3 Going On 30: The Loss of Childhood in the Media

I got into a fight with a guy on social media this morning.

Well, it was more “me picking on a prude on a Sabrina Carpenter post.” They make it very easy to do on Sabrina Carpenter posts because whenever there’s a post about Sabrina Carpenter, the prudes love to get on their high horses about how they would never stoop to taking off their pants to sell records.

As if anyone would pay to see *your* hairy gams, *Greg.*

Of course, I said something inane about pants being a crutch anyways and how nobody should wear pants, because I love creating awkward moments for folks who comment slut-shamey things about girls’ bodies. Then, the guy I was talking to said something that I’ve heard many, many times before. The classic line. You know the one.

Think of the children!

As if that’s a valid argument when the artist in question is a few short years from thirty and has no interest in making music for children anymore. God forbid a grown woman make songs about things that interest grown women instead of pandering to the same base she had as a 14-year-old. I’d be losing my shit if I had to essentially stay artistically 14 forever. Maybe, I argued, parents need to be parents and monitor what their kids are listening to.

But, I realized, you can’t just say “Well, put on something else for your kids!” and not have a dang clue what that alternative even is.

All this to say that children’s programming is pretty abysmal as of late. We don’t have “cool” adults like Bill Nye, Steve Irwin, or LeVar Burton teaching our kids basic subjects anymore, save for like, Ms. Rachel maybe. Nobody even knows the main players in children’s entertainment anymore. I make a living as a trivia host and a few nights ago, a question was asked about Cocomelon, one of the top three YouTube channels by subscriber count and the premier platform for videos for kids. Nobody got it right. And by the way, how did Disney’s latest movie do?

I might not be the most qualified person to write this blog post. I’m not a parent, at least not yet. But I plan to start looking into avenues into motherhood in the next few years, and I want my future kids to have entertainment that actually allows them a childhood. I love Sabrina Carpenter, but I’m not letting them listen to her until they’re able to comprehend that “House Tour” (my new favorite song of hers, by the way) is not literally about showing off your new home.

“And I promise none of this is a metaphor.”

They say to be the change you want to see in the world, and I have a feeling that when I do pop out a baby of my own, I’ll likely try my hand at creating children’s music myself. I’ve toyed with the idea already, but I feel out of my element trying to make content for kids when I don’t really have a child of my own yet. Still, I know when Cadence is here, I need to make sure she has music to enjoy without me worrying she’ll pick up impolite language. Because if she’s anything like I was when I was little, that girl is gonna have some echolalia going on.

The world is a fast-moving place and kids are growing up quicker in a lot of ways. We need to make sure the next generation is getting positive messages. It’s not just about keeping kids from seeing or hearing about sex and violence, but also about encouraging the good stuff. That’s why the recent cuts to funding for PBS are so disheartening. I’m cynical enough to believe the shift is deliberate. Kids are more useful to corporate interests when they’re essentially little adults buying products. Look at the trend of literal children buying anti-aging skincare and showing it off on TikTok. You can’t convince me Big Cosmetics isn’t partly to blame. But at the end of the day, everything rests on dear old mom and dad.

Maybe she’s born with it, maybe it’s questionable parenting choices.

It breaks my heart to think that kids these days don’t have the same kind of warm, wholesome childhood I had. We’ve abandoned car rides with Barney cassette tapes for iPads loaded with click bait and rage bait. And that, my friends, is no way to grow up.

The Life of a Showgirl: Why the Arts Matter in a World on Fire

So Taylor Swift announced a new album.

And I am announcing that I am *very gay for this woman.*

The world came to a crashing halt, all because the biggest pop star on the planet teased some new music. Fans, celebrities, corporations, and motherfucking Elmo paid homage to Swift in their own ways. Even one of my personal heroes, Nancy Wilson of Heart, got in on the Tay love, posting this picture with the caption “life of a showgirl.”

To be clear, Nancy is the woman in the mirror, not the tiny adorable pupper.

With the announcement of the new album casting an orange glow over the world, it’s easy to miss the fires that have been raging the entire time. Trump’s Big Bonkers Bill is gutting healthcare for millions of Americans who rely on it. Public radio and television, one of the last bastions of true journalism and free speech, is also being gutted. And you have that quadruple-divorced fucko who swears she knows so much about the “sanctity of marriage” trying to take away my right to have a wife and family, so I mean, it’s fucking personal now. Then you throw on everything happening in Ukraine and Palestine and it’s fucking exhausting. The world’s on fire. Innocent folks are dying, and everyone’s freaking out over a Taylor Swift album?!

But — and hear me out, here — that might not be a bad thing.

I’ve written on this site about the concept of “glimmers,” which are functionally the opposite of triggers. While a trigger is an event that causes you to feel uncomfortable or afraid, a glimmer is an event that brings intense joy. They’re the tiny moments that make life worth living. A lot of glimmers come through art. Think about the last time a song gave you chills or the plot of a film or book moved you. Those are glimmers in action.

