It’s not uncommon for me to feel a kinship to a person I’ve never met — and never will meet. From Freddie Mercury to Zelda Fitzgerald to a number of murder victims from the scores of true crime podcasts I binge, I have a tendency to see myself in various figures. I think everyone does this to an extent. Whether it’s a fictional character or a real human who walked this earth, we all want to find someone to relate to in the things we consume.
I was listening to a podcast on unsolved mysteries when I learned her name. Elizabeth “Connie” Converse, a fledgling but pioneering singer-songwriter who gave up and ran away to places unknown, never to be heard from again.
The listening experience was eerie as hell, as the narrators rattled off various facts about her life. She worked as a writer and editor. She was also into visual art in addition to music and writing. She lived in Ann Arbor and likely walked the same streets I do today. And like me, she was plagued with depression, or as she worded it, a “blue funk.”
Connie, born in 1924, would throw herself into the local music scene in the 1950s, playing living room shows and doing home recordings with artist and animator Gene Deitch of Tom & Jerry fame. Her songs are often described as ahead of their time — think a proto-Joni Mitchell. She wrote about subversive themes for the time, things like sexuality and racism. In fact, many consider her the earliest example of the singer-songwriter genre in the US. So why has no one heard of her? Simply put, she never managed to make an impact on wider audiences. Disheartened, she gave up on music and eventually would pack her bags and disappear forever, not even telling her own family her whereabouts. Her fate remains unknown.
But her music survived. In an interview, Gene Deitch shared some of the music he’d recorded in his younger days, including Connie’s music. This sparked a renewed interest in the forgotten artist, and in 2009, an album of her music was released to the public. She finally gained the recognition she’d always wanted. And yet, no one knows if she was even alive to see her half-century-old project see the attention it deserved.
Considering she’d be closing in on 100 years old now, the chances she’s still alive somewhere is incredibly slim. But I wish she was. I wish I could meet with her in some quiet cafe and just talk about music, art, life, anything. I know we’d be kindred spirits. I’d tell her my own frustrations about trying to make it in music, about my struggles with mental illness, how I’ve fantasized about simply disappearing sometimes.
But I can’t have those conversations, so I’ll settle for continuing her legacy. I’ll take her life and learn from it, glean inspiration from it. I’ll be the best songwriter I can be. I’ll be the best writer I can be. I’ll live a life that would make her proud and kick depression’s ass.
Do it for Connie.
Like life, like a smile
Like the fall of a leaf
How sad, how lovely
How brief
JESSA JOYCE 