weather whatever storm we may face. We made it through mental illness, betrayal, loss, regret, and more hurt than one should have to bear, and yet, we’re still here. We made it. Hell, at the time of writing this, I’m staring down the music therapy degree we’ve been working toward for twelve years. I did that. You did that. And who knows what else you’ve accomplished in the time since I wrote this little post!

Maybe you’re reading this from a nursing home, where you’re definitely the little old lady everyone wants to befriend. Or maybe you have that lake house you’ve always wished for, and you spend long evenings looking out on the water reminiscing with Cadence about all our adventures when she was little. Maybe global warming made the planet uninhabitable and we’re like, on the moon or dead or something. There’s no way to know for sure, and that’s both the scary and exciting part. I don’t know how the story ends, but as long as you lived your life to the fullest, I know it will be a happy ending.

There will only ever be one Jessica Joyce Salisbury, and as her story comes to an end, rest easy knowing that she’s content with the way it was written. Relish that feeling of completion.

May the rest of your days be filled with joy and happiness.

Love always,

Jess

Even If It Kills Me

TW: sexual assault

I write this from my hotel room at GLR, the annual music therapy conference for the Midwest-based students, practitioners, and academics. It’s hard to believe the last time I was at GLR, I was still legally married to my ex and COVID hadn’t yet happened.

So much has changed.

The last GLR I attended was in Cincinnati. I remember all too well. You might remember too, if you remember this post (HUGE FUCKING TRIGGER WARNING ON THAT ONE). That was the year my dream of becoming a music therapist was stolen from me, when the aftermath of the rape I experienced on that trip tainted the very field I longed to be part of. Suddenly, everything related to music therapy reminded me of the person who violated me. My mental health got worse. I started drinking heavily. Soon, I wasn’t able to keep up with the coursework, and I dropped all my classes.

I’d already left the music therapy program once, due to my mental health, but this seemed insurmountable. And reentering the program after that felt like pushing a boulder up a mountain with a toothpick. I’d already given up twice. Surely I was too damaged to ever be a real music therapist.

But I’m here. I’m still here.

As of writing this, I’m not only at the conference, but I’m gearing up for the prestigious Undergraduate Symposium, where I’ll be giving a presentation on music therapy and autism. All of my current grades are, by some miracle of God, in the A range. I’m meeting with my professor to discuss internships in a week, and I won a research fellowship that paid for my entire senior year, and then some.

It doesn’t seem real. I shouldn’t be here, but I am. And I owe it all to the people who have helped me through recovery — my wife, my family, my professors. And to myself. I fought like hell to get to a place where I’m staring down graduation at last, where I’m finally on the cusp of claiming the title of MT-BC for myself.

This GLR feels almost poetic. I’m back at a hotel not unlike the one I was assaulted at, but I feel safe. I feel whole. Everything has come full circle, and my dream of becoming a music therapist feels not only within reach, but no longer tainted by the hands that hurt me. I’m not going to let trauma steal the very reason I was put on this planet — to heal through music. I am not too damaged.

On my 30th birthday a few weeks back, dad said something that made me tear up a little. When he briefly died on the operating table after a massive heart attack, he said my then-very-young niece appeared to him and said he couldn’t die yet. But he finally told me the rest of the story.

She said he couldn’t die because he had to see me graduate.

I’m not turning back because this time, it’s personal. I love my dad — and myself — more than I hate my rapist. I’m going to get this degree and this certification in spite of everything. In the words of Motion City Soundtrack, I so wanna get back on track. I’ll do whatever it takes.

Even if it kills me.

This Shit is Not Okay

I don’t even have a witty title for this. I’m so fucking beyond done with the alt-right, conservative Christendom, and their stranglehold on American politics. I don’t like getting political on here — I’d rather write about music and life hacks and inspiring things — but I can’t be silent about this shit.

There are calls to eradicate trans people. I wish I was exaggerating, but let’s hear the actual words of Michael Knowles, who spoke at the Conservative Political Action Conference on Saturday.

“For the good of society … transgenderism must be eradicated from public life entirely — the whole preposterous ideology, at every level.”

Oh, he can’t literally mean that, right? He just wants to ban drag shows. Never mind that the child beauty pageant world is a helluva lot more exploitative (and full of…dare I say…groomers). Or that more priests have molested children than drag queens. Masculine bodies in dresses are so scary, though.

That’s not what this fuckwad is talking about, though. Let him clarify.

“I called to ban transgenderism entirely … They said that I was calling for the extermination of transgender people. They said I was calling for a genocide … One, I don’t know how you could have a genocide of transgender people because genocide refers to genes, it refers to genetics, it refers to biology.”

So it’s not a genocide…because you’re not trying to eliminate a particular gene? But you’re cool with literally erasing an entire group of people? That’s not the part you want to backtrack on? Let’s hear more from this wadded up Subway napkin of a human being.

“Nobody is calling to exterminate anybody, because the other problem with that statement is that transgender people is not a real ontological category — it’s not a legitimate category of being. There are people who think that they are the wrong sex, but they are mistaken. They’re laboring under a delusion. And so we need to correct that delusion.”

And so we need to correct that delusion. Do tell, how do you plan on correcting that delusion? Surely it’s not through conversion therapy, which is proven to be ineffective and harmful. What’s the other option, die? Because it’s starting to seem like that’s what you want. I’m not even going to link to the nasty transphobic shit I’ve seen on the internet. I’d rather not dignify the shitstains who comment “41 percent” on pictures of trans folks just living their lives. But it’s obvious. If they can’t shut the fuck up and live their lives as their assigned gender, you want them dead.

You might say I don’t have a horse in this race. I’m not trans. I’m a cisgender woman. And yet somehow, the majority of the people I associate with are trans. My girlfriend is a trans woman. My three closest friends are trans women. My spiritual mentor is a trans woman. And when you talk shit about hurting them, you hurt me. Maybe that doesn’t matter to you. I’m just some chick with a blog, whatever. But you don’t know which of your loved ones could still be in the closet. You don’t know if your kid or parent or sibling or best friend has been struggling with their gender identity, and why would they let you in on that information if they were? You’re an asshole.

I wish I could humanize trans people in a way that would make their lives matter to you. I wish you could hear Tegan’s obnoxious laugh, or experience Pippa’s warm hugs. I wish you could feel the way Livvy makes me feel when her hand is in mine. I wish you would realize that these people are just like you. They have dreams and unique talents and personalities. They’re not some boogeyman trying to sneak into your daughter’s locker room or beat her swimming record. (And God knows no one would intentionally be in women’s sports, which are notoriously underpublicized and underfunded.)

I don’t even know how to end this. I’m just tired. I’m tired of folks not caring that literal genocidal rhetoric is being spewed by the people in power. I’m tired of worrying about my loved ones becoming victims of hate crimes. I’m tired of this shit being normalized. I’m so, so fucking tired.