It’s easy to write off the creative and performing arts as vapid and unimportant, but art is a rebellion against a world that tries to quash any anti-conformity and critical thinking. Art is an invitation to think deeper — something the oligarchs don’t want us to be doing. Even mainstream art like Taylor’s is punk as hell in times like these, as it unites folks together. Music gives people hope. It inspires. It galvanizes. I think that’s part of why the elites are keen on eliminating things like arts education and pushing AI to make things instead of training up human artists. Art is dangerous. Creativity is dangerous. Hope is dangerous.

I don’t think it’s a coincidence that this image popped up on my feed while I was doing research for this post:

This is a simple but true statement, and I’d apply it to both your own work and other people’s works. If an artist’s music helped you in any capacity to enjoy your time on this planet, if even one song paints the planet just a little brighter for a moment, it served its purpose. And that purpose is to be a sort of analgesic to the pain of everyday life. That’s what I believe Taylor understands so deeply, and that’s what I hope to embody in my own creative endeavors. The life of a showgirl is to serve glimmers and bring hope.

In a world that is intent on snuffing out anything whimsical, beautiful, or different, embrace that spark that makes life worth living.

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AI Killed the Radio Star: How Technology is Crushing the Culture of Music

I wasn’t sure how to answer this prompt—

What bothers you and why?

—until my girlfriend and I had a conversation on AI. Which is not unusual, since she’s a pretty staunch advocate against it. I’m fairly neutral on it, to be fair. I think it opens up lots of exciting possibilities, and it’s a tool like anything else, but at the same time, there are multitudinous problems with it that no one seems to want to address. Hell, I experimented with it against my better judgment and realized it was making my imposter syndrome so much worse. The unfortunate truth is we’re just going to have to learn to adapt to this somehow. There’s no putting this genie back in the bottle.

But it’s disheartening, because the advent of AI might be the final nail in the coffin of the music industry. And that is what has been bothering me lately.

And the sad truth is, the state of music has been in decline since the dawn of the internet. In fact, Suno is just finishing a job started by Napster all those years ago and continued by Spotify to this day.

Back in the 80s, everyone and their mother knew who Michael Jackson was. You only had a handful of radio stations in any given town to listen to, and if you wanted to hear a particular song any time you wanted, you had to go out and buy it. The albums would be prominently on display in your local Kmart. Even grandma was familiar with Bruce Springsteen’s ass.

Television isn’t as much of a special interest to me as music, so I don’t really care as much about its history, but you can see this kind of monoculture in TV throughout the years too. In the beginning, you had ABC, NBC, and CBS (and DuMont, the weird fourth one no one remembers). Everyone in your city was watching The Andy Griffith Show at the same time on the same channel and having this shared experience. Then cable came and divided everyone. If you were into sports, you went to ESPN. If you were into music, you went to MTV. If you’re into watching Amish people do mundane things, you went to TLC. Even the big cable networks splintered eventually — from MTV you get MTV 2, MTV Tres, VH1, VH1 Classic, CMT…

And none of them are playing music at any given moment.

With more technology, you get more options. But I’m starting to wonder if that’s a good thing.

We’re seeing a shift in music especially. We no longer have a monoculture, and I blame this on how easily accessible the entire catalogue of music is nowadays. If you want to listen to nothing but obscure pirate metal for the rest of your life, you don’t have to go on a wild goose chase hunting down every obscure pirate metal album ever made by every band that’s ever done obscure pirate metal. It’s as easy as going to a specialized Spotify playlist. And let’s say you want to listen to nothing but obscure pirate metal about your cat for the rest of your life. With AI, that’s entirely possible.

Why on earth would anyone seek out new music if they can just beep-boop an entire playlist tailored to their specific taste with lyrics reflecting their own life?

I think that’s what bothers me most about the future of music and how it has been intertwining with AI. I’m not scared of it taking my job necessarily, at least not in the traditional sense. I know human-made stuff is still largely superior. I’m really not even so afraid of the environmental stuff, since the planet’s borked anyways (I’m an optimist). It’s the death of culture and interpersonal connection that scares me. A survey said 62 percent of people actually prefer chatbots to humans. There are people straight up dating AI bots. How much more isolated are we going to allow ourselves to get?

My prediction is that eventually, this AI bubble will burst — but not without seeing huge reforms to the music industry. I can’t see the current model lasting much longer. I can see a return to smaller, more intimate shows as people get sick of how overflooded music platforms are with AI slop, low-effort music, and whatever the executives are trying to feed us. At least the true music fans will pivot that way.

Humans have a thirst for something real. It’s why American Idol always pushed artists with sob stories. We love when the art we consume comes with a captivating backstory, and entering a prompt and pushing a button was a cool backstory — the first thousand times it happened. Like, if you told someone in 2018 that a robot wrote the music for this song, that would be some neat Futurama shit. But the fact that technology can beep-boop songs from scratch is old news now, and people don’t want manufactured backstories. There was already a recent backlash against a band that was revealed to be AI. People are quick to turn on an artist when they sense disingenuousness. Remember that author who penned an autobiography that got noticed by Oprah, only to have it all come crashing down when it was revealed the story was fabricated?

The hidden controversy is the sensory nightmare that is that book cover.

I think the music industry is going to change in a lot of ways in the upcoming years. My hope is that we musicians don’t become obsolete and that the human need for connection and genuineness is stronger than the fleeting coolness that is AI. And I think we do have a need for real, human-made music. You can’t replace the camaraderie of your local punk scene or the chills a live orchestra brings or the sheer joy of going out to karaoke. Music in our souls. It’s what humanity sounds like.

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America the Broken: A Fourth of July Rant

I am an American, and I’m fucking tired.

Of course our dick-tater-in-chief and the lovely folks who are SUPPOSED to represent the people had to pass the Big Bonkers Bill the day before Independence Day (and no, I’m not calling it “beautiful” — absolutely fuck that). Now, Medicaid is going to be gutted, affecting millions of people who rely on it for healthcare, including yours truly. Like, am I paranoid for thinking that they want us to die?

So yeah, America. I don’t think you deserve a birthday party this year. In fact, finding some way out of this godforsaken country is sounding more and more enticing as this presidency goes on. My wife has brought up moving to Germany, and the rest of our polycule is on board if we can swing it somehow.

But believe it or not, I’ll miss this fucked-up place. Because America is still my home, and as odd as it might seem, I still have a lot of love for her.

You might even call me…*gasp* a patriot.

Cue eagle screech (that’s actually a hawk).

In fact, when I was a teenager, I was the official national anthem singer for my high school’s sports teams. It was a great gig, and it was great performance experience, and I got to ogle the cute basketball players, but the coolest part was how it felt like what I was doing was important. I was serving my country with my voice, dammit!

As I got older, I remained loyal to my homeland, even as the cracks began to show. I realized how messed up it was that we don’t have universal healthcare while like, every other developed country does. But that didn’t make me hate it here as much as it made me want to change it here. And at the time, it felt like change was possible. Obama was in office and gay marriage got legalized and everything seemed to be progressing and going in the right direction.

Then of course, 2016 happened.

At the time I wasn’t out yet and was (unhappily) married to a man, so I wasn’t in full panic mode yet. But here, almost a decade later, I’m openly queer with a black nonbinary partner and a neurodivergent trans partner and honestly, I’m scared to death. Because I’ve seen what the people in charge want to happen to them for being those things, and it looks a little like this:

There is no writing a witty caption for this picture.

I don’t want to imagine my country ever stooping to the level of Nazi Germany, but things are getting scary. Even some Holocaust survivors are seeing unsettling resemblances to their experiences. I didn’t think anything like this could ever happen here. We have representatives. We have a Supreme Court. We have votes and the first amendment. And yet…

Yeah, I think we’re done with witty captions.

I love my country. I love my state with its beautiful lakes and my little city with a silly name. I don’t want to leave this place behind. But if I’m honest, I’m afraid. I’m more afraid than I’ve ever been. I don’t know what’s going to happen, if my friends and family are going to lose their healthcare or get imprisoned or die. This is why I write. I write to draw attention to things that need attention. I write to humanize my experience and my loved ones’ experiences. I write because I do love my country and want the best for it. In a way, I’m still using my voice to serve my country.

I just want the nation I grew up loving to be back again. I realize the US was never truly free. Our past was built on the backs of slaves and the indigenous folks we steamrolled to get this place. But I’d like to build a better future for us, one where all people are free, equal, and happy.

I don’t think that’s too much to ask.

Stepping Into My Own “Barracuda” Moment

Let’s talk about Friday night.

I’ve been sitting on this blog post for a few days now as I process what happened at karaoke on Friday. Here’s the SparkNotes version of the events.

Basically, I was already riding high from a very successful music bingo night that I’d just hosted at a different bar. That part is important because had I not been in such a powerful mood already, I probably wouldn’t have been able to do what I did. I got to Old Dog Tavern (shout out to one of my two favorite bars in Kalamazoo!) around 10 I think and met up with one of my bandmates and best friends, Ellie. We were just outside on the deck probably sharing a joint with a few friends or something when we both headed inside for some reason. Not ten seconds after we stepped inside, some crusty short old white dude with a Colonel Sanders goatee in a green hat came up to us. He reached his shriveled hands within an inch of our titties and made a honking motion, remarking “Eh, isn’t this how you greet women?” and shyly begging “Can I?”

I saw red. It was enough that this fucko disrespected me, but also poor little Ellie, who is for all intents and purposes a little sister figure to me. I pushed back through the doors to where my wife, Crass, was sitting outside, and all I had to say was “creep,” “tried,” and “grope” and she was equally livid. We both bursted back inside, her to find the pervert and me to make a fucking statement.

I ran up to the stage and grabbed the microphone. Fuck whatever else was going on. This man had to be stopped. I screamed to stop the music, took the mic, and with all of the pent-up rage of 32 years worth of creeps thinking they can test me, I declared:

“Nobody is allowed to sexualize me and my friend without our consent.”

The bar bursted into a frenzy of confused looks and claps, save for one asshat heckler in the front who yelled “Too late!” like a goddamn Reddit troll in real life. This made me even more angry, and I lunged toward him, grabbed him by the collar to make him look me in the eye, and said “What the fuck did you say?” At that point, Crass had turned her attention to the heckler, and she literally chased the whole man out of the bar. The original pervert got tracked down and kicked out as well, and the whole time, I was shaking and crying and in shock at what I had just done.

I — the bullied little girl who had to eat lunch in the library to avoid being pelted with ranch dressing packets — finally stood up for myself.

Then, the most amazing moment happened. The whole bar rallied around me, encircling me physically with their bodies and figuratively with their love. I sunk into my friends’ arms and let out all of the emotions that had built up.

Because I was no longer scared. I felt like I had become something new. I stepped into who I was supposed to be this whole time. Like, there was something deeply spiritual about what happened that night. My good friend’s girlfriend said it’s a Leo moon thing. I keep drawing powerful feminine cards like The Empress and the Queen of Wands, the latter of which is a card that’s always resonated with me, though I couldn’t place why at first. I always thought I was more of a Cups girl — soft and emotional — not a fiery, passionate Queen of Wands.

I’ve mentioned my ridiculous admiration for Ann Wilson, frontwoman of the classic rock band Heart, on here many times, and it’s fitting that this particular night was the day after her 75th birthday. I wanted to be her so bad growing up, to the point where I’d study her singing and her performances and her fashion sense and even her personal life, as stan-ly as that sounds now (give me a break, I was an autistic child). One thing I learned when reading about her childhood was the fact that she was bullied extensively too, like me. She was overweight; I was underweight. She had a stutter; I had undiagnosed ADHD and autism. But I saw myself in her. Hell, I created a cringey wish-fulfillment OC based on her! She gave me hope that I could someday be the badass rocker chick I desperately wished to become.

That night at karaoke, that’s exactly what I did. I became that woman. The take-no-shit rock and roll queen who isn’t afraid to call a fucker out.

After the creeps were exiled from the bar and karaoke resumed as normal, the DJ (who may just be the best cishet white man this side of Steve Irwin) asked me if I was okay and if there was anything he could do. I had one request, because I knew exactly what my last song of the night would be.

Back in the 1970s, Ann and her own (actual) little sister, Nancy, were frequent victims of slimy men in music venues, especially since rock was very much considered a man’s world back then. The iconic “Barracuda” was written as a response to some guy backstage who made a creepy joke toward Ann at her sister’s expense, insinuating their relationship was incestuous. Absolutely filled with unbridled rage, she wrote the scathing lyrics that would eventually become the now-legendary song.

And that night was my “Barracuda moment.”

I got on stage to a roar of applause. It’s funny because a while ago I wrote a song half-joking about wanting to be “Kalamazoo famous” instead of actual famous. In that moment, I really did feel like a small town celebrity. With what little was left of my voice after cussing out the pervs, I sang my musical heroine’s battle cry, dedicating it to her for helping me find my voice — and to every man who ever intentionally made a woman feel unsafe in a bar.

I left the best part out. After everything was said and done, a young woman came up to me and quietly thanked me for what I did. She’d been victimized by the creep too. It made me realize how much power we have as women to lift each other up and protect one another.

I want to carry this night with me whenever I feel like I’m not strong enough to stand up for myself. Because now I know I have what it takes. I’ve seen it. My friends have seen it. The entire city of Kalamazoo has seen it.

I have more power than I thought.

Grandkids and the GOP: How the Drive to Live Forever Fuels Conservativism

I think I cracked the code.

Like, I know why the other half of the population just doesn’t seem to get it.

It’s babies. It’s always been babies.

Of course, just look at that shit-eating grin.

Well, and death. Just follow me for a second.

I was recently reading about a fellow named Ernest Becker, who won a Pulitzer Prize for his 1974 book on death. In this book, he asserts that humans are driven by their primal fear of death and no longer existing in the mortal realm. Because of this, we unknowingly take on “immortality projects” meant to carve our name into history in some fashion. For some, including myself, this looks like creating art or music or stories that will last long after we’re gone. For others, this may look like accumulating lots of wealth, then dumping it into a cool institution or organization you believe in to get something named after you. And for many, many folks, their immortality projects are their progeny.

And that’s where things get sticky — because a lot of older folks are realizing their children and grandchildren don’t want kids of their own.

And if your kids don’t have kids, your bloodline is essentially over, you’ll be forgotten, and nothing you ever did amounted to anything.

Seriously, this fear explains so much about the psyche of older conservatives. It explains the anti-gay stance, as one could traditionally only reproduce with someone of the opposite birth sex. It explains the anti-trans stance, as HRT typically borks your reproductive system (and a lot of people don’t know about options like sperm banks for preserving fertility after transition). It explains the anti-abortion stance, since you don’t want your daughter to go off and abort your grandchild. I’d argue much of the conservative worldview stems from just three little words — “I want grandkids.”

And the wild thing here is that I actually get it.

I mean, I wanted to be a grandma someday. But mostly so I could nap and watch game shows all day.

That ever-present fear that I’ll just die and eventually be forgotten without accomplishing anything great is one of my biggest fears too. I’ve actually written about it extensively on this blog. I understand where these people are coming from, even if our ways of handling that fear lead us to vastly different belief systems.

A while back, I had this conversation with one of my coworkers at the caregiving gig I picked up recently. We got on the ill-advised topic of politics, and she told me she voted for our current administration “because of her family.” And I told her I had voted against it for my family. My wife is black. My girlfriend is trans. Our future children will likely be neurodivergent. This isn’t the world I want for them. I don’t want them to live in fear.

And so I keep finding myself going back to the same question — what makes my coworker’s family more important than mine? The fact that she’s straight and white and neurotypical? And yet, we’re really not all that different. She, like me, just wants to leave a legacy. Maybe her legacy will look different than mine, but that’s the beauty of the human experience. We each get to choose what our legacy will be.

That’s why these pushes to put as many babies as possible in as many wombs as possible will inevitably fall flat. People usually have a good idea of what they want out of life, and if that’s not children, that should be the end of the story. Family planning, birth control, and issues relating to fertility are personal and private. It’s no one’s place to tell anyone they should bring kids into this world. And that includes parents pestering their own children for grandkids.

But I do get it. I hate the thought that I might someday be forgotten. That’s part of the reason I write this blog — so there’s some record I actually existed one day after I’ve left this mortal realm. I always think back to that scene in Coco, a film I absolutely adore but can only watch very seldom due to the heavy themes. Like, a whole man evaporates as the last person alive who remembers him dies. And that fucked me up.

I write this because I feel in order to defeat the rise of fascism in this country, we need to understand why people voted the way they did. We need to know how we got in this position. Burying our heads in the sand and pretending the opposition are all irredeemable monsters is not how we win people to our side. Seeing people as fully human and acknowledging their dreams and fears is.

Because at the end of the day, when you set aside all of our differences, every person just wants to carve out a permanent place in the story of humanity.

Music, Failure, and the Weight of the World: A Small Rant

So I was let go at Guitar Center.

It was the professional equivalent of a relatively amicable breakup — my boss saw me struggling to even make it in on time due to my insane work schedule, and so she mercifully allowed me to quit with no hard feelings. I’ve never been fired, and this doesn’t even really count as a firing since I left on my own terms, but it still stings.

I’m not a stranger to failure, despite it rivaling death and abandonment as one of my biggest fears. Leaving the internship in Fort Wayne felt like a huge failure after everything I’d put myself and my wife through in order to finish my music therapy degree. I wasted so many years in school and have absolutely nothing to show for it. That was a rough moment in my history, but I managed to claw my way out of the dark depression it sent me into.

I don’t know how much clawing I have left in me, though. My fingertips are bloodied and raw. I’ve struggled enough.

This is all on top of the weight of the world, which has been crushing me with every disheartening story that passes through the news cycle. We live in a truly evil world where people get their kicks by literally kicking others down. Some bitch got hundreds of thousands of dollars for calling a child the n-word. How is it that terrible people get rewarded, but actual good people get fucked over? There’s still a whole bunch of bullshit happening in Israel and Palestine to folks whose only sin was being born in the wrong place at the wrong time, and don’t even get me started on the mess that is my own country at the moment. I wish I could just leave, but it’s not that simple. I can’t leave my family and friends and partners behind, so my only choice is to stay and fight the good fight, wherever that leads me.

But like I said, I’m don’t know how much fight I’ve got left. I’m fucking exhausted. The one thing that’s kept my spirits up at all is music and the prospect of someday becoming a successful musician in some form, but I’m afraid of becoming obsolete. I’ve already mentioned on my blog how dabbling with AI software started to bork my creativity, but like, what’s the point of writing songs when I can push a button and make the robots write one for me? And that’s the future we have to contend with. I’m not a vehemently anti-AI Neanderthal — I think there are legitimate uses, even in the art and music fields, and I’d be a hypocrite if I said I’ve never used it. Like, sometimes I’ll use AI to test out acoustic demos with a full band so I know whether or not the song is even strong enough to work with. But I’d never, ever release something to the public that I didn’t create myself. And I’m realizing most people don’t operate with those kinds of creative ethics. So as AI music becomes more prominent, I’m going to have to compete with a torrential onslaught of “creators” cranking out slop. Like, how long until we have an AI popstar?

But even if I didn’t have robots to compete with, I’m still racing against time. I’m 32. No one wants to listen to grandma sing her little songs, and I’m practically a grandma already to the suits who run the music industry. I remember when I was a freshman in college, it was a big fucking deal that Carly Rae Jepsen, who was at the height of her “Call Me Maybe” era, was 26. I’m six years older than that, and I have yet to make any significant waves in the industry. The music video for “Sweet Honey” sits just below 100 views, which is next to nothing. I can’t help but wonder what would have happened had I moved to Nashville or LA in my youth, but it’s too late now.

And even if I was still a hot twentysomething ready to take on the music industry, you have to remember, the music industry has changed. A lot. It’s damn near impossible to make money with streaming. And there’s no such thing as rock stardom anymore. Unless you’re Taylor Swift, Chappell Roan, Sabrina Carpenter, or Beyoncé, no one knows who you are, and no one cares. Monoculture is dead. Back when you had to listen to music on the radio, people could bond over hearing their favorite songs together. Now, everything is so fragmented. If you want to listen to nothing but progressive zydeco pirate metal, you can just search for bands that fit that perfectly in that very niche and never bother putting on anything else again. Vinyl sales are up, but that’s not gonna help your up-and-coming local band that’s still getting off the ground and doesn’t have thousands of dollars to drop on printing physical records. Which leads me to the biggest problem.

It costs too damn much to “make it” in the creative fields.

I could have moved to Nashville had it not been prohibitively expensive. I could sink all of my time and energy into recording quality music if I didn’t have to work three jobs for the privilege of breathing air. The famous folks you know and love are largely only there because they were born into money and had multiple safety nets to catch them in case of failure. Taylor Swift’s wealthy upbringing has been the subject of much scrutiny, but even one of my personal favorites, the aforementioned Chappell Roan, had a charmed life, growing up in a sprawling gated home that looked like this. I’m livid that the music industry and this entire country as a whole demands you be born with a silver spoon in your mouth, or else what you have to say or contribute isn’t important and you should just fuck off and die. It makes me viscerally angry, the amount of talent we’ve lost to poverty. The next Jimi Hendrix could be just around the bend, but if that kid’s parents can’t afford to get him a guitar and lessons, too fucking bad.

It’s a cultural crisis. And I’m scared I’m becoming one of its casualties.

I want to make it in music more than anything, but I’m so disillusioned at this point. I’ll never be a rock star. I’ll never be John Frusciante. I’ll never be Ann Wilson. The best I can hope for is some steady gig where I can make the music I want to make and earn a decent living, but there’s not a lot of jobs like that out there, especially not here in Kalamazoo.

I don’t want to end this post on a negative note, as many things in my life are going well. My dad was recently hospitalized, but he’s made a speedy recovery. My two primary partners have been incredibly loving and immensely supportive of me, and I might have a third partner who is also very sweet if I play my cards right. My dream pedalboard is finally finished, and since moving to Kalamazoo, I’ve got more friends than I can keep track of. I do have a lot going for me, but there’s always that part of me wondering when the other shoe is gonna drop. And a big black cloud hanging over me as of late is my frustration with, well, everything.

But I’m going to keep pressing on. With Guitar Center out of the way, perhaps I’ll have more time to work on the songs I want to get recorded and produced. Maybe I can sink more energy in the podcast I started with my best friend. Maybe I can even sleep a full eight hours like a normal person.

I’m trying to be cautiously optimistic, but optimistic nonetheless. That’s all I can really do.

Putting on the Straight Jacket: Choosing Between Safety and Your Own Identity

Alright everyone, today we’re talkin’ trauma. But first, the daily prompt WordPress gave me tonight:

What sacrifices have you made in life?

It’s serendipitous that this was today’s prompt, because while this wasn’t necessarily the direction I was planning to go in with this topic, I feel there is another important angle to consider.

Living and being in the world authentically requires sacrifice. And it absolutely can cause trauma.

Up until a certain age, the trauma I experienced never really left the school hallways, so once I was done for the day, I could compartmentalize all that BS and, I don’t know, play Sims all day. My bullies didn’t really live rent-free in my mind since I was too busy thinking about all the stories I wanted to write, and to be entirely honest, I didn’t have much else to worry about as a child. You know, aside from my terrifying OCD-driven intrusive thoughts.

No brain, I *don’t* actually want to stab my mother, I literally just want to play dolls.

Here’s something I came to realize: things were so easy because I actually had a pretty privileged life growing up. I was white, relatively well-off (well, blue collar, but my family never hurt for food), and straight…right?

Oh.

In the immortal words of NSYNC, bi bi bi.

I think I always knew in my heart of hearts that I was bisexual. You see, speaking of Heart, I came to realize I was staring just as longingly at old photos of Ann Wilson as I was at Peter Frampton. Yes, I am a millennial. My mom gave me some of her vinyl collection when I was around 12, and the cover of Dreamboat Annie just like, awakened something in me.

Then, I went to the church I grew up in and that got beat out of me pretty quick. I learned what it was called when a girl thinks another girl is hot. It was called being a homosexual and it was bad because…they never really said aside from a couple of Bible verses that I’ve since discovered meant something else entirely. But the message was clear. If being gay was bad, then I was not gay, simply because I did not want to be bad.

And then I met my best friend in college. She was a lesbian. The closer we got, the more I realized I preferred being around her to any of the guys I dated. I even realized I preferred her company to that of the man I eventually married. No one made me laugh like her. No one understood me like her. And like, she was way cuter than most of the dudes too.

If you haven’t caught on yet, she’s my wife now.

But something changed when I just said “fuck it” and started living openly queer. Suddenly, religious and political discussions were a minefield and I’d be taken aback by how freely people would say the most dehumanizing bullshit about folks like me — especially if the person I was talking to didn’t immediately register that I wasn’t straight like them. I had to watch how I word things around strangers, as dropping a phrase containing the words “my wife” could potentially put me in danger. Driving through smaller towns felt especially unsettling now. I wasn’t sure if I was surrounded by people who’d want me dead if they knew the truth. I’m originally from a small town; I know how it is. These folks don’t often meet people who aren’t like them, and when you’re that insulated from the full range of human diversity, exposure to that diversity can feel threatening. And when people are threatened, all sense of reason falls to the wayside and it’s fight mode.

I don’t want to fight with these people. But they want to attack me. All for something I never chose for myself. All because I thought girls were pretty.

In the last few months since the current administration took over, I’ve been considering what I’d even do in the case that homosexuality is outlawed. I am bisexual, and I could put on the straight jacket if I really needed to. I had for all those years I exclusively dated men. But I realized I wasn’t truly happy in that arrangement. I wasn’t fully, openly myself.

That’s why the topic of sacrifice kind of hit me. I’m sacrificing a lot of comfort and privilege just by being who I really am for the first time. There’s a term for that constant sense of looking over your shoulder that comes with being a marginalized person. It’s called minority stress, and refers to the chronic stress that we experience from constant discrimination and not knowing if the next person we run into will be a crazed bigot who wants to murder us. The thing is, I never had to experience that as a kid. My wife may have, since she’s black and race is a lot harder to conceal than sexuality. But remember, I was a white kid in a white family in a 99 percent white town. The only source of trauma for me, like I mentioned at the start, was being bullied.

All of that being said, would I go back in the closet if it meant freeing myself from the stress and potential threats? Would I willingly live out the rest of my years playing the role of the traditional wife in a heterosexual marriage? Would I sacrifice my own identity for my safety? Honestly, I don’t think I would. It is hard adjusting to being a marginalized person when it’s not something I grew up experiencing, but after spending years running from myself, I’m not about to backtrack on work I’ve done to be who I really am. Because who I really am is finally here, and she’s ready to take on the world.

Those Four Words: What NOT to Say to Someone Who’s “Seen the Light”

A few nights ago, I saw this post on That Accursed Platform:

There was more to the post, but the gist was “I voted for the Leopards Eating Faces Party and was shocked that the leopards ate my face.” Which has been a pretty common occurrence, judging by the sheer size of the community that monitors such things on Reddit. And I have to admit, my first inclination is to gloat when someone who voted against my right to life, love, and the pursuit of happiness gets their shit wrecked by the policies they voted for. It feels like karma. And nothing — I mean, nothing — feels as good as saying “I told you so.” Apparently, this woman has been hearing a whole parade of “I told you so” from people on my side.

But “I told you so” isn’t going to win people over to our side. It’s not going to soften hearts.

And it’s certainly not going to save folks lost to the MAGA cult.

I’m the kind of person who learns best by fucking up. It’s just what I do. I need to make a few mistakes before I realize what I’m doing isn’t working. My mistakes are pretty well-documented in this blog, actually. Co-writing an album with AI before noticing my own songwriting abilities atrophying? Dragging my wife to another state to attempt an ill-fated music therapy internship? Those were pretty noteworthy mistakes of mine, and I’ll tell you what I didn’t want to hear upon realization of my fucking up:

I told you so.

Those are the four words people will bend over backwards to not hear. And there’s a reason for that. Let’s get philosophical.

Here is a photo of Socrates, so you know just how philosophical we’re getting.

The sunk cost fallacy is basically what happens when you go “all-in” on a bad decision. Your brain kind of thinks “Well, I’ve already committed — it would be silly to back down now.” And that’s why people double-down on choices that are obviously causing more harm than anything else. It’s one reason why we stay in relationships that suck, or invest in a job that sucks, or finish watching a particularly sucky movie, even though we already know it sucks. It might as well be called “the suck cost fallacy,” because it sucks. But we know if we leave the situation, everything will have been for naught and even worse, you look wrong. And no one likes being wrong.

So when people inevitably realize they chose the wrong candidate and things inevitably start going south for them because of it, they’re not going to be happy. And when they hear a cacophony of those dreaded four words upon that realization, they’re not going to go “Oh shit, you’re right,” and join our side. NO. They’re going to double-down on their original opinions, even though they see the cracks.

What do we do instead?

Love. The answer is always love.

Welcome them in. After all, it’s not their fault they were lied to and deceived by shady campaign promises. Make sure they know that. Make sure they don’t feel any of your ire — it’s okay to be mad that they voted against your best interests, but you’re on the same side now. Make sure they know they have a place in the movement. And for the love of God and all things good in the world, don’t say “I told you so.”

I’m sure you’ve heard the poem that begins “First they came for…” by now. What you might not know is that the author, German pastor and theologian Martin Niemöller, was originally a staunch Hitler supporter. But he, like the woman whose story I shared above, felt the sting of his vote after he was imprisoned. Eventually, his heart softened and he felt deep remorse for what he’d done, and he began fighting for good. We could have a whole nation Martin Niemöllers who are fighting alongside us, but we can’t push them away before they’ve even been given a chance. We want to win people to our side. Don’t punish the behavior you want to see.

As the Carrot King continues to make this great nation his plaything, we’ll continue to see more and more people realizing he’s not everything he seems. That’s where we come in — not to say “I told you so,” but to be a soft place to land. When we realize we’re on the same side, there’s nothing we can’t do.

All of us. Together.

The Unsettling Trend of Dehumanization (And Why We Must Fight It At All Costs)

Oh. My. God.

So the government is planning on rounding up the info of folks with autism and doing God knows what with it. As someone who is (now thankfully) self-diagnosed, I’m probably safe for now. But this doesn’t exactly bode well for those diagnosed with other forms of neurodivergence, and considering RFK Jr. has already laid out his plans for people with ADHD, a condition I am properly diagnosed with, I have some cause for concern.

Because we’re in the beginning stages of genocide.

Just listen to the way he talks about us:

Autism destroys families, and more importantly, it destroys our greatest resource, which is our children. These are children who should not be suffering like this. These are kids who will never pay taxes. They’ll never hold a job. They’ll never play baseball. They’ll never write a poem. They’ll never go out on a date. Many of them will never use a toilet unassisted.

Dehumanization. That’s where we are.

We live in a world that values labor above everything else. If you’re not able to hold down a job, sucks to suck, you just don’t get to live. If you can’t contribute to society in any meaningful way, you’re a waste of carbon atoms and a drain on our resources and should probably be Old Yellered on sight like the useless sack you are.

*Rabies* are what happen when you don’t believe in vaccines, *RFK.*

The value of a person is determined by what they bring to the metaphorical table, and if you lose that value by losing the ability to work, you wear the scarlet letter of being a freeloader at best and a symbol of the downfall of civilization at worst. Sometimes you don’t even need to lose the ability to work. Sometimes your perceived lack of contribution to society is not paying your share of taxes (like undocumented immigrants) or not making your share of babies (like queer folks). But whatever it is, these people are not contributing like good citizens.

And I think that’s where the disconnect is, because a human life shouldn’t be weighed against how hard it has worked, how much money it has given, or how many babies it has popped out. Human life should be considered inherently sacred, with no conditions. Hell, all life should be considered sacred and handled with care. My dad (who dubiously claims he is of indigenous descent, although I’m not sure I buy it) says when certain Native American tribes kill an animal for food, they say a prayer of thanksgiving for it. And apparently there’s some truth to that. And if a buffalo’s life is worth enough to warrant a gratitude prayer, a human life should be worth so much more. The Good Book even says so:

Are not two sparrows sold for a penny? And not one of them will fall to the ground apart from your Father. But even the hairs of your head are all numbered. Fear not, therefore; you are of more value than many sparrows.

-Matthew 10:29-31

But we don’t value each other.

Wanna see something horrifying?

Those are people. Human fucking beings. “But these are violent criminals!” Well, for one, 179 out of 238 of these guys don’t have a criminal record and were sent to this fucking gulag without due process, which, may I remind you, is so important to our American way of life that it’s an amendment in our Constitution. You know, that thing that’s supposed to govern how we run this country?

But imagine, for a second, these dudes were violent criminals. Should they be rounded up like cattle and tortured for their sins? It’s tempting to say yes — if someone violently murdered my family, my kneejerk reaction would be “throw them in the woodchipper.” But in addition to a multitude of arguments against capital punishment, just by saying “x, y, & z are worthy of punishment by death,” we set a dangerous precedent that crime must be paid for with human life, and who decides what’s a crime? Rape and murder are obviously bad to most decent people at least, but remember that historically, being queer was a crime, and it still is in parts of the world.

You can see where this is going, right?

You can’t tell me you did Nazi that coming.

When the government decides an entire group of people are worthy of death, it’ll make their very existence a crime. That is dehumanization.

I’m honestly afraid of how and even if we can come back from this. How do you teach people that they should care for one another? How do we teach people that altruism and compassion are cooler than “owning the libs”? How do we teach people that kidnapping and torturing folks is bad? That all feels like common sense to me. And yet so many Americans are clinging to the very ideas their grandfathers fought against in World War II.

There’s a quote in the first Pokémon film from Meowth of all characters that goes like this:

I think about my big brother, who ended up an all-out Trumper despite being raised by the same blue-collar Democrats as me. We have very different values and views, but at the end of the day, we were both born from the same womb. The same blood runs in our veins. Despite the fact that he’s a business owner with a traditional marriage and four kids and a perfect picket fence life, there are so many things we share as well.

He is every bit as human as me.

I recently started a job at an assisted living home, and last night while I was changing one of the residents, I noticed his bright red MAGA hat staring at me from his bedside table. You know what I did?

I gave that man the exact same care I would have given my own grandfather. Because that’s what being human is about.

In that moment, I didn’t see a man who voted to take away mine and my loved ones’ rights. I saw a man with a family who loves him enough to bring him a giant stuffed puppy, who lay helplessly in his own excrement, desperately crying for help. Jesus said to love and pray for your enemies, and I’m gonna fucking do that if it kills me. I want to love so fiercely and fearlessly that it baffles everyone around me.

And that’s why I have this blog. Our best defense against genocide is humanizing our experiences. I want to soften hearts. I want to humanize myself as a queer, polyamorous, neurodivergent woman. I recognize that many people might not have ever met someone who ticks all those boxes and only get their information about those demographics from sources like Fox News and other conservative media companies. To those people, it’s my job to be a positive representative. I’m demonstrating to them that I’m not some irredeemably evil sicko that needs to be put down. I’m a daughter, a partner, a friend, a future mother, a musician, an artist, a caregiver, a teacher, and a writer. But most importantly, I’m a human.

We all are.